Coming Out | ||||
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Studio album by | ||||
Released | August 19, 1976 | |||
Recorded | 1975 | |||
Genre | Pop [1] | |||
Label | Atlantic | |||
Producer | Richard Perry | |||
The Manhattan Transfer chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic [1] | |
Christgau's Record Guide | B [2] |
Coming Out is the third album by The Manhattan Transfer, released August 19, 1976, on Atlantic Records.
The single "Chanson d'Amour" hit the No. 1 spot in the United Kingdom for three weeks. [3]
The song "Zindy Lou" featured Ringo Starr and Jim Keltner on drums, Dr. John on piano, and Doug Thorngren on percussion. The song "Poinciana (The Song of the Tree)" featured a solo by Michael Brecker.
The album was re-released on CD in March 1993.
The Manhattan Transfer
Musicians
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [5] | Gold | 20,000^ |
^ Shipments figures based on certification alone. |
Hotcakes is the fourth studio album by American singer-songwriter Carly Simon, released by Elektra Records, on January 11, 1974. Featuring the major hits "Haven't Got Time for the Pain" and "Mockingbird", the latter a duet with her then-husband James Taylor, Hotcakes became one of Simon's biggest selling albums. Her first concept album, the autobiographical songs portray Simon happily married and beginning a family.
The Best of Carly Simon is singer-songwriter Carly Simon's first greatest hits album, released by Elektra Records, on November 24, 1975. Covering the first five years of her career, the compilation includes eight top 20 hit singles from her first five albums, as well as two album cuts from No Secrets (1972): "Night Owl" and "We Have No Secrets", the latter of which was released as the B-side to the single "The Right Thing to Do".
Thousand Roads is the third solo studio album by the rock artist David Crosby, a founding member of Crosby, Stills, and Nash. It was released in 1993 on Atlantic Records.
The Manhattan Transfer is the second album by The Manhattan Transfer. However, it is the first of four albums to be released by the lineup of Tim Hauser, Laurel Massé, Alan Paul, and Janis Siegel, and the first to establish the sound and style for which the group would become known. It was released on April 2, 1975, by Atlantic Records and was produced by Ahmet Ertegün and Tim Hauser.
Extensions is the fifth studio album by The Manhattan Transfer, released on October 31, 1979, by Atlantic Records.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
The Christmas Album was the fourteenth album by The Manhattan Transfer, released in 1992 on Columbia Records.
Photograph: The Very Best of Ringo Starr is a career-spanning best-of compilation album by Ringo Starr and is the first such album since the releases of 1975's Blast from Your Past and 1989's Starr Struck: Best of Ringo Starr, Vol. 2. The album was released in the UK on 27 August 2007, and in the US on 28 August.
Rita Coolidge is the self-titled debut album by Rita Coolidge.
Touchdown is the sixth album by Bob James.
Morning Dance is the second album by the jazz fusion group Spyro Gyra. The album was released in 1979 and was certified gold by the RIAA on September 19, 1979, and was certified platinum on June 1, 1987.
Catching the Sun is the third album by the American jazz group Spyro Gyra, released in 1980 on MCA Records. The album was given gold status by the RIAA on June 5, 1985.
Civilized Man is the ninth studio album by the British artist Joe Cocker, released in May 1984, his first on Capitol label. It includes a cover of the 1981 Squeeze hit "Tempted", as well as "There Goes My Baby", a 1959 hit single from The Drifters.
Grand Piano Canyon is the 22nd solo album by Bob James. It was released on June 28, 1990. The cover art is reproduced from an original painting by David Grath entitled "Grand Piano Canyon." The title for the seventh track, "Xraxse" is the planet inhabited by Blue People in a story written by James' daughter, Hilary, at age 6.
Roberta is Roberta Flack's fourteenth album, released in 1994. It consists of cover versions of jazz and soul standards. It was also her final album for Atlantic Records after twenty five years with the label since her debut.
Love Will Turn You Around is the thirteenth studio album by Kenny Rogers, released in 1982.
Never Letting Go is the fourth album by singer–songwriter Phoebe Snow, released in 1977.
Jorge Dalto was a pop, jazz and Afro-Cuban music pianist from Argentina, and the former musical director and keyboardist for George Benson, contributing the acoustic piano intro and solo to Benson's 1976 Grammy-winning hit version of Leon Russell's "This Masquerade". He also performed with Tito Puente, Grover Washington, Spyro Gyra, Fuse One, Gato Barbieri, Willie Colon and others. He died of cancer at the age of 39.
Feels Like Home is a studio album by American singer Linda Ronstadt released in 1995. It reached #75 and lasted 12 weeks on the Billboard album chart. It received excellent critical reviews upon release. According to Nielsen SoundScan, the disc sold precisely 188,815 copies in the United States. This album is now out of print physically, although it is available digitally and five of its tracks were remixed and subsequently included on Trio II.
Big Boss Band is the 1990 studio album of George Benson on Warner Bros. featuring the Count Basie Orchestra. This is Benson's second consecutive album which returns to his jazz roots after his successful pop career in the 1980s, and also his debut as sole producer of an album. The genre is mainly big band swing with some Michel Legrand and R&B thrown in.