Copperplate map of London

Last updated

Detail from the Copperplate map showing St Paul's Cathedral Copperplate map St Pauls.jpg
Detail from the Copperplate map showing St Paul's Cathedral
Braun and Hogenberg's map of London (published 1572), showing the likely extent of the area originally covered by the full Copperplate map Braun London UBHD.jpg
Braun and Hogenberg's map of London (published 1572), showing the likely extent of the area originally covered by the full Copperplate map

The "Copperplate" map of London is an early large-scale printed map of the City of London and its immediate environs, surveyed between 1553 and 1559, which survives only in part. It is the earliest true map of London (as opposed to panoramic views, such as those of Anton van den Wyngaerde). The original map was probably designed for hanging on a wall, and is believed to have measured approximately 3 feet 8 inches (112 cm) high by 7 feet 5 inches (226 cm) wide. [1] No copies of the printed map itself are known to have survived; but between 1962 and 1997 three of the original engraved copper printing-plates – from a probable total of 15 – were identified. Although only a fragmentary portion of the map is known, the three plates cover the greater part of the built-up heart of the City of London.

Contents

The map takes the form of a "bird's-flight view": that is to say, the street layout and other ground features are shown in plan, as if viewed directly from above; while buildings, people and other standing features are shown as if viewed from a great height to the south of the City, but without the foreshortening of more distant features that would be necessary for a true perspective view.

The map is clearly the source for the slightly smaller-scale and cruder "Woodcut" map, formerly attributed to Ralph Agas, which dates from shortly after 1561; and also, directly or indirectly, for the greatly reduced map of London included in Georg Braun and Frans Hogenberg's Civitates Orbis Terrarum, published in Cologne and Amsterdam in 1572. These two derivative maps allow the original extent and size of the Copperplate map to be estimated.

Production

The Copperplate map may have been engraved by mapmakers from the Low Countries, an important centre of surveying and printing at the time: this is suggested by some of its inscriptions and other details. [2] Its date coincides approximately with the joint reign of Queen Mary I and her husband Philip of Spain (i.e. 1554–58). Philip, whose realms also included the Spanish Netherlands, was known as a keen collector of town and city plans, and may have commissioned or patronised the Copperplate map. [3] It has also been suggested that Hanseatic merchants in London, and the humanist scholar George Lily, played some part in its production. [4]

All three surviving plates are heavily worn, suggesting that they were used for printing many times. [5]

Surviving plates

The Moorfields plate Copperplate map Moorfields.jpg
The Moorfields plate

Moorfields

The first plate was discovered in 1962, when an art-dealer contacted the London Museum. [6] It depicts part of the northern perimeter of the City of London, including a length of the city wall, the gates of Moorgate and Bishopsgate, and the suburbs of Moorfields and Spitalfields. The reverse of the plate had been used for a painting of the Tower of Babel, dated to c.1600 and attributed to Marten van Valckenborch or a member of his circle. The plate was acquired by the London Museum, and is now in its successor institution, the Museum of London.

The eastern City plate Copperplate map E City.jpg
The eastern City plate

Eastern City

The second plate was identified shortly afterwards in private ownership. [7] The map section shows much of the eastern part of the City (immediately to the south of the area covered by the first plate, and extending south to the banks of the Thames), including Guildhall and the northern end of London Bridge. The reverse of the plate had been used for a painting of the Coronation and Assumption of the Virgin, painted in c.1600 and attributed to Hieronymus Francken I. This plate was also purchased by the Museum of London in 1985. [5] [8]

The western City plate Copperplate map W City.jpg
The western City plate

Western City

The third plate was identified in 1997 in the collections of the Anhaltische Gemäldegalerie, housed in the Georgium, Dessau, Germany. [5] This map section shows much of the western part of the City (immediately to the west of the area covered by the second plate, again extending south to the Thames, and west to the church of St Dunstan-in-the-West), with St Paul's Cathedral and the River Fleet appearing prominently. Like the first plate, the reverse had been used for a painting of the Tower of Babel, in this case dated to c.1630 but again attributed to a member of the circle of Marten van Valckenborch. [5]

Dating evidence

The Copperplate map is not explicitly dated, but the original survey can be dated with some precision to between 1553 and 1559 from internal evidence. [3] Key points include the following:

What is thought to be the Copperplate map is mentioned in a letter from the cartographer Nicholas Reynolds to Abraham Ortelius, dated 1562–3. [9]

Related Research Articles

<span class="mw-page-title-main">Cartography</span> Study and practice of making maps

Cartography is the study and practice of making and using maps. Combining science, aesthetics and technique, cartography builds on the premise that reality can be modeled in ways that communicate spatial information effectively.

<span class="mw-page-title-main">Society of Antiquaries of London</span> British learned society for archaeologists

The Society of Antiquaries of London (SAL) is a learned society "charged by its Royal Charter of 1751 with 'the encouragement, advancement and furtherance of the study and knowledge of the antiquities and history of this and other countries'." It is based at Burlington House, Piccadilly, London, and is a registered charity.

<span class="mw-page-title-main">Laguna Copperplate Inscription</span> 10th-century inscription found in the Philippines

The Laguna Copperplate Inscription is an official acquittance certificate inscribed onto a copper plate in the Shaka year 822. It is the earliest known calendar-dated document found within the Philippine Islands.

<span class="mw-page-title-main">Wood engraving</span> Printmaking technique

Wood engraving is a printmaking technique, in which an artist works an image into a block of wood. Functionally a variety of woodcut, it uses relief printing, where the artist applies ink to the face of the block and prints using relatively low pressure. By contrast, ordinary engraving, like etching, uses a metal plate for the matrix, and is printed by the intaglio method, where the ink fills the valleys, the removed areas. As a result, the blocks for wood engravings deteriorate less quickly than the copper plates of engravings, and have a distinctive white-on-black character.

<span class="mw-page-title-main">Ralph Agas</span> Englist land surveyor (c. 1540–1621)

Ralph Agas was an English land surveyor and cartographer. He was born at Stoke-by-Nayland, Suffolk, in about 1540, and lived there throughout his life, although he travelled regularly to London. He began to practise as a surveyor in about 1566, and has been described as "one of the leaders of the emerging body of skilled land surveyors".

<span class="mw-page-title-main">Electrotyping</span> Chemical method for forming metal parts that exactly reproduce a model

Electrotyping is a chemical method for forming metal parts that exactly reproduce a model. The method was invented by Moritz von Jacobi in Russia in 1838, and was immediately adopted for applications in printing and several other fields. As described in an 1890 treatise, electrotyping produces "an exact facsimile of any object having an irregular surface, whether it be an engraved steel- or copper-plate, a wood-cut, or a form of set-up type, to be used for printing; or a medal, medallion, statue, bust, or even a natural object, for art purposes."

<span class="mw-page-title-main">Steel engraving</span>

Steel engraving is a technique for printing illustrations based on steel instead of copper. It has been rarely used in artistic printmaking, although it was much used for reproductions in the 19th century. Steel engraving was introduced in 1792 by Jacob Perkins (1766–1849), an American inventor, for banknote printing. When Perkins moved to London in 1818, the technique was adapted in 1820 by Charles Warren and especially by Charles Heath (1785–1848) for Thomas Campbell's Pleasures of Hope, which contained the first published plates engraved on steel. The new technique only partially replaced the other commercial techniques of that time such as wood engraving, copper engraving and later lithography.

<i>The Tower of Babel</i> (Bruegel) Three paintings by Pieter Bruegel the Elder

The Tower of Babel was the subject of three paintings by Pieter Bruegel the Elder. The first, a miniature painted on ivory, was painted while Bruegel was in Rome and is now lost. The two surviving paintings, often distinguished by the prefix "Great" and "Little", are in the Kunsthistorisches Museum, Vienna and the Museum Boijmans Van Beuningen in Rotterdam respectively. Both are oil paintings on wood panels.

<span class="mw-page-title-main">Lucas van Valckenborch</span> Flemish painter (c. 1535–1597)

Lucas van Valckenborch or Lucas van Valckenborch the Elder was a Flemish painter, mainly known for his landscapes. He also made contributions to portrait painting, and allegorical and market scenes. Court painter to Archduke Matthias, the governor of the Spanish Netherlands in Brussels, he later migrated to Austria and then Germany where he joined members of his extended family of artists who had moved there for religious reasons.

<span class="mw-page-title-main">Roller printing on textiles</span>

Roller printing, also called cylinder printing or machine printing, on fabrics is a textile printing process patented by Thomas Bell of Scotland in 1783 in an attempt to reduce the cost of the earlier copperplate printing. This method was used in Lancashire fabric mills to produce cotton dress fabrics from the 1790s, most often reproducing small monochrome patterns characterized by striped motifs and tiny dotted patterns called "machine grounds".

<span class="mw-page-title-main">Woodcut map of London</span> Map of the City of London created in 1560s

The "Woodcut" map of London, formally titled Civitas Londinum, and often referred to as the "Agas" map of London, is one of the earliest true maps of the City of London and its environs. The original map probably dated from the early 1560s, but it survives only in later and slightly modified copies. It was printed from woodcut blocks on eight sheets, and in its present state measures approximately 2 feet 4 inches (71 cm) high by 6 feet (180 cm) wide. There has been some damage to the blocks, and it was probably originally fractionally larger.

<span class="mw-page-title-main">William Hole (engraver)</span> English engraver

William Hole was a skilled English engraver who died in 1624 though the date of his birth is uncertain. Hole's work suggests French influence.

George Lily was an English Roman Catholic priest, humanist scholar, biographer, topographer and cartographer.

<span class="mw-page-title-main">Hendrick van Cleve III</span> Flemish painter

Hendrick van Cleve or Hendrik van Cleve III was a Flemish painter, draughtsman and designer of prints. He is known for topographical views, including views of Rome and the Vatican, as well as imaginary landscapes. Traditionally, a large number of depictions of the construction of the Tower of Babel have been attributed to him but most of these are now attributed to anonymous Flemish painters, who are referred to as 'The Hendrik van Cleve III Group'.

<span class="mw-page-title-main">Marten van Valckenborch</span>

Marten van Valckenborch or Marten van Valckenborch the Elder, was a Flemish Renaissance painter, mainly known for his landscapes and city scapes. He also made allegorical paintings and some portraits. After commencing his career in the Spanish Netherlands, he later migrated to Frankfurt in Germany where he and other members of his extended family of artists played an important role in local artistic developments.

The Visscher panorama is an engraving by Claes Visscher (1586-1652) depicting a panorama of London. It shows an imagined view of London in around 1600. The engraving was first published in Amsterdam in 1616, with the title "Londinum Florentissima Britanniae Urbs Toto Orbe Celeberrimum Emporiumque".

<span class="mw-page-title-main">Henry Ninham</span> English landscape artist, engraver, and heraldic painter

Henry Ninham was an English landscape artist, engraver and heraldic painter. He and his father John Ninham belonged to the Norwich School of painters, a group of artists who all worked or lived in Norwich during all or part of their working lives from around 1800 to 1880. Along with the Norwich School artists John Thirtle and David Hodgson, he was the foremost recorder of Norwich's architectural heritage prior to the invention of photography.

<span class="mw-page-title-main">Velarde map</span> Map of the early colonial Philippines, noted for its comprehensiveness

Carta Hydrographica y Chorographica de las Islas Filipinas, more commonly known as the Velarde map, is a map of the Philippines made and first published in Manila in 1734 by the Jesuit cartographer Pedro Murillo Velarde, the engraver Nicolás de la Cruz Bagay, and the artist Francisco Suárez. The World Digital Library describes it as the "first and most important scientific map of the Philippines". It is frequently referred to as the "Mother of all Philippine Maps".

<span class="mw-page-title-main">History of London (1775 book)</span>

A New and Universal History, Description and Survey of the Cities of London and Westminster, the Borough of Southwark, and their Adjacent Parts... by Walter Harrison is a 1775 book illustrated with 102 monochrome plates, describing the appearance of London at that time. It was published by John Cooke in 70 parts. These were issued weekly, each with one or two of the plates. The illustrations were prints made using engraved copper plates.

Cornelius Tiebout (1773?-1832) was an American copperplate engraver. According to the Library of Congress and many followers, Tiebout was born about 1773. If so, his earliest known engraving was published while he was about fifteen years old.

References

Bibliography