| Undiluted | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | 1965 | |||
| Recorded | February 5, 1965 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, New Jersey | |||
| Genre | Jazz | |||
| Length | 34:27 | |||
| Label | Verve | |||
| Producer | Creed Taylor | |||
| Wynton Kelly chronology | ||||
| ||||
Undiluted is an album by jazz pianist Wynton Kelly that was recorded in 1965 and released by Verve label with Paul Chambers and Jimmy Cobb. [1]
The Allmusic review awarded the album 3 stars. [2]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [2] |
| Down Beat | [3] |
Full House is an album by the jazz guitarist Wes Montgomery, released in 1962.
Smokin' at the Half Note is an album by Wes Montgomery and the Wynton Kelly Trio that was released in 1965. It was recorded live in June 1965 at the Half Note Club in New York City and September 22, 1965 at Van Gelder Studios in Englewood Cliffs, New Jersey. The album combines guitarist Montgomery with the Miles Davis rhythm section from 1959–1963 of Wynton Kelly, Paul Chambers, and Jimmy Cobb. The album's versions of "Unit 7" and "Four on Six" have helped to establish these pieces as jazz standards.
Introducing Wayne Shorter is the debut album by jazz saxophonist Wayne Shorter. It was recorded on November 9th and 10th, 1959, at Bell Sound Studios in New York City. It features five Shorter compositions, plus Kurt Weill's "Mack the Knife”, performed by a quintet featuring trumpeter Lee Morgan, pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Shorter played with Morgan in the front line of Art Blakey's Jazz Messengers at this time while Kelly, Chambers and Cobb were the widely celebrated rhythm section with Miles Davis.
Four is an album by jazz saxophonist Joe Henderson, recorded on April 21, 1968, but only released in 1994 by the Verve label. It features a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The Allmusic review by Scott Yanow states: "Henderson really pushes the rhythm section and he is certainly inspired by their presence. This is a frequently exciting performance by some of the modern bop greats of the era". Further selections from this concert were released as Straight, No Chaser.
Straight, No Chaser is an album by jazz saxophonist Joe Henderson released on the Verve label. It was recorded on April 21, 1968 and featuring a live performance by Henderson with pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. The recording was not released until 1996. The Allmusic review by Scott Yanow states: "Although Henderson had not played with the other musicians before, they blend together quite well and obviously inspired each other". Further selections from this concert were released as Four.
Cannonball Adderley Quintet in Chicago is an album by jazz saxophonist Cannonball Adderley, his final release on the Mercury label, featuring performances by Adderley with John Coltrane, Wynton Kelly, Paul Chambers and Jimmy Cobb.
Cannonball Takes Charge is an album by jazz saxophonist Cannonball Adderley released on the Riverside label featuring performances by Adderley with Wynton Kelly, Paul Chambers, and Jimmy Cobb with Percy and Albert Heath replacing Chambers and Cobb on two selections.
That's Right! is an album by jazz cornetist Nat Adderley and the Big Sax Section released on the Riverside label featuring Adderley with his brother Cannonball Adderley, Jimmy Heath, Charlie Rouse, Yusef Lateef, Tate Houston, Wynton Kelly, Jim Hall/Les Spann, Sam Jones, and Jimmy Cobb.
Wynton Kelly! is an album by jazz pianist Wynton Kelly released on the Vee-Jay label featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961. Additional performances from these sessions were released as Someday My Prince Will Come.
Someday My Prince Will Come is an album by jazz pianist Wynton Kelly featuring performances by Kelly with Paul Chambers or Sam Jones and Jimmy Cobb recorded in 1961 and one track with Lee Morgan and Wayne Shorter from 1959 released by the Vee-Jay label in 1961. Additional performances from these sessions were released as Wynton Kelly!.
Comin' in the Back Door is an album by American jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with guitarist Kenny Burrell and an orchestra recorded in 1963.
It's All Right! is an album by jazz pianist Wynton Kelly released on the Verve label featuring performances by Kelly with Paul Chambers and Jimmy Cobb with Kenny Burrell and Candido Camero recorded in 1964. Original recording was produced by Creed Taylor.
Blues on Purpose is a live album by jazz pianist Wynton Kelly recorded in 1965 and released on the Xanadu label featuring performances by Kelly with Paul Chambers and Jimmy Cobb recorded at the Half Note Club in New York City.
Full View is an album by jazz pianist Wynton Kelly, recorded in 1966 and released on the Milestone label, featuring performances by Kelly with Ron McClure and Jimmy Cobb.
Last Trio Session is an album by jazz pianist Wynton Kelly recorded in 1968 and released on the Delmark label in 1988 featuring performances by Kelly with Paul Chambers and Jimmy Cobb. The album was originally released on vinyl in 1979 as Wynton Kelly on Powertree.
First Session is an album by American jazz guitarist Grant Green featuring performances recorded in 1960 and 1961 but not released on the Blue Note label until 2001. The album features the first recordings made by Green for Blue Note which were held back from release in favour of a later recording date which appeared as Grant's First Stand (1961). Green is supported by pianist Wynton Kelly, bassist Paul Chambers and drummer ”Philly” Joe Jones. Also included on the album are two takes from a later 1961 session that feature pianist Sonny Clark, bassist Butch Warren and drummer Billy Higgins.
Out of the Blue is an album by American saxophonist Sonny Red recorded in late 1959 and early 1960 and released on the Blue Note label. In 1996, it was released on CD, as a limited edition, with five bonus tracks from the same sessions.
The Chant is the second album by bassist and cellist Sam Jones featuring performances recorded in early 1961 and originally released on the Riverside label.
Out of This World is the sole album led by American jazz saxophonist Walter Benton which was recorded in 1960 for the Jazzland label.
Go is an album by jazz bassist Paul Chambers recorded in Chicago in 1959 and released by the Vee-Jay label. Featured musicians include trumpeter Freddie Hubbard, alto saxophonist Cannonball Adderley, pianist Wynton Kelly and drummer Philly Joe Jones. The album was re-released in 1997 as a double CD featuring additional recordings and alternate takes from the sessions and included as part of the Mosaic Box Set The Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61 in 2000.
