Torre del Reloj | |
---|---|
English: Clock Tower | |
Artist | Carlos Raúl Villanueva, Juan Otaola Paván |
Year | 1954 |
Location | University City of Caracas, Caracas, Venezuela |
10°29′33″N66°53′25.3″W / 10.49250°N 66.890361°W |
The UCV Clock Tower, also known by its Spanish name Torre del Reloj de la UCV, or Reloj de la UCV, is a monument made of prestressed concrete. It is by the Rectory Plaza of the Central University of Venezuela in the University City of Caracas, [1] and was built between 1953 and 1954. [2]
The tower was proposed by architect Carlos Raúl Villanueva as a joint piece built by the engineer Juan Otaola Paván, with both contributing to the design. Its twisted columns were designed with new structural engineering principles.
The Venezuelan architect and designer Carlos Raúl Villanueva began designing the University City of Caracas campus in the 1940s, beginning construction in the 1950s. [3] In a time of prevailing modernism in Latin America, [4] Villanueva had a stylistic ideology for the project he called the "Synthesis of the Arts", combining the arts and architecture and creating artistic pieces that could also serve functional purposes. [3] [5]
The clock tower is an independent structure, and designed to stand out from its surroundings, which it towers over. This is said to be in contrast with the clock towers or faces common to most universities; though many universities will have one, they are typically on the facade of an otherwise individually important building or structure and are sidelined. By giving the clock tower the focus of the space within Rectory Plaza, it is said (by one of the university's preservation groups) to further emphasize the purpose of clocks at educational institutions in marking real and symbolic passages of time. [2] The clock tower has three bases, each a twisted column. These symbolize art, architecture and academics, [6] with the twisted columns creating the appearance of three A's. [2] It is 25 metres (82 ft) tall, and so defies the low-rise design of the rest of the Rectory Plaza. [2] Villanueva and Otaola also chose to keep the design of the clock tower "pure", with nothing extra needed or added. [7]
Professor Silvia Hernández of the university noted that the design elements of the base of the clock tower both work functionally to support three clock faces, but also represent a passage to a modern university, leaving the associations of the old clock tower, which was part of the Convent of San Francisco, in the past. [2]
The structure retains its original clockwork, electricity and sound systems dating from the 1950s. The electrical system was faulty by the 2010s, but is still used, making the clock run slow; the sound system was damaged in 2002 but also continues to be used. [2]
Engineer Otaola built the clock tower, contributing to its structural design. The geometry of the twisted columns of the three bases took a lot of torsion to hold, ultimately being supported by the crossbars between columns, which give the tower stability; the designers wanted to preserve the tower's slender nature and so only adjusted the twist by the smallest margins possible. [8]
Otaola said that, when presented with Villanueva's designs, he did not change anything fundamental about the piece, which was intended to stand as an obelisk, but added the twist of the three legs; he explained that both in terms of function and Villanueva's artistry it was a better option, and one that Villanueva immediately responded to positively. [7] Otaola proposed the twist by demonstrating with three pencils, sticking their tips in cardboard and twisting them. [9]
The company that manufactured the columns of the tower later used the same techniques when contributing to the build of General Rafael Urdaneta Bridge, spanning Lake Maracaibo. The techniques (based on Otaola's plans) were revolutionary at the time, as explained by construction historian Nancy Dembo in her book on the impact of Villanueva's works. [8]
The clock tower is said by a Venezuelan art guide to be "an obligatory reference point within the facilities of the Central University of Venezuela and one of the best known points of the city of Caracas". [10] Since 2000 it has been part of the World Heritage Site that comprises the University City of Caracas. [9]
The Central University of Venezuela is a public university located in Caracas, Venezuela. The university is widely regarded as the highest ranking institution in the country. Founded in 1721, it is the oldest university in Venezuela and one of the oldest in the Western Hemisphere. It is ranked 18th among the universities in Latin America.
Estadio Olímpico de la UCV is a multipurpose stadium used mainly for association football in Caracas, Venezuela, which serves the home ground of Caracas F.C., Deportivo La Guaira, Metropolitanos F.C., and Universidad Central. It has a capacity of 24,264.
Carlos Raúl Villanueva Astoul was a Venezuelan modernist architect. Raised in Europe, Villanueva went for the first time to Venezuela when he was 28 years old. He was involved in the development and modernization of Caracas, Maracay and other cities across the country. Among his works are El Silencio Redevelopment which included 7797 apartments and 207 shop premises and the Ciudad Universitaria, the main campus of the Central University of Venezuela. The Campus was declared a World Heritage Site by UNESCO in the year 2000.
The University City of Caracas, also known by the acronym CUC, is the main campus of the Central University of Venezuela (UCV), located in central Caracas, the capital of Venezuela. It was designed by the Venezuelan architect Carlos Raúl Villanueva and was declared a World Heritage Site by UNESCO in 2000. The Ciudad Universitaria de Caracas is considered a "masterpiece" of architecture and urban planning, and greatly influenced Venezuelan architecture.
The Hospital Universitario de Caracas or University Hospital of Caracas is a publicly owned hospital located in the spaces of the Ciudad Universitaria de Caracas, part of the Central University of Venezuela, located in the Chaguaramos parish of Libertador Municipality in the District Capital of Venezuela and west of Caracas Metropolitan District and the city of Caracas, the north central Venezuela.
Alirio Palacios was a Venezuelan visual artist known for his drawings, graphic designing, printmaking and sculpture. Horse figures were often motifs of his graphic art and sculpture, an obsession he developed during his long stay in China. Among other awards, Palacios won the National Prize of Plastic Arts of Venezuela in 1977. His work is on display in museums and public sites internationally, including the presidential Palace and the National Supreme Court in Caracas, the Casa de Las Américas in Havana, and the University of Edinburgh where Palacio's portrait of the first Venezuelan President Jose Maria Vargas is on permanent display.
The Aula Magna is an auditorium at the Central University of Venezuela. It is located within the University City of Caracas, next to the University's main library building. The hall was designed by the Venezuelan architect Carlos Raúl Villanueva in the 1940s and built by the Danish company Christiani & Nielsen from 1952–53. It was declared a UNESCO World Heritage Site in November 2000 for being artistically and architecturally significant. The most notable feature of the hall is its acoustic 'clouds', which serve both aesthetic and practical functions. They are an element of the hall's design which contributed to the science of interior space acoustics, though the building exterior is also architecturally significant.
El Cafetal is a neighborhood located in the Baruta Municipality of Caracas, Venezuela.
Tierra de nadie is the unofficial name of a public green space officially called Plaza Jorge Rodríguez in the University City of Caracas, the campus of the Central University of Venezuela.
The Covered Gymnasium of UCV is a multi-purpose gym located in the University City of Caracas. Its spaces are public property that is administered by the Central University of Venezuela through the UCV sports department.
Ciudad Universitaria is a Caracas Metro station on Line 3. It was opened on 18 December 1994 as part of the inaugural section of Line 3 from Plaza Venezuela to El Valle. The station is between Plaza Venezuela and Los Símbolos.
Conductores de Venezuela is a giant ceramic mural on a wall outside the Covered Gymnasium at the Central University of Venezuela, facing out to the Francisco Fajardo freeway. It was designed by cartoonist Pedro León Zapata and installed over a period of years in the late 1990s; it depicts cartoon Venezuelan people driving, with several vehicles having important Venezuelans from history behind the wheel.
Rectory Plaza, originally The Empty Plaza, is the name of a space located within the University City of Caracas, the campus of the Central University of Venezuela, in the San Pedro parish in the west of the city of Caracas.
The Biblioteca Central de la UCV, or Central Library is the main library in the University City of Caracas, and the most important one of the Central University of Venezuela. It is easily accessible from anywhere in the city as it is near the Caracas Metro line 3 station Ciudad Universitaria.
Acoustic Ceiling is a work of art by American sculptor Alexander Calder, located in the Aula Magna of the University City of Caracas in Venezuela. The 1953 work comprises many panels that are renowned both artistically and acoustically. The piece is seen as "one of Calder's most truly monumental works" and the prime example of the urban-artistic theory of campus architect Carlos Raúl Villanueva.
Francisco Narváez was commissioned to create pieces for the University City of Caracas campus in 1949, initially working between 1950 and 1953, with other pieces added later. The artworks include stone and metal statues, busts, reliefs, and various material of murals. Three of the statues are made of Cumarebo stone: El Atleta, a large statue in the sports complex, and La educación and La ciencia in the medical complex. The Cumarebo stone is a favourite material of Narváez. Two sculptures of the esteemed doctor José Gregorio Hernández and President José María Vargas grace the campus grounds.
Bolívar Films is a Venezuelan film production company, headquartered in Caracas, which works on films, advertisements, post-production, and television.
Venezuelan artist Mateo Manaure was commissioned to create pieces for the University City of Caracas.
The 1976 Copa Interamericana was the 5th. edition of the Copa Interamericana. The final was contested by Argentine Club Atlético Independiente and Mexican team Atlético Español. The final was played under a two-leg format in August 1976. Both matches were held in Estadio Olímpico, Caracas, Venezuela.
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