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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Trip hop is a musical genre that originated in the late 1980s in the United Kingdom, especially Bristol. It has been described as a psychedelic fusion of hip hop and electronica with slow tempos and an atmospheric sound, often incorporating elements of jazz, soul, funk, reggae, dub, R&B, and other forms of electronic music, as well as sampling from movie soundtracks and other eclectic sources.
Breakbeat is a broad type of electronic music that tends to use drum breaks sampled from early recordings of funk, jazz, and R&B. Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles.
Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.
Juan Atkins, also known as Model 500 and Infiniti, is an American record producer and DJ from Detroit, Michigan. Mixmag has described him as "the original pioneer of Detroit techno." He has been a member of the Belleville Three, Cybotron, and Borderland.
Yellow Magic Orchestra was a Japanese electronic music band formed in Tokyo in 1978 by Haruomi Hosono, Yukihiro Takahashi and Ryuichi Sakamoto. The group is considered influential and innovative in the field of popular electronic music. They were pioneers in their use of synthesizers, samplers, sequencers, drum machines, computers, and digital recording technology, and effectively anticipated the "electropop boom" of the 1980s. They are credited with playing a key role in the development of several electronic genres, including synthpop, J-pop, electro, and techno, while exploring subversive sociopolitical themes throughout their career.
Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno.
Electro is a genre of Electronic dance music directly influenced by the use of the Roland TR-808 drum machines, with an immediate origin in early hip hop and funk genres. Records in the genre typically feature heavy electronic sounds, usually without vocals; if vocals are present, they are delivered in a deadpan manner, often through electronic distortion such as vocoding and talkboxing. It palpably deviates from its predecessor boogie by being less vocal-oriented and more focused on electronic beats produced by drum machines.
Cybotron is an American electro music group formed in 1980 by Juan Atkins and Richard "3070" Davis in Detroit. Cybotron had a number of singles now considered classics and style-defining works of the electro genre, particularly "Clear" and the group's debut, "Alleys of Your Mind", as well as "Cosmic Cars" and "R-9". "Techno City" is also considered an early Detroit techno track.
Yellow Magic Orchestra is the first official studio album by Japanese electronic music band Yellow Magic Orchestra, who were previously known as the Yellow Magic Band. Originally released by Alfa Records, in Japan in 1978, the album was released by A&M Records in Europe and the United States and Canada in early 1979, with the US version featuring new cover art but without the closing track of "Acrobat". Both versions would later be re-issued in 2003 as a double-disc format, with the American version as the first disc.
Andre Manuel, a disc jockey and record producer called The Unknown DJ or DJ Unknown, was a pioneer in the Los Angeles area's 1980s music scene, moving from electro funk and electro rap to gangsta rap. Now a legend of West Coast rap, he worked with rapper Ice-T in the early 1980s, then with Alonzo "Grandmaster Lonzo" Williams, and with MC Eiht's group Compton's Most Wanted in the early 1990s.
Electronic dance music (EDM), also referred to as club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and festivals. It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres.
Hip hop production is the creation of hip hop music in a recording studio. While the term encompasses all aspects of hip hop music creation, including recording the rapping of an MC, a turntablist or DJ providing a beat, playing samples and "scratching" using record players and the creation of a rhythmic backing track, using a drum machine or sequencer, it is most commonly used to refer to recording the instrumental, non-lyrical and non-vocal aspects of hip hop.
A Word of Science is the debut studio album by British electronic producers Nightmares on Wax. Released by Warp Records in September 1991, it is the act's only album as a group before it became a solo vehicle for George Evelyn. Evelyn nonetheless recorded and produced the album alone, incorporating samples and elements from demo tapes he made in the late 1980s. Although Nightmares on Wax debuted with two well-received techno singles in 1989-1990, A Word of Science is eclectic and largely moves the act towards a more mellow style influenced by funk, soul and hip hop, while still incorporating techno, drum and bass, and house styles.
Hip hop or hip-hop, also known as rap and formerly as disco rap, is a genre of popular music that originated in the early 1970s from the African American community. Hip-hop music originated as an anti-drug and anti-violence genre consisting of stylized rhythmic music that often accompanies rapping, a rhythmic delivery of poetic speech. In the early 1990s, a professor of African American studies at Temple University said, "Hip-hop is something that blacks can unequivocally claim as their own." By the 21st century, the field of rappers had diversified by both race and gender. The music developed as part of the broader hip-hop culture, a subculture defined by four key stylistic elements: MCing/rapping, DJing/scratching with turntables, breakdancing, and graffiti art. While often used to refer solely to rapping and rap music, "hip hop" more properly denotes the practice of the entire subculture. The term hip hop music is sometimes used synonymously with the term rap music, though rapping is not a required component of hip hop music; the genre may also incorporate other elements of the culture, including DJing, turntablism, scratching, beatboxing, and instrumental tracks.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
Electro house is a genre of electronic dance music and a subgenre of house music characterized by heavy bass and a tempo around 125–135 beats per minute. The term has been used to describe the music of many DJ Mag Top 100 DJs, including Benny Benassi, Skrillex, Steve Aoki, and Deadmau5.
Memphis rap, also known as Memphis hip hop, or Memphis horrorcore, is a regional subgenre of hip hop music that originated in Memphis, Tennessee in the mid-late 1980s.
Big Fish Theory is the second studio album by American rapper Vince Staples. It was released on June 23, 2017, through Blacksmith Records and Def Jam Recordings. Featuring an avant-garde style that leans toward electronic club music genres such as house and Detroit techno, it contains production work from Christian Rich, Zack Sekoff, Sophie, Ray Brady, Jimmy Edgar, GTA, Justin Vernon and Flume, among others; as well as vocal contributions from a variety of artists including Kilo Kish, Kendrick Lamar, Juicy J, Ty Dolla Sign, Damon Albarn, Ray J, ASAP Rocky and Kučka.
References
- ↑ "Break Dancin' to Da Old School - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 26 August 2017.
- ↑ "The Definitive Electro & Hip Hop Collection - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 26 August 2017.
- ↑ "Electro Funk, Vol. 2 - Various Artists - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 26 August 2017.
- ↑ Discotheque, Vol. 1: The Haçienda - Various Artists | Songs, Reviews, Credits | AllMusic
- ↑ "Enter - Cybotron - Songs, Reviews, Credits - AllMusic". AllMusic. Retrieved 26 August 2017.
- ↑ Romero, Dennis (September 5, 1993). "Ready Class? Old School Hip-Hop's Back in Session". Los Angeles Times. p. 68(?) – via ProQuest. This was a Sunday issue. Probably at either one of sections or Los Angeles Times Magazine.
- ↑ Shallcross, Mike (July 1997), "From Detroit To Deep Space", The Wire, no. 161, p. 21
- ↑ "spins". Gold Coast Bulletin (G Go Magazine ed.). July 21, 2005. p. 6.
