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Citizen media is content produced by private citizens who are not professional journalists. Citizen journalism, participatory media and democratic media are related principles.
"Citizen media" was coined by Clemencia Rodriguez, who defined it as 'the transformative processes they bring about within participants and their communities.' [1] Citizen media characterizes the ways in which audiences can become participants in the media using various resources by new media technologies.
Citizen media has bloomed with the advent of technological tools and systems that facilitate production and distribution of media, notably the Internet. With the birth of the Internet and into the 1990s, citizen media has responded [ citation needed ] to traditional mass media's neglect of public interest and partisan portrayal of news and world events.
By 2007, the success of small, independent, private journalists began to rival corporate mass media in terms of audience and distribution. Citizen produced media has earned higher status and public credibility since the 2004 US presidential elections and has since been widely replicated by corporate marketing and political campaigning. Citizen media usage and attention also increased in reaction to the 2016 US presidential election. Traditional news outlets and commercial media giants have experienced declines in profit and revenue which can be directly attributed to the wider acceptance of citizen produced media as an official source of information. [2]
Many people prefer the term 'participatory media' to 'citizen media' as citizen has a necessary relation to a concept of the nation-state. The fact that many millions of people are considered stateless and often without citizenship limits the concept to those recognised only by governments. Additionally the very global nature of many participatory media initiatives, such as the Independent Media Center, makes talking of journalism in relation to a particular nation-state largely redundant as its production and dissemination do not recognise national boundaries.
A different way of understanding Citizen Media emerged from cultural studies and the observations made from within this theoretical frame work about how the circuit of mass communication was never complete and always contested, since the personal, political, and emotional meanings and investments that the audience made in the mass-distributed products of popular culture were frequently at odds with the intended meanings of their producers. [3]
Media produced by private citizens may be as factual, satirical, neutral or biased as any other form of media but has no political, social or corporate affiliation. There is often no training or understanding of professional concepts – such as off-record, objectivity, and balance – amongst those who produce their own media. Some argue that ordinary citizens may do more harm than good if they are able to publish their personal thoughts and opinions and pass them off as legitimate journalism. [4]
The following are ways that citizen media negatively differentiates from traditional journalism, according to critics:[ citation needed ]
Bias can be a problem in citizen media because there are multiple steps traditional journalists must undergo before publishing, such as waiting for confirmation before reporting a story. These steps do not always carry over to citizen media publication because they are not affiliated with any entity that would have additional editors. This can result in a lack of accountability and a strong presence of personal bias.[ citation needed ]
Transparency is another point of criticism. In citizen media, the user generating the content is often anonymous, hidden by a username. In traditional media, the reporter or editor's identity is known and can be identified by their byline. Conversely, there are some forms of citizen media, in which the author is known; this is most often in blogs.[ citation needed ]
There are many forms of citizen-produced media including blogs, vlogs, podcasts, digital storytelling, community radio, participatory video and more, and may be distributed via television, radio, internet, email, movie theatre, DVD and many other forms. Many organizations and institutions exist to facilitate the production of media by private citizens including, but not limited to, Public, educational, and government access (PEG) cable TV channels, Independent Media Centers and community technology centers.
Zines are an example of citizen media. According to Barnard College, there are various definitions for zines, but they share the following features: "self-published and the publisher does not answer to anyone; small, self-distributed print run; motivated by the desire to express oneself rather than to make money; outside the mainstream; low budget." [5]
Zines are self-published and free of any responsibility to an internet service provider, as blogs are. As a result, creators are able to bypass traditional journalism guidelines, such as copyright and ethical considerations.
World Wide Community Radio has been driven by participatory methodologies with rich examples of community radio providing a non-profit community owned, operated and driven model of media.
The Public Broadcasting Service (PBS) in the United States initiated by the Public Broadcasting Act of 1967 sets aside some public broadcasting funding for producing electronic television programming. Traditionally, PBS radio affiliates have not made concessions for private citizen programming or production.
With the birth of cable television in the 1950s came public interest movements to democratize this new booming industry. Many countries around the world developed legislated means for private citizens to access and use the local cable systems for their own community-initiated purposes.
Television is not as relevant or widely used in American culture as it was in the 1950s, or even in the past decades. A study in 1990 found that Americans spend an average of seven years watching television. [6] Other forms of media, such as online streaming services like Netflix, Hulu, and Amazon Prime, have both supplemented and replaced television as a common form of visual media for entertainment and news.
Affordable consumer technology and broader access to the internet has created new electronic distribution methods. While the corporate media market enjoyed a long period of monopoly on media distribution, the internet gave birth to countless independent media producers and new avenues for delivering content to viewers. Commercial models that use these new methods are being born and acquired by media corporations on a daily basis.
The Guardian named HuffPost (formerly known as The Huffington Post before their rebranding in 2017) the world's most powerful blog in 2008. [8] "The Huffington Post became one of the most influential and popular journals on the web. It recruited professional columnists and celebrity bloggers," reported The Guardian in their "The world's 50 most powerful blogs" article. [8] The HuffPost qualifies as citizen media as defined earlier in the article because audiences can also become participants in and interact with the media using the different resources offered; HuffPost writers are not always professional journalists.
Participatory video is an approach to and medium of participatory or citizen media that has become increasingly popular with the falling cost of film/video production, availability of simple consumer video cameras and other equipment, and ease of distribution via the Internet.
Although videos/films can be produced by a single individual, production often requires a group of participants. And, so participatory filmmaking includes a set of techniques to involve communities/groups in conceptualizing and producing their own films. Chris Lunch, a preeminent contemporary author on participatory video and executive director of Insight, explains that "The idea behind this is that making a video is easy and accessible, and is a great way of bringing people together to explore issues, voice concerns, or simply to be creative and tell stories." [9]
Participatory video was developed in opposition to more traditional documentary film approaches, in which indigenous knowledge and local initiatives are filmed and disseminated by outside professional filmmakers. These professionals, who are often from relatively privileged backgrounds use their artistic license to design narrative stories and interpret the meaning of the images/actions that they film. As such, the film is often created for the benefit of outsiders and those that are filmed rarely benefit from their participation. The objectives of participatory video are to facilitate empowerment, community self-sufficiency, and communication. [10]
The first experiments in PV were the work of Don Snowden, a Canadian who pioneered the idea of using media to enable a people-centered community development approach. Then Director of the Extension Department at Memorial University of Newfoundland, Snowden worked with filmmaker Colin Low and the National Film Board of Canada's Challenge for Change program to apply his ideas in Fogo Island, Newfoundland, a small fishing community. [11] [12]
By watching each other's films, the villagers realized that they shared many of the same concerns and they joined to create solutions. The villager's films were shared with policy-makers, many of whom had no real conception of the conditions in which Fogo Islanders lived. As a result of this dialogue, policy-makers introduced regulation changes. Snowden went on to apply the Fogo process all over the world until his death in India in 1984. [13] Since then, most of the development of the participatory video technique has been led by non-academic practitioners in the United Kingdom, France, Australia, and Canada.
Created in 2005, YouTube has become one of the largest original video publishing sites over the past decade. It was initially thought of as a vast space for random content. A year after its creation, YouTube was suddenly being referred to as "the first signs of a post-television age, a focus of serious media industry interest, the site of new and difficult legal issues and moral and ethical concerns." [6] YouTube has quickly become an outlet for both news channels and individual users to post news and other media content. Major news networks such as CNN, NBC, BBC, and Fox News, have their own channels where they post clips of broadcasts and interviews.
Participatory videos are distributed online and offline. Online, they are uploaded and shared through vlogs, social software, and video publishing sites. Aligning with the objective of participatory video to create community and communication, YouTube currently has a strong community of over one billion users who watch a billion hours of video daily. [14] The ability of users to choose media sources and which content they want to view adds to the concept of personalized media, a major component of citizen media.
Mass media include the diverse arrays of media that reach a large audience via mass communication.
Video clips refer to mostly short videos, which are usually silly jokes and funny clips, often from movies or entertainment videos such as those on YouTube. Short videos on TikTok and YouTube often influence popular culture and internet trends. Such clips are usually taken out of context and have many gags in them. Sometimes they can be used to attract the public to the user's other accounts or their long-form videos. The term is also used more loosely to mean any video program, including a full program, uploaded onto a website or other medium.
The news media or news industry are forms of mass media that focus on delivering news to the general public. These include news agencies, newspapers, news magazines, news channels etc.
Public-access television is traditionally a form of non-commercial mass media where the general public can create content television programming which is narrowcast through cable television specialty channels. Public-access television was created in the United States between 1969 and 1971 by the Federal Communications Commission (FCC), under Chairman Dean Burch, based on pioneering work and advocacy of George Stoney, Red Burns, and Sidney Dean.
Citizen journalism, also known as collaborative media, participatory journalism, democratic journalism, guerrilla journalism or street journalism, is based upon members of the community playing an active role in the process of collecting, reporting, analyzing, and disseminating news and information. Courtney C. Radsch defines citizen journalism "as an alternative and activist form of news gathering and reporting that functions outside mainstream media institutions, often as a response to shortcomings in the professional journalistic field, that uses similar journalistic practices but is driven by different objectives and ideals and relies on alternative sources of legitimacy than traditional or mainstream journalism". Jay Rosen offers a simpler definition: "When the people formerly known as the audience employ the press tools they have in their possession to inform one another." The underlying principle of citizen journalism is that ordinary people, not professional journalists, can be the main creators and distributors of news. Citizen journalism should not be confused with community journalism or civic journalism, both of which are practiced by professional journalists; collaborative journalism, which is the practice of professional and non-professional journalists working together; and social journalism, which denotes a digital publication with a hybrid of professional and non-professional journalism.
Alternative media are media sources that differ from established or dominant types of media in terms of their content, production, or distribution. Sometimes the term independent media is used as a synonym, indicating independence from large media corporations, but generally independent media is used to describe a different meaning around freedom of the press and independence from government control. Alternative media does not refer to a specific format and may be inclusive of print, audio, film/video, online/digital and street art, among others. Some examples include the counter-culture zines of the 1960s, ethnic and indigenous media such as the First People's television network in Canada, and more recently online open publishing journalism sites such as Indymedia.
Media in Seattle includes long-established newspapers, television and radio stations, and an evolving panoply of smaller, local art, culture, neighborhood and political publications, filmmaking and, most recently, Internet media. The Seattle–Tacoma Designated Market Area, as defined by Nielsen Media Research, includes most of Western Washington and the Wenatchee metropolitan area. As of 2021, it is the 12th largest television market and 11th largest radio market in the United States by population.
A vlog, also known as a video blog or video log, is a form of blog for which the medium is video. Vlog entries often combine embedded video with supporting text, images, and other metadata. Entries can be recorded in one take or cut into multiple parts. Unlike a more general video diary, vlogs are often recorded depicting the maker throughout.
Civic journalism is the idea of integrating journalism into the democratic process. The media not only informs the public, but it also works towards engaging citizens and creating public debate. The civic journalism movement is an attempt to abandon the notion that journalists and their audiences are spectators in political and social processes. In its place, the civic journalism movement seeks to treat readers and community members as participants.
Participatory media is communication media where the audience can play an active role in the process of collecting, reporting, analyzing and disseminating content. Citizen / participatory journalism, citizen media, empowerment journalism and democratic media are related principles.
Participatory video (PV) is a form of participatory media in which a group or community creates their own film. The idea behind this is that making a video is easy and accessible, and is a great way of bringing people together to explore issues, voice concerns or simply to be creative and tell stories. It is therefore primarily about process, though high quality and accessible films (products) can be created using these methods if that is a desired outcome. This process can be very empowering, enabling a group or community to take their own action to solve their own problems, and also to communicate their needs and ideas to decision-makers and/or other groups and communities. As such, PV can be a highly effective tool to engage and mobilise marginalised people, and to help them to implement their own forms of sustainable development based on local needs.
Digital journalism, also known as netizen journalism or online journalism, is a contemporary form of journalism where editorial content is distributed via the Internet, as opposed to publishing via print or broadcast. What constitutes digital journalism is debated by scholars; however, the primary product of journalism, which is news and features on current affairs, is presented solely or in combination as text, audio, video, or some interactive forms like storytelling stories or newsgames, and disseminated through digital media technology.
Interactive journalism is a new type of journalism that allows consumers to directly contribute to the story. Through Web 2.0 technology, reporters can develop a conversation with the audience. The digital age has changed how people collect information. News from print newspapers, once the only source for news, have seen declines in circulation as people get news on the Internet.
Participatory culture, an opposing concept to consumer culture, is a culture in which private individuals do not act as consumers only, but also as contributors or producers (prosumers). The term is most often applied to the production or creation of some type of published media.
Collaborative journalism is a growing practice in the field of journalism. One definition is "a cooperative arrangement between two or more news and information organizations, which aims to supplement each organization’s resources and maximize the impact of the content produced." It is practiced by both professional and amateur reporters. It is not to be confused with citizen journalism.
Canadian online media is content aimed at a Canadian audience through the medium of the Internet. Presently, online media can be accessed by computers, smart-phones, gaming consoles, Smart TVs, MP3 players, and tablets. The characteristics of Canadian online media are strongly shaped by the Canadian communications industry, even though their statistics and findings are more often than not associated with American research. Large media companies are increasingly on the move to start up online platforms for news and television content. The exponential growth of Canadians' dependency on online content for entertainment and information has been evident in the recent decades. However, it has proven slow for Canadian online media to catch up with the constant increase of American online media. Regardless of medium, entertainment and information hubs are not solely focusing on satisfying the audience they have, but are also heavily expanding their reach to new global audiences.
Produsage is a portmanteau of the words production and usage, coined by German-Australian media scholar Axel Bruns and popularized in his book Blogs, Wikipedia, Second Life and Beyond: From Production to Produsage. Produsage is the type of user-led content creation that takes place in a variety of online environments, open source software, and the blogosphere. The concept blurs the boundaries between passive consumption and active production. The distinction between producers and consumers or users of content has faded, as users play the role of producers whether they are aware of this role or not. The hybrid term produser refers to an individual who is engaged in the activity of produsage. This concept is similar and related to commons-based peer production, a term coined by Yochai Benkler.
Mass media in Zambia consist of several different types of communications media: television, radio, cinema, newspapers, magazines, and Internet-based Web sites. The Ministry of Information, Broadcasting Services and Tourism is in charge of the Zambian News Agency which was founded in 1969. Due to the decolonization of the country, it ultimately allowed the media sector of the country to flourish, and enabled the establishment of multiple different new outlets, as well as established a new news consumption culture that wasn't previously known to Zambia. Furthermore, due to the short-wave capabilities, and international increase in production, demand, and sales of the transistor-radios in the country it made it increasingly more difficult to control the media outlets throughout Zambia by the leaders of the government.
Radical media are communication outlets that disperse action-oriented political agendas utilizing existing communication infrastructures and its supportive users. These types of media are differentiated from conventional mass communications through its progressive content, reformist culture, and democratic process of production and distribution. Advocates support its alternative and oppositional view of mass media, arguing that conventional outlets are politically biased through their production and distribution. However, there are some critics that exist in terms of validating the authenticity of the content, its political ideology, long-term perishability, and the social actions led by the media.
Multimedia journalism is the practice of contemporary journalism that distributes news content either using two or more media formats via the Internet, or disseminating news report via multiple media platforms. First time published as a combination of the mediums by Canadian media mogul, journalist and artist, Good Fridae Mattas in 2003. It is inseparably related to the media convergence of communication technologies, business integration of news industries, and editorial strategies of newsroom management.
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