Comin' in the Back Door | ||||
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Studio album by | ||||
Released | 1963 | |||
Recorded | May 10 and November 14 & 15, 1963 | |||
Genre | Jazz | |||
Length | 34:27 | |||
Label | Verve | |||
Producer | Creed Taylor | |||
Wynton Kelly chronology | ||||
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Comin' in the Back Door is an album by American jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with guitarist Kenny Burrell and an orchestra recorded in 1963. [1]
The Allmusic review awarded the album 3 stars. [2]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the band's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Claus Ogerman was a German arranger, conductor, and composer best known for his work with Billie Holiday, Antonio Carlos Jobim, Frank Sinatra, Michael Brecker, and Diana Krall.
Smokin' at the Half Note is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cliffs, New Jersey. The album combines guitarist Montgomery with the Miles Davis rhythm section from 1959–1963 of Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's versions of "Unit 7" and "Four on Six" have helped to establish these pieces as jazz standards.
Four is an album by jazz saxophonist Joe Henderson, recorded on April 21, 1968, but only released in 1994 by the Verve label. It features a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The Allmusic review by Scott Yanow states: "Henderson really pushes the rhythm section and he is certainly inspired by their presence. This is a frequently exciting performance by some of the modern bop greats of the era". Further selections from this concert were released as Straight, No Chaser.
Straight, No Chaser is an album by jazz saxophonist Joe Henderson released on the Verve label. It was recorded on April 21, 1968 and featuring a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The recording was not released until 1996. The Allmusic review by Scott Yanow states: "Although Henderson had not played with the other musicians before, they blend together quite well and obviously inspired each other". Further selections from this concert were released as Four.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Devil May Care is the debut album by American jazz vocalist Teri Thornton featuring tracks recorded in late 1960 and early 1961 for the Riverside label.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
Undiluted is an album by jazz pianist Wynton Kelly that was recorded in 1965 and released by Verve label with Paul Chambers and Jimmy Cobb.
Up with Donald Byrd is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock and Kenny Burrell recorded in 1964. It was released on the Verve label in 1965 as V/V6 8609.
Willow Weep for Me is a posthumous jazz album recorded by guitarist Wes Montgomery in 1965 and released in 1968. It reached number 12 on the Billboard Jazz album chart in 1969. At the Grammy Awards of 1970 Willow Weep for Me won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis. Subtitled The Legendary Performances of May 19, 1961, it was released by Columbia Records as CL 1812 in monaural and CS 8612 as "electronically re-channeled for stereo."
Dee Gee Days: The Savoy Sessions is a compilation album by trumpeter Dizzy Gillespie featuring performances recorded in 1951 and 1952 and originally released on Gillespie's own Dee Gee Records label. Many of the tracks were first released as 78 rpm records but were later released on albums including School Days (Regent) and The Champ (Savoy).
Out of This World is the sole album led by American jazz saxophonist Walter Benton which was recorded in 1960 for the Jazzland label.
Sandy's Gone is an album recorded by American jazz saxophonist Johnny Hodges featuring performances recorded in 1963 and released on the Verve label.
Soul Surfin' is an album by jazz trombonist and arranger Kai Winding featuring guitarist Kenny Burrell recorded in 1963 for the Verve label. The album was reissued as !!!More!!! following the chart success of the single of the same name.
Mondo Cane #2 is an album by jazz trombonist and arranger Kai Winding featuring guitarist Les Spann recorded in late 1963 and early 1964 for the Verve label. The album was released following the chart success of Winding's version of the "More " from the album Soul Surfin'.
Warm Wave is an album by Latin jazz vibraphonist Cal Tjader fronting an orchestra arranged and conducted by Claus Ogerman recorded in 1964 and released on the Verve label.