| Church of Our Lady and St Michael, Abergavenny, Monmouthshire | |
|---|---|
| Our Lady and St Michael | |
Church of Our Lady and St Michael, Abergavenny, Monmouthshire | |
| 51°49′32″N3°01′13″W / 51.8256°N 3.0204°W | |
| Location | Abergavenny, Monmouthshire |
| Country | Wales |
| Denomination | Roman Catholic |
| Website | |
| History | |
| Status | Parish church |
| Founded | 1858 |
| Founder | John Baker Gabb |
| Architecture | |
| Functional status | Active |
| Heritage designation | Grade II* |
| Designated | 27 September 2001 |
| Architect | Benjamin Bucknall |
| Style | Decorated Gothic |
| Groundbreaking | 1858 |
| Completed | 1860 |
| Administration | |
| Archdiocese | Cardiff-Menevia |
| Parish | Abegavenny |
The Church of Our Lady and St Michael in Abergavenny, Monmouthshire, is a Roman Catholic parish church. A Grade II* listed building, it was built between 1858 and 1860 to a design by Benjamin Bucknall.
Abergavenny remained a Catholic stronghold in the years after the Reformation, and its first Catholic church built after the Reformation was on Frogmore Street. [1] This was replaced as the town's main Catholic church by Our Lady and St Michael's in 1860. [1] The construction of the church was funded by a local solicitor, John Baker Gabb, and the architect was Benjamin Bucknall. [2] Bucknall was engaged on the building of Woodchester Mansion, Gloucestershire, for another Catholic client, William Leigh, and, aged only 25, was seen as a coming man in Catholic architectural circles. Bucknall's intellectual and architectural influences were the work and ideas of Augustus Pugin – he converted to Catholicism in the year of Pugin's death – and the French Gothic Revival architect Eugène Viollet-le-Duc, with whom Bucknall was in regular correspondence. [3]
The church is constructed in Decorated Gothic style, with an accompanying Tudor Gothic presbytery. [2] Built of Old Red Sandstone, with Bath Stone dressings and slate roofs, [1] the church comprises a nave, North and South aisles and a chancel. [4] An intended "grand tower and spire" were never built. [2]
Simon Jenkins describes the church as "a bold composition of church and presbytery." [5] The interior of the church is largely unchanged since its construction with all its original Victorian furniture and furnishings intact. [1] The presbytery is similarly unspoilt. [1] The church also has "an exceptionally fine collection of medieval and later vestments". [4]