Monza is a city and comune on the River Lambro, a tributary of the Po in the Lombardy region of Italy, about 20 kilometres north-northeast of Milan. It is the capital of the Province of Monza and Brianza. Monza is best known for its Grand Prix motor racing circuit, the Autodromo Nazionale di Monza, which hosts the Formula One Italian Grand Prix with a massive Italian support tifosi for the Ferrari team.
In religion, a relic is an object or article of religious significance from the past. It usually consists of the physical remains or personal effects of a saint or other person preserved for the purpose of veneration as a tangible memorial. Relics are an important aspect of some forms of Buddhism, Christianity, Islam, shamanism, and many other religions. Relic derives from the Latin reliquiae, meaning "remains", and a form of the Latin verb relinquere, to "leave behind, or abandon". A reliquary is a shrine that houses one or more religious relics.
A number of alleged relics associated with Jesus have been displayed throughout the history of Christianity. While some individuals believe in the authenticity of Jesus relics, others doubt their validity. For instance, the sixteenth-century philosopher Erasmus wrote about the proliferation of relics, and the number of buildings that could be constructed from wooden relics claimed to be from the crucifixion cross of Jesus. Similarly, at least thirty Holy Nails were venerated as relics across Europe in the early 20th century. Part of the relics are included in the so-called Arma Christi, or the Instruments of the Passion.
According to the New Testament, a woven crown of thorns was placed on the head of Jesus during the events leading up to his crucifixion. It was one of the instruments of the Passion, employed by Jesus' captors both to cause him pain and to mock his claim of authority. It is mentioned in the gospels of Matthew, Mark and John, and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the apocryphal Gospel of Peter.
Relics that are claimed to be the Holy Nails with which Jesus was crucified are objects of veneration among some Christians, particularly Roman Catholics and the Eastern Orthodox. In Christian symbolism and art, they figure among the Arma Christi or Instruments of the Passion, the objects associated with the Passion of Jesus. Like the other Instruments, the Holy Nails have become an object of veneration among many Christians and have been pictured in paintings.
A monstrance, also known as an ostensorium, is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The word monstrance comes from the Latin word monstrare, while the word ostensorium came from the Latin word ostendere. Both terms, meaning "to show", are used for vessels intended for the exposition of the Blessed Sacrament, but ostensorium has only this meaning.
The French Crown Jewels and Regalia comprise the crowns, orb, sceptres, diadems and jewels that were symbols of Royal power between 752 and 1825. These were worn by many Kings and Queens of France as well as Emperor Napoleon. The set was finally broken up, with most of it sold off in 1885 by the Third Republic. The surviving French Crown Jewels, principally a set of historic crowns, diadems and parures, are mainly on display in the Galerie d'Apollon of the Louvre, France's premier museum and former royal palace, together with the Regent Diamond, the Sancy Diamond and the 105-carat (21.0 g) Côte-de-Bretagne red spinel, carved into the form of a dragon. In addition, some gemstones and jewels are on display in the Treasury vault of the Mineralogy gallery in the National Museum of Natural History.
Schatzkammer, a German word which means "treasury" or "treasure chamber", is a term sometimes used in English for the collection of treasures, especially objets d’art in precious metals and jewels, of a ruler or other collector which are kept in a secure room and often found in the basement of a palace or castle. It also often included the wider types of object typical of the Renaissance cabinet of curiosities. A very small but evocative Renaissance room in a tower at Lacock Abbey was designed for keeping and viewing the treasures of the newly rich owner.
Ottonian art is a style in pre-romanesque German art, covering also some works from the Low Countries, northern Italy and eastern France. It was named by the art historian Hubert Janitschek after the Ottonian dynasty which ruled Germany and Northern Italy between 919 and 1024 under the kings Henry I, Otto I, Otto II, Otto III and Henry II. With Ottonian architecture, it is a key component of the Ottonian Renaissance. However, the style neither began nor ended to neatly coincide with the rule of the dynasty. It emerged some decades into their rule and persisted past the Ottonian emperors into the reigns of the early Salian dynasty, which lacks an artistic "style label" of its own. In the traditional scheme of art history, Ottonian art follows Carolingian art and precedes Romanesque art, though the transitions at both ends of the period are gradual rather than sudden. Like the former and unlike the latter, it was very largely a style restricted to a few of the small cities of the period, and important monasteries, as well as the court circles of the emperor and his leading vassals.
Mosan art is a regional style of art from the valley of the Meuse in present-day Belgium, the Netherlands, and Germany. Although in a broader sense the term applies to art from this region from all periods, it generally refers to Romanesque art, with Mosan Romanesque architecture, stone carving, metalwork, enamelling and manuscript illumination reaching a high level of development during the 11th, 12th and 13th centuries.
Merovingian art is the art of the Merovingian dynasty of the Franks, which lasted from the 5th century to the 8th century in present-day France, Benelux and a part of Germany. The advent of the Merovingian dynasty in Gaul in the 5th century led to important changes in the field of arts. Sculptural arts consisted of the ornamentation of sarcophagi, altars and ecclesiastical furniture. Gold work and the new medium of manuscript illumination integrated "barbarian" animal-style decoration, with Late Antique motifs, and other contributions from as far as Syria or Ireland to constitute Merovingian art.
The beheading of John the Baptist, also known as the decollation of Saint John the Baptist or the beheading of the Forerunner, is a biblical event commemorated as a holy day by various Christian churches. According to the New Testament, Herod Antipas, ruler of Galilee under the Roman Empire, had imprisoned John the Baptist because he had publicly reproved Herod for divorcing his first wife and unlawfully taking his sister-in-law as his second wife Herodias. He then ordered him to be killed by beheading.
The Basilica of Saint Servatius is a Roman Catholic church dedicated to Saint Servatius, in the city of Maastricht, the Netherlands. The architecturally hybrid but mainly Romanesque church is situated next to the Gothic church of Saint John, backing onto the town's main square, Vrijthof.
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry, to house a relic of the Crown of Thorns. The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest. It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse, or "in the round", which had been recently developed when the reliquary was made, to create a total of 28 three-dimensional figures, mostly in white enamel.
The Basilica of Our Lady is a Romanesque church in the historic center of Maastricht, Netherlands. The church is dedicated to Our Lady of the Assumption and is a Roman Catholic parish church in the Diocese of Roermond. The church is often referred to as the Star of the Sea, after the church's main devotion, Our Lady, Star of the Sea.
The Treasury of the Basilica of Saint Servatius is a museum of religious art and artifacts inside the Basilica of Saint Servatius in Maastricht, Netherlands.
The Aachen Cathedral Treasury is a museum of the Roman Catholic Diocese of Aachen under the control of the cathedral chapter, which houses one of the most important collections of medieval church artworks in Europe. In 1978, the Aachen Cathedral Treasury, along with Aachen Cathedral, was the first monument on German soil to be entered in the List of UNESCO World Heritage Sites. The treasury contains works from Late Antique, Carolingian, Ottonian, Staufen, and Gothic times. The exhibits are displayed in premises connected to the cathedral cloisters.
The Hildesheim Cathedral Museum is the treasury and diocesan museum of Hildesheim, which illustrates over a thousand years of art and church history in Lower Saxony. It is located in historic rooms off the southern transept of the Hildesheim Cathedral. During the cathedral renovations of 2010, the nearby church of St Antonius and part of the cathedral cloisters were converted into display rooms for the museum.
The Trier Cathedral Treasury is a museum of Christian art and medieval art in Trier, Germany. The museum is owned by the Roman Catholic Diocese of Trier and is located inside the Cathedral of Trier. It contains some of the church's most valuable relics, reliquaries, liturgical vessels, ivories, manuscripts and other artistic objects. The history of the Trier church treasure goes back at least 800 years. In spite of heavy losses during the period of the Coalition Wars, it is one of the richest cathedral treasuries in Germany. With the cathedral it forms part of a UNESCO World Heritage Site.
The Treasury of St Mark's Basilica contains the church treasure or collection of sacred objects and reliquaries kept in St Mark's Basilica in Venice, Italy. The treasure constitutes the single best collection of Byzantine metalwork and enamels that survives, many of the items having been looted during the Fourth Crusade of 1204. The treasury also contains some significant artworks made for the basilica itself, but no longer used there.
