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Come Play With Me | |
---|---|
Directed by | Harrison Marks |
Written by | Harrison Marks |
Produced by | David Sullivan |
Starring | Irene Handl Alfie Bass Harrison Marks Ronald Fraser Mary Millington Suzy Mandel |
Music by | Peter Jeffries |
Distributed by | Tigon |
Release date |
|
Running time | 94 minutes |
Country | United Kingdom |
Language | English |
Budget | £120,000 |
Come Play with Me is a 1977 British softcore pornographic film, starring Mary Millington and directed by George Harrison Marks. Its cast list contains many well-known British character actors who were not previously known for appearing in such films. The film is regarded by many as the most successful of the British sex comedies of the 1970s. [1] It ran continuously at the Moulin Cinema in Great Windmill Street, Soho, London for 201 weeks, from April 1977 to March 1981, [2] [3] which is listed in the Guinness Book Of World Records as the longest-running screening in Britain. A blue plaque on the former cinema's site commemorates this. [4]
Cornelius Clapworthy and his sidekick Maurice Kelly are two elderly forgers responsible for flooding the UK with fake banknotes. On the run from their gangster boss Slasher and effeminate, cross-dressing government official Podsnap, the pair escape to the Scottish Highlands and, posing as musicians, hide out at Bovington Manor, a hotel owned by Lady Bovington, who is attempting and failing to run it as a health farm.
The Manor has very few guests, and Clapworthy and Kelly find themselves free to continue their criminal activities, albeit having to constantly recite "O for the Wings of a Dove" on a portable organ to drown out the noise of the printing press that produces the fake banknotes. However, when Lady Bovington’s choreographer nephew Rodney and his troupe of dancing girls arrive at the Manor, business picks up considerably when the girls, vaguely under the leadership of Rena, decide to help Lady Bovington out by dressing as nurses and re-opening the Manor as a brothel, albeit using the health farm facilities, with topless massages and "the full treatment" being the order of the day. This means trouble and unwanted attention for Clapworthy and Kelly, especially when the girls’ services attract Slasher and his heavies to the Manor.
Harrison Marks had written Come Play With Me's script in 1970, not long after making The Nine Ages of Nakedness , but it was to remain on the shelf while in the ensuing years he was declared bankrupt, was the subject of an obscenity trial, and drank heavily. He made ends meet during this period by shooting short softcore sex films for the British 8 mm market, as well as hardcore, blue movie shorts for overseas.
In the mid-1970s Marks had begun selling explicit photo shoots to porn publisher David Sullivan’s top-shelf magazines, such as Latent Lesbian Fantasy featuring Cosey Fanni Tutti, which appeared in the first issue of Sullivan's Ladybirds magazine in August 1976. Marks had, evidently, also sold Sullivan the rights to some of his 8 mm sex films; press adverts by Kelerfern (a Sullivan mail order company) carried Marks-directed sex shorts like Hole in One, Nymphomania, King Muff and Doctor Sex for sale around this period. In the 2005 documentary Oo-Err Missus, Sullivan remarks: "George was a great entertainer, he was a bit of a drunk really, but he was good fun … he said to me: 'I’ve got this old script I’ve had for years', I said: 'give us a look George' and within three weeks we were shooting it".
Much of the glamour in the film was provided by nude models popular in Sullivan's top-shelf magazines at the time (Millington, Pat Astley, Penny Chisholm, Nicola Austin), as well as more mainstream comedy actresses like Ingmar Bergman’s daughter Anna Bergman, Sue Longhurst and Suzy Mandel from The Benny Hill Show . Lower down the cast list, actresses like Lisa Taylor, Sonia Svenburger and Suzette Sangalo Bond all had blue-movie backgrounds.
Come Play With Me was filmed during the autumn of 1976. Bovington Manor was in reality the Weston Manor Hotel, near Oxford. Owing to work commitments, Suzy Mandel was absent from the scene that introduces the girls travelling to Bovington Manor onboard a coach (she was taping a Benny Hill episode at the time).
After seeing a rough cut of the film, Sullivan and representatives of the distributor Tigon thought the film needed more nudity as well as more Mary Millington, so several additional scenes—including Mary's big scene with Marks' regular Howard "Vanderhorn" Nelson—were filmed. The "add-on" nature of these scenes to the narrative is sometimes apparent.
Several hardcore porn scenes were also shot for Come Play With Me. These would have appeared towards the end of the film; however, in the event all traces of hardcore sex were cut from these scenes in the pre-release stage, and the explicit footage went missing soon afterward. "For real" were the lesbian scene between Mary Millington and Penny Chisholm, as well as the heterosexual sex scenes between Lisa Taylor and Derek Aylward, Suzette Sangalo Bond and an unknown male, and Sonia Svenberger and Gordon Hickman. These scenes remain in the film, albeit heavily cut down to softcore, with only Penny Chisholm's "flushed" face during her sex scene with Mary giving a hint of these scenes' explicit origins.
Sullivan saw Come Play With Me as a chance to turn his then-girlfriend and magazine cover girl Mary Millington into a film star, as well as an opportunity for some cross-media marketing. Sullivan's magazines like Playbirds and Whitehouse are seen throughout the film, and the promotion of the film within the magazines was extensive. Months before the film's release, Sullivan’s readers were promised Come Play with Me would be "the British Deep Throat " and would "make Linda Lovelace look like Noddy". [5] To add credibility to these claims, photo shoots only slightly short of being hardcore were published in Sullivan’s magazines and claimed to be stills from the upcoming film, whereas in fact they bore little resemblance to anything in Come Play With Me. Frequently shown in these photo shoots was hardcore actor Timothy Blackstone, sometimes billed in the articles as "Randy Buck, Esquire". In spite of this exposure, Blackstone does not appear in the actual film.[ citation needed ]
The promotion for Come Play with Me also appeared in the letters pages of Sullivan’s magazines. [6] A fan letter of dubious authenticity (as it refers to scenes that do not appear in the film) from "Bert U" to Mary Millington in issue 27 of Whitehouse claims: "Dear Mary, I must congratulate you on your film Come Play with Me, I found it screamingly funny and very sexy as well…I loved every randy moment… everyone was so natural, and Henry McGhee [sic] as the PM was superb." The letter goes on to falsely claim that the actor Roy Kinnear appears in the film, and that "(Roy) looked like a Roman Emperor in the swimming pool scene. I‘ll bet it took him all his time to keep his towel on during rehearsals for the film… it looked to me, Mary, as though you were fucked rigid during the film".[ citation needed ]
In March 1977 Sullivan published the Playbirds Erotic Film Guide, a magazine entirely concerned with the release of Come Play with Me. The film was also adapted into a paperback novel, and in the summer of 1977 a sequel paperback novel, Come Play with Me Again, was released. [7]
The film ran continuously at the Moulin Cinema in London's West End from April 1977 to March 1981, and is regarded by many as the most successful of the British sex comedies of the seventies. [1] Costing £120,000 to make, the film took £550,000 during its West End run, and broke box-office records in the cinemas of a number of provincial cities. By 2001, the film had taken over £4 million. [8] In a publicity stunt for the first anniversary of the film’s opening, Suzy Mandel and Mary Millington posed in lingerie on the Moulin Cinema's marquee. [9] Sullivan's follow-up film The Playbirds (1978) gave Millington a more sizable role.
While Millington’s popularity and Sullivan’s relentless publicity campaign are without doubt what made the film a success, Come Play with Me remains a peculiarly Harrison Marks concoction, with Marks’ background as a photographer of nudes, his love of old-style British music hall comedy, and his heavy drinking adding much to the film's overall character. As comic counterfeiters Cornelius Clapworthy and his sidekick Maurice Kelly, Marks and Alfie Bass resemble a baggy-pants comedy double-act from the music hall days; the pair even sleep together in the same bed, à la Morecambe and Wise. Marks also throws in a song-and-dance routine, "It's Great to be Here", performed by himself, Bass, and a group of sexy nurses. "George was in a bit of a time warp, he forgot at times that it was a sex film he was making", commented Sullivan, "he thought he was making some vaudeville comedy… I thought it was a weird old film". [10]
A blue plaque on the site of the former Moulin Cinema in Great Windmill Street, Soho, commemorates its 201-week run there, which is listed in the Guinness Book Of World Records as the longest-running screening in British cinema history. [2] [3] [4] However, the validity of this record and the blue plaque is called into question in the second edition of David McGillivray’s book Doing Rude Things which states that "film historian Allen Eyles has proven conclusively that Come Play With Me ran for 165 not 201 weeks. It is not Britain’s longest running film – that is South Pacific , which ran... a total of four years and twenty-two weeks. Questions should be asked in parliament about the deception I may have instigated." [11]
The success of Come Play With Me inevitably led to imitation productions sometimes similar in name only, and some more authorized than others.
Pornographic films (pornos), erotic films, adult films, sex films, 18+ films, or also known as blue films, are films that represent sexually explicit subject matter in order to arouse, fascinate, or satisfy the viewer. Pornographic films represent sexual fantasies and usually include erotically stimulating material such as nudity (softcore) and sexual intercourse (hardcore). A distinction is sometimes made between "erotic" and "pornographic" films on the basis that the latter category contains more explicit sexuality, and focuses more on arousal than storytelling; the distinction is highly subjective.
Softcore pornography or softcore porn is commercial still photography, film, or art that has a pornographic or erotic component but is less sexually graphic and intrusive than hardcore pornography, defined by a lack of visual sexual penetration. It typically contains nude or semi-nude actors involved in love scenes and is intended to be sexually arousing and aesthetically beautiful. The distinction between softcore pornography and erotic photography or art, such as Vargas girl pin-ups, is largely a matter of debate.
George Harrison Marks was an English glamour photographer and director of nudist, and later, pornographic films.
Mary Ruth Maxted, known professionally as Mary Millington from 1974 onwards, was an English model and pornographic actress. Her appearance in the short softcore film Sex is My Business led to her meeting magazine publisher David Sullivan, who promoted her widely as a model and featured her in the 1977 softcore comedy Come Play With Me, which ran for a record-breaking four years at the same cinema.
David Sullivan is a British businessman and former pornographer. From 1986 to 2007, he owned the Daily Sport and Sunday Sport, which he sold for £40 million.
Fiesta was a British softcore adult magazine published monthly by Galaxy Publications Limited. It was a sister publication of Knave magazine, launched two years later.
Sex comedy, erotic comedy or more broadly sexual comedy is a genre in which comedy is motivated by sexual situations and love affairs. Although "sex comedy" is primarily a description of dramatic forms such as theatre and film, literary works such as those of Ovid and Giovanni Boccaccio may be considered sex comedies.
Eskimo Nell, is a 1975 British sex comedy film directed by Martin Campbell and starring Roy Kinnear and Christopher Timothy. It was produced by Stanley Long. Though inspired by "The Ballad of Eskimo Nell", the movie owes little to the original bawdy song. Long called it "my definitive statement about the sex films". The film features little nudity.
Suzy Mandel is a former actress and model best known for her roles in such mid-1970s British sex comedies as Intimate Games (1976), Confessions of a Driving Instructor (1976), Come Play with Me (1977), The Playbirds (1978), and Adventures of a Plumber's Mate (1978), and for her appearances on The Benny Hill Show.
Howard "Vanderhorn" Nelson was an ex-champion bodybuilder who also acted in many British sex comedies. Cast in both comedy roles as well as `heavies' due to his muscular appearance, Nelson's most regular employer was close personal friend Harrison Marks. For many years Nelson worked in Marks' Studio in Farringdon. As well as being a regular in Marks' softcore films, Nelson also appeared in several of Marks 8mm glamour films. Nelson also made several appearances in various blue films made by Marks, usually wearing elaborate disguises like dark glasses and/or a blonde wig. In 1978 he appeared on the cover of Forum magazine he also featured as a 'spanking milkman' in the second issue of New Janus, a corporal punishment magazine Marks edited.
In the United Kingdom, pornography is regulated by a variety of laws, regulations, judicial processes, and voluntary schemes. Pornographic material generally has to be assessed by regulators or courts to determine its legality. British censorship laws with regard to pornography have often been some of the most restrictive in Western Europe.
Sue Longhurst is an English actress who appeared in several X-rated sex comedies in the 1970s.
The Nine Ages of Nakedness is a 1969 British sex film, directed by Harrison Marks, and starring Marks as himself and featuring Bruno Elrington, June Palmer, Julian Orchard, Max Wall and Cardew Robinson.
Cinema X was a British film magazine best known for its coverage of sexploitation films. Early issues of the magazine were undated, but it is believed the first issue was published in 1969. The first film to grace the cover of Cinema X was Loving Feeling (1969), directed by Norman J. Warren. Other films covered in the first issue were I Am Curious (Yellow) (1967), Curse of the Crimson Altar (1968), and Therese and Isabelle (1968). Interviewees in the premiere issue included Norman J Warren, John Trevelyan and Anthony Newley.
The Playbirds is a 1978 British sexploitation film directed by Willy Roe and starring Mary Millington, Glynn Edwards, Suzy Mandel and Windsor Davies. It was the official follow-up to Come Play with Me (1977), one of the most successful of the British sex comedies of the 1970s, which also starred Millington.
Emmanuelle is the lead character in a series of French erotic films based on the protagonist in the novel of the same name, by Emmanuelle Arsan, written in 1959 and published in 1967.
Keep It Up Downstairs, is a 1976 British period sex comedy film, directed by Robert Young and starring Diana Dors, Jack Wild and William Rushton. It was written by Hazel Adair.
Sex in film, the presentation of aspects of sexuality in film, especially human sexuality, has been controversial since the development of the medium. Films which display or suggest sexual behavior have been criticized by religious groups or have been banned or censored by governments, although attitudes have changed much along the years and a more permissive social environment has developed in certain parts of the world, notably in Europe, North America, Australia and New Zealand. In countries with a film rating system, films which contain explicit sex scenes typically receive a restricted classification. Nudity in film may be regarded as sexual or as non-sexual.
Emmanuelle in Soho is a 1981 British sex film directed by David Hughes and produced by David Sullivan, and starring Angie Quick, Julie Lee and John M. East. Sullivan had originally intended Mary Millington to star in the film.
Fantasm is a 1976 Australian softcore pornographic film, directed by Richard Franklin under a pseudonym. It was followed by a sequel, Fantasm Comes Again, the following year, directed by a pseudonymous Colin Eggleston.