| Citi Movement (Griot New York) | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | June 15, 1992 | |||
| Recorded | July 27–28, 1992 | |||
| Genre | Jazz | |||
| Length | 122:58 | |||
| Label | Columbia | |||
| Wynton Marsalis chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [1] |
| The Penguin Guide to Jazz Recordings | [2] |
| Rolling Stone | [3] |
Citi Movement (Griot New York) is an album by jazz trumpeter Wynton Marsalis, released in 1992.
All tracks are written by Wynton Marsalis
| No. | Title | Length |
|---|---|---|
| 1. | "Hustle Bustle" | 4:36 |
| 2. | "City Beat" | 10:21 |
| 3. | "Daylight Dinosaurs" | 3:35 |
| 4. | "Down the Avenue" | 4:44 |
| 5. | "Stop and Go" | 5:31 |
| 6. | "Nightlife-Highlife (Yas, Yas)" | 6:07 |
| 7. | "How Long?" | 1:05 |
| 8. | "I See the Light" | 1:34 |
| 9. | "I See the Light (instrumental)" | 2:10 |
| 10. | "Duway Dialogue" | :40 |
| 11. | "Dark Heart Beat" | 8:17 |
| 12. | "Cross Court Capers" | 5:37 |
| 13. | "Bayou Baroque" | 4:13 |
| 14. | "Marthaniel" | 8:16 |
| 15. | "Spring Yaoundé" | 6:00 |
| No. | Title | Length |
|---|---|---|
| 1. | "The End" | 3:04 |
| 2. | "The Legend of Buddy Bolden" | 4:43 |
| 3. | "Swingdown, Swingtown" | 8:59 |
| 4. | "Highrise Riff" | 7:04 |
| 5. | "Modern Vistas (As Far as the Eye Can See)" | 17:19 |
| 6. | "Curtain Call" | 8:49 |
Production
Payton's Place is an album by the jazz trumpet player Nicholas Payton, released in 1998.
Black Codes (From the Underground) is a 1985 album by jazz trumpeter Wynton Marsalis.
Blood on the Fields is a two-and-a-half-hour jazz oratorio by Wynton Marsalis. It was commissioned by Lincoln Center and treats the history of slavery and its aftermath in the United States of America. The oratorio tells the story of two slaves, Jesse and Leona, as they traverse the difficult journey to freedom. The narrative suggests that the individual freedom and agency of its protagonists is necessarily and inextricably intertwined with the empowerment of the community and nation as a whole. The work received the 1997 Pulitzer Prize for Music, being the first time the prize was ever given for a jazz music composition, an honor that had previously been reserved for classical composers.
Blue Interlude is an album by the Wynton Marsalis Septet, released in 1992 by Columbia Records.
From the Plantation to the Penitentiary is an album by jazz trumpeter Wynton Marsalis that was released in 2007. It reached No. 2 on Billboard's Top Jazz chart.
Lush Life: The Music of Billy Strayhorn is an album by the jazz saxophonist Joe Henderson. Composed of songs written by Billy Strayhorn, the album was a critical and commercial success, leading to the first of three Grammy Awards Henderson would receive while under contract with Verve Records. The album had sold nearly 90,000 copies at the time of Henderson's death in 2001 and has been re-released by Verve, Polygram, and in hybrid SACD format by Universal. Musicians on the album are trumpeter Wynton Marsalis, pianist Stephen Scott, bassist Christian McBride and drummer Gregory Hutchinson.
The Majesty of the Blues is an album by jazz trumpeter Wynton Marsalis that was released in 1989.
You Won't Forget Me is a 1991 studio album by Shirley Horn.
Wynton Marsalis is the debut album by the jazz trumpeter Wynton Marsalis. It was released in 1982 by Columbia. It contains seven tracks, three composed by Marsalis. The album peaked at number 165 on the Billboard 200 and number nine on the Billboard Jazz Albums chart.
Think of One is an album by jazz trumpeter Wynton Marsalis, released in 1983. It won the Grammy Award for Best Jazz Instrumental Performance, Soloist.
Christmas Jazz Jam is a Christmas album by Wynton Marsalis that was released in 2009 by Compass Productions. Musicians on the album include Wessell Anderson on alto saxophone, Vincent Gardner and Wycliffe Gordon on trombone, Victor Goines on tenor & soprano saxophone and clarinet, and Herlin Riley on drums.
Live at Blues Alley is a double live album by the Wynton Marsalis Quartet, recorded at Blues Alley in December 1986 and released through Columbia Records in 1987. The quartet included trumpeter Wynton Marsalis, bassist Robert Hurst, pianist Marcus Roberts and drummer Jeff "Tain" Watts. The album was produced by Steven Epstein; George Butler served as executive producer.
Crescent City Christmas Card is an album by jazz trumpeter Wynton Marsalis that was released in 1989. The album reached a peak position of number fourteen on Billboard's Top Jazz Albums chart.
Joe Cool's Blues is an album by jazz trumpeter Wynton Marsalis and his father Ellis Marsalis that was released in 1995. The album reached a peak position of No. 3 on Billboard's Top Jazz Albums chart.
Thick in the South: Soul Gestures in Southern Blue, Vol. 1 is an album by Wynton Marsalis that was released in 1991. Part one of the blues cycle was recorded by Marsalis and his quintet with guest appearances by Joe Henderson and Elvin Jones.
Uptown Ruler: Soul Gestures in Southern Blue, Vol. 2 is an album by Wynton Marsalis that was released in 1991. It is part two of the three-part blues cycle recorded by Marsalis and his quintet.
Standard Time, Vol. 2: Intimacy Calling is an album by jazz trumpeter Wynton Marsalis that was released in 1990. The album reached peak positions of number 112 on the Billboard 200 and number 1 on the Billboard Top Jazz Albums chart.
Standard Time, Vol. 6: Mr. Jelly Lord is an album by jazz trumpeter Wynton Marsalis that was released in 1999. The album peaked at number 7 on the Billboard Top Jazz Albums chart.
Standard Time, Vol. 4: Marsalis Plays Monk is an album by the jazz trumpeter Wynton Marsalis that was released in 1999.
Keystone 3 is a live album by drummer Art Blakey and The Jazz Messengers recorded at the Keystone Korner in San Francisco in 1982 and released on the Concord Jazz label.
