| Full View | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1967 | |||
| Recorded | September 2–30, 1966 | |||
| Studio | Plaza Sound Studios, New York City | |||
| Genre | Jazz | |||
| Length | 36:16 | |||
| Label | Milestone | |||
| Producer | Orrin Keepnews | |||
| Wynton Kelly chronology | ||||
| ||||
Full View is an album by jazz pianist Wynton Kelly, recorded in 1966 and released on the Milestone label, featuring performances by Kelly with Ron McClure and Jimmy Cobb. [1]
The AllMusic review by Scott Yanow awarded the album 3 stars, stating "Pianist Wynton Kelly's next-to-last set as a leader featured him at a time when his influence was waning and he was overshadowed by more advanced players. However, Kelly's impact would begin to grow again after his death, when the Young Lions movement began in the early '80s". [2]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz |  [3] |
Wynton Charles Kelly was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie's band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th and 10th, 1959, at Bell Sound Studios in New York City. It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.
Gettin' Together is a 1960 jazz album by saxophonist Art Pepper playing with trumpeter Conte Candoli, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb
Four is an album by jazz saxophonist Joe Henderson, recorded on April 21, 1968, but only released in 1994 by the Verve label. It features a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The Allmusic review by Scott Yanow states: "Henderson really pushes the rhythm section and he is certainly inspired by their presence. This is a frequently exciting performance by some of the modern bop greats of the era". Further selections from this concert were released as Straight, No Chaser.
Straight, No Chaser is an album by jazz saxophonist Joe Henderson released on the Verve label. It was recorded on April 21, 1968 and featuring a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The recording was not released until 1996. The Allmusic review by Scott Yanow states: "Although Henderson had not played with the other musicians before, they blend together quite well and obviously inspired each other". Further selections from this concert were released as Four.
Kelly Blue is an album by American jazz pianist Wynton Kelly, released in 1959.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Kelly at Midnight is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers and Philly Joe Jones recorded in 1960.
Wynton Kelly! is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961. Additional performances from these sessions were released as Someday My Prince Will Come.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
Undiluted is an album by jazz pianist Wynton Kelly that was recorded in 1965 and released by Verve label with Paul Chambers and Jimmy Cobb.
Blues on Purpose is a live album by jazz pianist Wynton Kelly recorded in 1965 and released on the Xanadu label featuring performances by Kelly with Paul Chambers and Jimmy Cobb recorded at the Half Note Club in New York City.
Last Trio Session is an album by jazz pianist Wynton Kelly recorded in 1968 and released on the Delmark label in 1988 featuring performances by Kelly with Paul Chambers and Jimmy Cobb. The album was originally released on vinyl in 1979 as Wynton Kelly on Powertree.
Out of the Blue is an album by American saxophonist Sonny Red recorded in late 1959 and early 1960 and released on the Blue Note label. In 1996, it was released on CD, as a limited edition, with five bonus tracks from the same sessions.
A Sure Thing is an album by American trumpeter Blue Mitchell with orchestra recorded in 1962 and released on the Riverside label.
From the Bottom is an album by American jazz pianist Bobby Timmons recorded in 1964 and released in 1970 on the Riverside label. The album features Timmons on piano, vibraphone, and his only recording on organ.
Fantastic Frank Strozier is the debut album by American saxophonist Frank Strozier, recorded in 1959 and 1960 for Vee-Jay Records. The personnel includes the rhythm section from part of Miles Davis's Kind of Blue, recorded earlier in 1959.
