Kelly at Midnight | ||||
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Studio album by | ||||
Released | 1960 | |||
Recorded | April 27, 1960 | |||
Studio | Bell Sound (New York City) | |||
Genre | Jazz | |||
Length | 32:32 | |||
Label | Vee-Jay | |||
Producer | Sid McCoy | |||
Wynton Kelly chronology | ||||
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Kelly at Midnight is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers and Philly Joe Jones recorded in 1960. [1]
The AllMusic review by Ron Wynn states "This 1960 date was a first-rate trio outing with Kelly given the space to demonstrate subtlety and flair, harmonic precision, melodic brilliance and rhythmic diversity". [2]
Review scores | |
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Source | Rating |
AllMusic | [2] |
The Penguin Guide to Jazz | [3] |
No. | Title | Length |
---|---|---|
1. | "Temperance" | 7:31 |
2. | "Weird Lullaby" (Babs Gonzales) | 7:11 |
3. | "On Stage" (Rudy Stevenson) | 5:13 |
4. | "Skatin" (Stevenson) | 5:48 |
5. | "Pot Luck" | 6:48 |
Someday My Prince Will Come is the seventh studio album by Miles Davis for Columbia Records, catalogue CL 1656 and CS 8456 in stereo, released in 1961. Recorded at Columbia's 30th Street Studio in Manhattan, New York City, it marked the only Miles Davis Quintet studio recording session to feature saxophonist Hank Mobley.
Soul Station is an album by American jazz saxophonist Hank Mobley recorded on February 7, 1960 and released on Blue Note later that year. Mobley's quartet features rhythm section Wynton Kelly, Paul Chambers and Art Blakey.
Trane's Blues is a compact disc credited to the jazz musician John Coltrane, released in 1999 on Blue Note Records, catalogue 98240. It comprises recordings from sessions for Blue Note and United Artists Records with Coltrane as a sideman for Paul Chambers, Sonny Clark, Johnny Griffin, and Cecil Taylor. These recordings were issued respectively on their Whims of Chambers, Sonny's Crib, A Blowin' Session, and Hard Driving Jazz albums. Two selections are from Coltrane's own 1957 Blue Train, and "One for Four" had been previously unissued. "Trane's Blues" had been issued on the compilation High Step in 1975, previously known as "John Paul Jones" and named after himself, the bass player Chambers, and the drummer Philly Joe Jones. Like Prestige Records before them, as Coltrane's fame grew long after he had stopped recording for the label, Blue Note used varied recordings, often those where Coltrane had been merely a sideman, and reissued them as a new album with Coltrane's name prominently displayed. In this case, the Big Four conglomerate EMI continued that earlier practice.
Workout is an album by jazz tenor saxophonist Hank Mobley released on the Blue Note label in 1962. It features performances by Mobley, pianist Wynton Kelly, bassist Paul Chambers, guitarist Grant Green, and drummer Philly Joe Jones. The album was identified by Scott Yanow in his Allmusic essay "Hard Bop" as one of 17 Essential Hard Bop Recordings. In October 2014, it was released in Japan on SHM-CD, featuring a previously unissued take of "Three Coins in the Fountain".
Peckin' Time is an album credited to American jazz saxophonist Hank Mobley and trumpeter Lee Morgan recorded on February 9, 1958 and released on Blue Note the following year. The two are backed by rhythm section Wynton Kelly, Paul Chambers, and Charlie Persip.
Kelly Great is an album by pianist Wynton Kelly released in 1959 by the Vee-Jay label.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Piano, also released as Whisper Not, is an album by jazz pianist Wynton Kelly that was released by Riverside in 1958. Kelly recorded the album with Kenny Burrell, Paul Chambers, and Philly Joe Jones.
Wynton Kelly! is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961. Additional performances from these sessions were released as Someday My Prince Will Come.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
First Session is an album by American jazz guitarist Grant Green featuring performances recorded in 1960 and 1961 but not released on the Blue Note label until 2001. The album features the first recordings made by Green for Blue Note which were held back from release in favour of a later recording date which appeared as Grant's First Stand (1961). Green is supported by pianist Wynton Kelly, bassist Paul Chambers and drummer ”Philly” Joe Jones. Also included on the album are two takes from a later 1961 session that feature pianist Sonny Clark, bassist Butch Warren and drummer Billy Higgins.
Jackie's Bag is an album by American saxophonist Jackie McLean recorded in 1959 and 1960 and released by Blue Note. It features three tracks with McLean in a quintet featuring trumpeter Donald Byrd, pianist Sonny Clark, bassist Paul Chambers and drummer Philly Joe Jones, and six tracks with a sextet featuring tenor saxophonist Tina Brooks, trumpeter Blue Mitchell, pianist Kenny Drew, bassist Paul Chambers and drummer Art Taylor.
Out of the Blue is an album by American jazz saxophonist Sonny Red recorded on December 5, 1959 and January 23, 1960 and released on Blue Note in 1960.
Blue Soul is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
Out of the Blue is an album led by American trumpeter Blue Mitchell recorded and released in 1959 on the Riverside label.
1st Bassman is an album by jazz bassist Paul Chambers, recorded at Bell Sound Studios on May 12, 1960 and released by the Vee-Jay label. This album is notable for its featured use of the acoustic bass as the lead instrument. Chambers is supported by trumpeter Tommy Turrentine, trombonist Curtis Fuller, tenor saxophonist Yusef Lateef, pianist Wynton Kelly and drummer Lex Humphries.
Serenade to a Bus Seat is an album by American jazz trumpeter Clark Terry featuring tracks recorded in 1957 for the Riverside label.
Abbey Is Blue is the fourth album by American jazz vocalist Abbey Lincoln featuring tracks recorded in 1959 for the Riverside label.
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.