Wynton Kelly was a jazz pianist. His appearances on record date from 1948 to 1970 and include more than a dozen albums under his own name and more than 120 as a sideman.
Recording date | Title | Label | Year released | Notes |
---|---|---|---|---|
1951-07, 1951-08 | Piano Interpretations | Blue Note | 1951 | Trio, with Oscar Pettiford and Franklin Skeete (bass; separately), Lee Abrams (drums, congas) |
1958-01 | Piano | Riverside | 1958 | Quartet, with Kenny Burrell (guitar), Paul Chambers (bass), Philly Joe Jones (drums) |
1959-02, 1959-03 | Kelly Blue | Riverside | 1959 | Trio, with Paul Chambers (bass), Jimmy Cobb (drums); some tracks are sextet, with Nat Adderley (cornet), Bobby Jaspar (flute), Benny Golson (tenor sax) added |
1959-08 | Kelly Great | Vee Jay | 1959 | Quintet, with Lee Morgan (trumpet), Wayne Shorter (tenor sax), Paul Chambers (bass), Philly Joe Jones (drums) |
1960-04 | Kelly at Midnight | Vee-Jay | 1960 | Trio, with Paul Chambers (bass), Philly Joe Jones (drums) |
1961-07 | Wynton Kelly! | Vee-Jay | 1961 | Trio, with Paul Chambers and Sam Jones (bass; separately), Jimmy Cobb (drums) |
1959-08, 1960-04, 1961-07 | Someday My Prince Will Come | Vee-Jay | 1961 | Trio, with Paul Chambers and Sam Jones (bass; separately), Jimmy Cobb (drums); one track is quintet, as on Kelly Great - released in 1977 |
1963-05, 1963-11 | Comin' in the Back Door | Verve | 1963 | With orchestra conducted by Claus Ogerman on most tracks, and Kenny Burrell (guitar), Paul Chambers (bass), Jimmy Cobb (drums) |
1964-03 | It's All Right! | Verve | 1964 | Quintet on most tracks, with Kenny Burrell (guitar), Paul Chambers (bass), Jimmy Cobb (drums), Candido Camero (conga); The Tommy Rey Caribe Steel Band added on one track |
1965-02 | Undiluted | Verve | 1965 | Trio, with Paul Chambers (bass), Jimmy Cobb (drums); quintet on one track, with Ray Stevenson (flute), unknown (percussion) added |
1965-06, 1965-07, 1965-08 | Blues on Purpose | Xanadu | 1983 [1] | Trio, with Paul Chambers (bass), Jimmy Cobb (drums); in concert |
1965-06, 1965-09 | Smokin' at the Half Note | Verve | 1965 | Quartet, co-led with Wes Montgomery (guitar), Paul Chambers (bass), Jimmy Cobb (drums); in concert |
1965-09, 1965-11 | Maximum Swing: The Unissued 1965 Half Note Recordings | Resonance | 2023 | Quartet, co-led with Wes Montgomery (guitar), Paul Chambers, Ron Carter, Larry Ridley (bass; separately), Jimmy Cobb (drums); in concert [2] |
1966-09 | Full View | Milestone | 1967 | Trio, with Ron McClure (bass), Jimmy Cobb (drums) |
1967-11 | Interpretations | Vee-Jay | 1977 | Quartet, with Hank Mobley (tenor sax), Cecil McBee (bass), Jimmy Cobb (drums); in concert |
1968 | In Concert | Vee-Jay | 1977 [3] | Quartet, with George Coleman (tenor sax), Ron McClure (bass) Jimmy Cobb (drums); in concert |
1968-08 | Last Trio Session | Delmark | 1988 | Trio, with Paul Chambers (bass), Jimmy Cobb (drums) |
Year recorded | Leader | Title | Label |
---|---|---|---|
1958 | Pepper Adams and Jimmy Knepper | The Pepper-Knepper Quintet | MetroJazz |
1958 | Julian "Cannonball" Adderley | Things Are Getting Better | Riverside |
1959 | Julian "Cannonball" Adderley | Cannonball Adderley Quintet in Chicago | Mercury |
1959 | Julian "Cannonball" Adderley | Cannonball Takes Charge | Riverside |
1961 | Julian "Cannonball" Adderley | African Waltz | Riverside |
1961 | Julian "Cannonball" Adderley | Plus | Riverside |
1959 | Nat Adderley | Much Brass | Riverside |
1960 | Nat Adderley | That's Right! | Riverside |
1961 | Nat Adderley | Naturally! | Jazzland |
1964 | Lorez Alexandria | Alexandria the Great | Impulse! |
1964 | Lorez Alexandria | More of the Great Lorez Alexandria | Impulse! |
1970 | Gene Ammons | Night Lights | Prestige |
1960 | Walter Benton | Out of This World | Jazzland |
1957 | Art Blakey | Theory of Art | RCA |
1960 | Bob Brookmeyer | Jazz Is a Kick | Mercury |
1961 | Joy Bryan | Make the Man Love Me | Contemporary |
1957 | Donald Byrd and Gigi Gryce | Modern Jazz Perspective | Columbia |
1958 | Donald Byrd | Off to the Races | Blue Note |
1958 | Betty Carter | Out There | Peacock |
1959 | Paul Chambers | Go | Vee-Jay |
1960 | Paul Chambers | 1st Bassman | Vee-Jay |
1960 | James Clay and David "Fathead" Newman | The Sound of the Wide Open Spaces!!!! | Riverside |
1957 | Jimmy Cleveland | Cleveland Style | EmArcy |
1959 | John Coltrane | Giant Steps | Atlantic |
1959 | John Coltrane | Coltrane Jazz | Atlantic |
1959 | Sonny Criss | At the Crossroads | Peacock |
1959 | Miles Davis | Kind of Blue | Columbia |
1960 | Miles Davis and John Coltrane | Copenhagen 1960 | Royal Jazz |
1960 | Miles Davis and Sonny Stitt | Live in Stockholm 1960 | Dragon |
1961 | Miles Davis | Someday My Prince Will Come | Columbia |
1961 | Miles Davis | In Person, Vol. 1 – Friday Night at the Blackhawk | Columbia |
1961 | Miles Davis | In Person, Vol. 2 – Saturday Night at the Blackhawk | Columbia |
1961 | Miles Davis | Miles Davis at Carnegie Hall | Columbia |
1961 | Miles Davis | Live Miles: More Music from the Legendary Carnegie Hall Concert | Columbia |
1968 | Donna Drake | Donna Sings Dinah | Luxor |
1954 | Art Farmer | Early Art | New Jazz |
1959 | Curtis Fuller | The Curtis Fuller Jazztet | Savoy |
1952 | Dizzy Gillespie | Dee Gee Days: The Savoy Sessions | Savoy |
1954 | Dizzy Gillespie | Dizzy and Strings | Norgran |
1957 | Dizzy Gillespie | Birks' Works | Verve |
1957 | Dizzy Gillespie | Dizzy in Greece | Verve |
1957 | Dizzy Gillespie and Stuff Smith | Dizzy Gillespie and Stuff Smith | Verve |
1957 | Dizzy Gillespie | Dizzy Gillespie at Newport | Verve |
1957 | Benny Golson | Benny Golson's New York Scene | Contemporary |
1957 | Benny Golson | The Modern Touch | Riverside |
1962 | Benny Golson | Turning Point | Mercury |
1960 | Paul Gonsalves | Gettin' Together | Jazzland |
1970 | Dexter Gordon | The Jumpin' Blues | Prestige |
1960 | Bunky Green | My Babe | Exodus |
1960 | Grant Green | First Session | Blue Note |
1956 | Johnny Griffin | Introducing Johnny Griffin | Blue Note |
1957 | Johnny Griffin | A Blowin' Session | Blue Note |
1959 | Johnny Griffin | The Little Giant | Riverside |
1957 | Shafi Hadi | The Complete Debut Recordings [Charles Mingus] | Debut |
1964 | Eddie Harris | Cool Sax, Warm Heart | Columbia |
1959 | Jimmy Heath | The Thumper | Riverside |
1964 | Jimmy Heath | On the Trail | Riverside |
1959 | Bill Henderson | Bill Henderson Sings | Vee-Jay |
1968 | Joe Henderson | Four | Verve |
1968 | Joe Henderson | Straight, No Chaser | Verve |
1957 | Ernie Henry | Seven Standards and a Blues | Riverside |
1957 | Ernie Henry | Last Chorus | Riverside |
1956 | Billie Holiday | Lady Sings the Blues | Verve |
1961 | Helen Humes | Swingin' with Humes | Contemporary |
1961 | Milt Jackson and Wes Montgomery | Bags Meets Wes! | Riverside |
1969 | Illinois Jacquet | The Blues; That's Me! | Prestige |
1962 | Eddie Jefferson | Letter from Home | Riverside |
1954 | J. J. Johnson | The Eminent Jay Jay Johnson Volume 2 | Blue Note |
1959 | Philly Joe Jones | Drums Around the World | Riverside |
1961 | Philly Joe Jones and Elvin Jones | Together! | Atlantic |
1961 | Sam Jones | The Chant | Riverside |
1962 | Sam Jones | Down Home | Riverside |
1969 | Clifford Jordan | In the World | Strata-East |
1960 | King Curtis | The New Scene of King Curtis | New Jazz |
1960 | King Curtis | Soul Meeting | Prestige |
1962 | Roland Kirk | Domino | Mercury |
1957 | Steve Lacy | Soprano Sax | Prestige |
1957 | Abbey Lincoln | That's Him! | Riverside |
1958 | Abbey Lincoln | It's Magic | Riverside |
1959 | Abbey Lincoln | Abbey Is Blue | Riverside |
1960 | Booker Little | Booker Little | Time |
1965 | Johnny Lytle | The Loop | Tuba |
1966 | Johnny Lytle | New and Groovy | Tuba |
1962 | Chuck Mangione | Recuerdo | Jazzland |
1957 | Charles Mingus | The Complete Debut Recordings | Debut |
1958 | Blue Mitchell | Big 6 | Riverside |
1959 | Blue Mitchell | Out of the Blue | Riverside |
1959 | Blue Mitchell | Blue Soul | Riverside |
1960 | Blue Mitchell | Blue's Moods | Riverside |
1962 | Blue Mitchell | A Sure Thing | Riverside |
1958 | Hank Mobley | Peckin' Time | Blue Note |
1960 | Hank Mobley | Soul Station | Blue Note |
1960 | Hank Mobley | Roll Call | Blue Note |
1961 | Hank Mobley | Workout | Blue Note |
1961 | Hank Mobley | Another Workout | Blue Note |
1962 | Wes Montgomery | Full House | Riverside |
1965 | Wes Montgomery | Other Sessions at the Half Note 1965 | All Blues |
1965 | Wes Montgomery | Willow Weep for Me | Verve |
1957 | Lee Morgan | Lee Morgan Vol.3 | Blue Note |
1957 | Lee Morgan, Al Grey, Billy Mitchell | Dizzy Atmosphere | Specialty |
1960 | Lee Morgan | Here's Lee Morgan | Vee-Jay |
1961 | Mark Murphy | Rah | Riverside |
1960 | David Newman | Straight Ahead | Atlantic |
1968 | Cecil Payne | Zodiac | Strata-East |
1960 | Art Pepper | Gettin' Together | Contemporary |
1957 | Paul Quinichette and Charlie Rouse | The Chase Is On | Bethlehem |
1957 | Sonny Red | Two Altos | Savoy |
1959 | Sonny Red | Out of the Blue | Blue Note |
1959 | Dizzy Reece | Star Bright | Blue Note |
1956 | Sonny Rollins | Sonny Rollins, Volume 1 | Blue Note |
1957 | Sonny Rollins | Newk's Time | Blue Note |
1957 | A. K. Salim | Pretty for the People | Savoy |
1959 | Wayne Shorter | Introducing Wayne Shorter | Vee-Jay |
1961 | Don Sleet | All Members | Jazzland |
1959–60 | Frank Strozier | Fantastic Frank Strozier | Vee-Jay |
1960 | Art Taylor | A.T.'s Delight | Blue Note |
1957 | Clark Terry | Serenade to a Bus Seat | Riverside |
1960–61 | Teri Thornton | Devil May Care | Riverside |
1967 | Phil Upchurch | Feeling Blue | Milestone |
1957 | Various | Jazz Is Busting out all Over! | Savoy |
1957 | Various | Sittin' In | Verve |
1970 | Various | Super Black Blues, Vol. 2 | Flying Dutchman |
1955 | Dinah Washington | For Those in Love | EmArcy |
1955 | Dinah Washington | Dinah! | EmArcy |
1958 | Dinah Washington | Newport '58 | EmArcy |
1962 | Dinah Washington | Back to the Blues | Roulette |
1960 | Nat Wright | The Biggest Voice in Jazz | Warwick |
1952 | Lester Young | The President Lester Young, Vol. 3 | Ambrosia |
1952 | Lester Young | The President Lester Young, Vol. 4 | Ambrosia |
Year recorded | Leader | Title | Label |
---|---|---|---|
1948 | Hal Singer | "A Plug for Cliff" / "Cornbread" | Savoy |
1948 | Hal Singer | "Swanee River" | Savoy |
1949 | Billy Stewart | "Porgy" / "Day In, Day Out" | Savoy |
1949 | Babs Gonzales | "Prelude to a Nightmare" | Capitol |
1949 | Eddie Vinson | "Person to Person" | King |
1949 | Eddie Vinson | "Wineola" / "Somebody Done Stole My Cherry Red" | King |
1949 | Eddie Vinson | "Featherbed Mama" | King |
1949 | Eddie Vinson | "Ashes on My Pillow" / "No Good Woman Blues" | King |
1949 | Eddie Vinson | "I'm Gonna Wind Your Clock" / "I'm Weak but Willing" | King |
1950 | Eddie "Lockjaw" Davis | "I'm Gonna Eat You with a Spoon" / "If the Motif Is Right" | Birdland |
1950 | Eddie "Lockjaw" Davis | "Little Rock" / "The Lock" | Birdland |
1951 | Dinah Washington | "Just One More Chance" / "Baby Did You Hear" | Mercury |
1951 | Dinah Washington | "Be Fair to Me" / "Saturday Night" | Mercury |
1951 | Dinah Washington | "If You Don't Believe I'm Leaving" / "I'm a Fool to Want You" | Mercury |
1951 | Dinah Washington | "Just One More Chance" / "Baby Did You Hear" | Mercury |
1952 | Dinah Washington | "Wheel of Fortune" / "Tell Me Why" | Mercury |
1952 | Dinah Washington | "New Blow-Top Blues" / "Trouble in Mind" | Mercury |
1952 | Dinah Washington | "Mad About the Boy" / "I Can't Face the Music" | Mercury |
1952 | Dinah Washington | "Stormy Weather" | Mercury |
1952 | Dinah Washington | "Pillow Blues" / "Double Dealing Daddy" | Mercury |
1954 | Dinah Washington | "No, No, No, You Can't Love Two" / "Big Long Slidin' Thing" | Mercury |
1955 | Dinah Washington | "That's All I Want from You" / "You Stay on My Mind" | Mercury |
Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players such as Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure", "Soul Station", and "Dig Dis".
Paul Laurence Dunbar Chambers Jr. was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's "first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68).
Columbus Calvin "Duke" Pearson Jr. was an American jazz pianist and composer. Allmusic describes him as having a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a record producer."
Wilbur James "Jimmy" Cobb was an American jazz drummer. He was part of Miles Davis's First Great Sextet. At the time of his death, he had been the band's last surviving member for nearly thirty years. He was awarded an NEA Jazz Masters Fellowship in 2009.
Wynton Charles Kelly was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
John Josephus Hicks Jr. was an American jazz pianist, composer, and arranger. He was leader of more than 30 recordings and played as a sideman on more than 300.
Julian Clifford Mance, Jr., known as Junior Mance, was an American jazz pianist and composer.
"Lady Sings the Blues" is a song written by jazz singer Billie Holiday and jazz pianist Herbie Nichols.
Gettin' Together is a 1960 jazz album by saxophonist Art Pepper playing with trumpeter Conte Candoli, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb
Introducing Johnny Griffin is the debut album by jazz tenor saxophonist Johnny Griffin, recorded at the Van Gelder Studio in Hackensack on April 17, 1956 and released on Blue Note in February 1957.
Kelly Great is an album by pianist Wynton Kelly released in 1959 by the Vee-Jay label.
This is the discography for American jazz musician Wes Montgomery.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
The Curtis Fuller Jazztet is an album by American trombonist Curtis Fuller with saxophonist Benny Golson, recorded in 1959 and released on the Savoy label.
Tate Houston was a Detroit-based American baritone and tenor saxophonist.
Live at Kimball's is a live album recorded on April 13, 1985 at Kimball's in San Francisco by Art Blakey and the Jazz Messengers.
The Pepper-Knepper Quintet is an album led by baritone saxophonist Pepper Adams and trombonist Jimmy Knepper which was recorded in 1958 and originally released on the MetroJazz label.
Newklear Music is an album by the Keystone Trio – pianist John Hicks, bassist George Mraz, and drummer Idris Muhammad.
Unit 7 is a jazz composition by bassist Sam Jones originally composed for the 1962 album Nancy Wilson/Cannonball Adderley. It's also known as "Cannon's Theme."
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.