In 1938, Jerry Siegel and Joe Shuster gave away the copyright to Superman to Detective Comics, Inc., the predecessor of DC Comics. In 1948, National Comics (another predecessor) settled ownership and royalties disputes and paid $94,013.16 for Superman and Superboy rights. In 1969, a court ruled that Siegel and Shuster's grant of copyright included their renewal rights. Shuster died in 1992 and his heirs re-granted their rights for a $25,000 annual stipend. In 2001, the Siegel heirs took back their rights using the termination provision of the Copyright Act of 1976 and accepted a new purchase offer from Warner.
Later in 2001, the heirs tried to reclaim their rights after Marc Toberoff made a better offer. The Central District court of California ruled in 2008 that the Siegel heirs can cancel the Warner purchase, but this was overturned in 2012 on appeal to the 9th circuit. Thus, DC Comics currently holds the copyright to Superman.
Background
DC Comics corporate history
National Allied Publications was founded in 1934 by Malcolm Wheeler-Nicholson. Due to financial difficulties, Wheeler-Nicholson formed a corporation with Harry Donenfeld and Jack Liebowitz called Detective Comics, Inc. In January 1938, Wheeler-Nicholson sold his stake in National Allied Publications and Detective Comics to Donenfeld and Liebowitz as part of a bankruptcy settlement. On September 30, 1946, these two companies merged to become National Comics Publications.[1] On June 29, 1961, the company became known as National Periodical Publications. In 1967 National Periodical Publications was purchased by Kinney National Company, which later purchased Warner Bros.-Seven Arts and became Warner Communications. In 1976, National Periodical Publications changed its name to DC Comics. Since 1940, the publisher had placed a logo with the initials "DC" (as in "Detective Comics") on all its magazine covers, and consequently "DC Comics" became an informal name for the publisher.[2]
Jerome Siegel (Oct 17, 1914 – Jan 28, 1996) — Writer, co-creator of Superman
Michael Siegel (Jan 27, 1944 – Jan 17, 2006) — Son of Jerome and Bella Siegel (Jerome's first wife, m. 1939 and div. Oct 1948). Not to be confused with the father of Jerome, also named Michael.
Joanne Siegel (Dec 1, 1917 – Feb 12, 2011) — Jerome's second wife (m. Oct 13, 1948).
Laura Siegel Larson (born Mar 1, 1951) — Daughter of Jerome and Joanne Siegel.
Siegel and Shuster's employment at DC Comics (1935–1947)
In 1933, writer Jerry Siegel and artist Joe Shuster conceived the fictional comic strip character Superman. For the next five years, they tried selling Superman to various newspaper syndicates, with no success.
In 1935, Siegel and Shuster began working for New York comic magazine publisher National Allied Publications, producing detective and adventure stories. They refused, however, to sell Superman, their prize creation, to National Allied because it was a poorly-managed business.[6]
On December 4, 1937, Siegel and Shuster signed an employment contract with Detective Comics, Inc. (an affiliate of National Allied Publications) that gave Detective Comics, Inc. the right of first refusal over any comic material they produced for the next two years, and stipulated a pay rate of $10 per page.
The Employer hereby agrees to employ, and does hereby employ the Employees as Artists, for a period of two years, commencing with December 4, 1937 and terminating December 3, 1939, and pay them for such services and for all of the matters hereinafter set forth, the sum of Ten Dollars ($10) per page. [...] It is understood that any new and additional features which the Employees produce for use in a comic magazine are to be first submitted to the Employer, who reserves the right to accept or reject same within a period of Sixty days.
In January 1938, Detective Comics, Inc. offered to publish Superman. Siegel and Shuster by now had given up on the newspapers and agreed to sell Superman to Detective Comics, Inc. They produced 13 pages of comic stories, which they submitted to Detective Comics, Inc. in late February. In March, they signed a contract in which they released the copyright for Superman to Detective Comics, Inc.[7] The contract for the sale, signed in March 1938, read:
Dated March 1
I, the undersigned, am an artist or author and have performed work for strip entitled SUPERMAN
In consideration of $130.00 agreed to be paid me by you, I hereby sell and transfer such work and strip, all good will attached thereto and exclusive right to the use of the characters and story, continuity and title of strip contained therein, to you and your assigns to have and hold forever and to be your exclusive property and I agree not to employ said characters by their names contained therein or under any other names at any time hereafter to any other person firm or corporation, or permit the use thereof by said other parties without obtaining your written consent therefor. The intent hereof is to give you exclusive right to use and acknowledge that you own said characters or story and the use thereof, exclusively. I have received the above sum of money.
Superman was published on April 18, 1938, in Action Comics #1,[9] and was an immediate and great success. Siegel and Shuster now regretted selling the copyright for so little. Nevertheless, DC Comics retained Siegel and Shuster because they were popular with the readers. From 1938 to 1947 they were together paid over $400,000 (AFI $7,310,000).[10]
On September 22, 1938, Siegel and Shuster signed a 10-year contract with Detective Comics wherein they agreed to give Detective right of first refusal with a duration of six weeks over any comics stories they created for the next five years.
In the event you shall do or make any other art work or continuity suitable for use as comics or comic strips, you shall first give us the right of first refusal thereof by submitting said copy and continuity ideas to us. We shall have the right to exercise that option for six weeks after submission to us at a price no greater than offered to you by any other party.
[...]
This agreement shall be for a period of five years from the date hereof and shall thereafter be continued for an additional five years at our option.[11]
On December 19, 1939, Siegel and Shuster signed a contract which increased their pay rate to $20 per page and promised them 5% of net proceeds from any commercial exploitation of Superman beyond magazines, books, and newspapers.[12]
In November 1938, Siegel proposed to Detective Comics that he do stories of Superman's childhood adventures, with the character calling himself "Superboy". Detective rejected Siegel's pitch.[13] In December 1940, Siegel pitched the idea again with a complete script for the first story, but Detective did not respond within the contractual six weeks.[13]
Siegel served in the US Army from June 1943 to January 1946,[14] and spent most of his service in Hawaii. During this time, his work was taken over by ghostwriters, but Siegel was still paid for each strip.[15] Shuster was also paid for work done by ghost-artists.[16]
In 1944, while Siegel was serving in Hawaii, Detective Comics published a Superboy story in More Fun Comics #101. The story was partially based on the script Siegel had submitted in 1940, and was illustrated by Shuster.[17] Detective had done this without informing Siegel; he learned about it in a letter from Shuster.
1947–1948: Siegel and Shuster sue for ownership of Superman and Superboy
In 1947, Siegel and Shuster sued National Comics Publications for the rights to both Superman and Superboy and a "just share" of all profits that National and its partners made off the character. The suit was filed with the Supreme Court of the State of New York, in Westchester County.[18] The case was presided over by Judge J. Addison Young.
Regarding the ownership of Superman
Siegel and Shuster argued that the March 1, 1938 contract in which they sold Superman to Detective Comics, Inc. should be voided because it lacked sufficient consideration for Siegel and Shuster. Judge Young ruled that the $130 mentioned in the contract was not payment for the copyright to Superman but their wages for the thirteen pages of Superman stories they made for Action Comics #1. Young referred to their December 4, 1937 employment contract, which gave Detective Comics, Inc. the right of first refusal over any comic magazine material Siegel and Shuster produced, and which stipulated a pay rate of $10 per page. The $130 mentioned in the March 1, 1938 contract was therefore a superfluous assessment of their wages which were already owed, and not payment for the copyright to Superman.
It is quite apparent that the $130.00 which is the recited consideration in said instrument was already due and owing the plaintiffs before the instrument was executed. It was therefore past consideration and insufficient to support Plaintiffs' Ex. 11. [...] The terms of the contract of December 4th, 1937, though primarily relating to the features specified therein, also related to future dealings between plaintiffs and Detective Comics as to other features and as to these other features Detective Comics, Inc. were given a first option to accept or reject them. In effect, therefore, the instrument of March 1st, 1938 represented the exercise by Detective Comics of the option granted to it by the December 4th, 1937 agreement. It is therefore argued that the specific mention of $130.00 as a consideration in the March 1st, 1938 instrument was superfluous and unnecessary to its validity so far as the element of consideration is concerned...
—Judge Young, November 21, 1947
Judge Young concluded that the consideration that Siegel and Shuster had effectively bargained for was simply to see Superman published.
...the plaintiffs' desire to see Superman in print and the realization of that desire by Detective Comics' acceptance of the strip for publication and actually publishing it were the most vital elements of the consideration supporting the instrument date March 1st, 1938.
—Judge Young, November 21, 1947
Siegel and Shuster also argued that the March 1938 contract lacked mutuality, saying that at the time Superman was an idea not fully developed and thus there was no clear concept on what was being sold. Judge Young disagreed, and concluded that the strips that appeared in Action Comics #1 were based on a fully developed concept that Siegel and Shuster submitted before March 1938, and this is what Detective Comics, Inc. had purchased in the contract.
...the fact stands out that the first Superman release had been delivered for publication prior to March 1st, 1938 and this release certainly contained a full delineation of the character Superman and though the story or continuity might vary from time to time, it did I believe constitute a formula for the continuing series to come and in my opinion this was assignable and was purchased by the defendant.
—Judge Young, November 21, 1947
On April 12, 1948, Young declared that Superman belonged to National.[19]
Regarding the ownership of Superboy
National argued that Superboy was a work made for hire, but Judge Young rejected this argument because Detective Comics, Inc., on both occasions Siegel proposed his idea, had not indicated within six weeks of submission that it wished to publish Superboy, thereby effectively refusing it under the terms of their September 1938 contract.
DETECTIVE COMICS, INC. did not within six weeks after the submission of the said script or scenario indicate its election to publish the said comic strip SUPERBOY.
—Judge Young, April 12, 1948
National argued that Superboy was a derivative work of Superman, but Young ruled that Superboy was a separate entity.[3]
I cannot accept defendants view that Superboy was in reality Superman. I think Superboy was a separate and distinct entity. In having published Superboy without right, plaintiffs are entitled to an injunction preventing such publication and under the circumstances I believe the defendants should account as to the income received from such publication and that plaintiffs should be given an opportunity to proves any damages they have sustained on account thereof.
—Judge Young, November 21, 1947
On April 12, 1948, Young ruled that Siegel was "the originator and the sole owner" of Superboy, and ordered National to account for the proceeds it made of Superboy and to cease publishing Superboy stories.[19]
Regarding unpaid royalties
Siegel and Shuster argued that National had cheated them of their royalties from the radio adaptation of Superman and merchandising. Their December 1939 contract entitled them to 5% of the net proceeds from all commercial exploitation of Superman beyond books, magazines, and newspapers. They argued that National had understated the proceeds and did not allow Siegel and Shuster access to the accounting records. Judge Young agreed that there were irregularities and decided an official accounting of all proceeds made from Superman was appropriate.
...defendant NATIONAL COMICS PUBLICATIONS, INC. and INDEPENDENT NEWS CO. INC. shall account to plaintiffs before said Official Referee for all profits realized by said NATIONAL COMICS PUBLICATIONS, INC., DETECTIVE COMICS, INC., SUPERMAN, INC. and INDEPENDENT NEWS CO., INC. through the production of radio features and moving pictures entitled SUPERMAN and by the sale of commercial licenses of all kinds, and that the profits derived therefrom be divided according to law, and that the plaintiffs have their just share thereof...
—Judge Young, April 12, 1948
Conclusion
Judge Young concluded, in April 1948, that National owned Superman but Siegel owned Superboy. He ordered National to account before the court all proceeds made from Superman and Superboy.
The parties instead chose to settle out-of-court. National paid Siegel and Shuster $94,013.16 ($1,192,222 when adjusted for inflation) for the rights to both Superman and Superboy.[13] On May 21, 1948, Young entered a final judgment which vacated his April judgment, and ruled that the copyrights to Superman and Superboy belonged to National Comics Publications, Inc.:
ORDERED AND ADJUDGED that plaintiffs, their agents, servants and employees, be and they hereby are enjoined and restrained from creating, publishing, selling or distributing or permitting or causing to be created, published, sold or distributed any material of the nature heretofore created, produced or published under the title SUPERMAN, or any material created, produced or published in imitation thereof, or from using, permitting or causing to be used in connection with any comic strip or other material created by them the title SUPERMAN or any title imitative of the title SUPERMAN or which shall contain as part thereof the word 'SUPER'; and it is further DECLARED AND ADJUDGED that defendant NATIONAL COMICS PUBLICATIONS, INC. is the sole and exclusive owner and has the sole and exclusive right to the use of the title SUPERBOY...
—Judge Young, May 21, 1948
1965–1974: Copyright-renewal applications and lawsuit
Under the Copyright Act of 1909, a copyright lasted 28 years. Near the end of this term, the original owners of the copyright could apply to have the copyright renewed for another 28 years, in which case the copyright would revert back to them.[13] In April 1965, Siegel and Shuster applied to renew the copyright of Superman, and that June, National Periodical Publications filed its own renewal application.[20] National kept publishing Superman stories and licensing Superman merchandise after April 18, 1966, the date the initial 28-year term ended.
The court found that in the 1947 final consent judgment, Siegel and Shuster had transferred "all their rights" to the Superman character to National, including the renewal term.[13] This decision was based on the legal precedent set by Fred Fisher Music Co. v. M. Witmark & Sons,[13] in which the US Supreme Court ruled that an author could in writing convey his renewal rights in advance of their vesting.[22]
The court also ruled that Superman was a work made for hire, despite the fact that Siegel and Shuster had been developing the character long before they began employment at National.[13] The court argued that Detective Comics had rejected Siegel and Shuster's earlier prototype of Superman and that the revised version that appeared in Action Comics #1 was made under the supervision of Detective Comics.
The court in the Westchester action explicitly found that the original (1933) embodiment of the Superman concept consisted of "a few panels suitable for newspaper syndication" (Finding of Fact 19), and that the strip was suitable for magazine publication only after plaintiffs "resubmitted such revised and expanded material" to Detective (Findings of Fact 21, 22). Moreover, the Westchester court found that the Action Comics strip of 1938, rather than the 1933 newspaper strip, "constituted the formula for the continuing SUPERMAN series to come" (Finding of Fact 22).[21]
The appeals court disagreed with the lower court's decision that Superman was a work made for hire.
The court below instead relied upon finding of fact no. 22 in which the state court found that the plaintiffs did revise and expand the Superman material at the request of the defendants and that this revised material constituted the formula for the ensuing series of strips. We do not consider this tantamount to a conclusion that Superman was a work for hire. That doctrine is applicable only when the employee's work is produced at the instance and expense of the employer [...] or, in other words, when the "motivating factor in producing the work was the employer who induced the creation ...,"
[...]
In the case before us Superman and his miraculous powers were completely developed long before the employment relationship was instituted. The record indicates that the revisions directed by the defendants were simply to accommodate Superman to a magazine format. We do not consider this sufficient to create the presumption that the strip was a work for hire.[23]
Nevertheless, they agreed that Siegel and Shuster had indeed transferred their renewal rights and thus were not entitled to the copyright for Superman.
1975: Public relations campaign for comics creators
In 1975, Warner Bros. announced the production of a Superman film to be directed by Richard Donner. Siegel publicly condemned the project and drew attention to his poverty and the apathy of DC Comics. He found sympathizers such as Neal Adams and Jerry Robinson, who waged a public relations campaign for better treatment of comic creators in general. In order to avoid bad press, Warner Bros. agreed to give Siegel and Shuster a yearly stipend, medical benefits, and credit their names in all future Superman stories, in exchange for no longer contesting ownership of Superman.[24] The stipend was initially $20,000[25] but rose over the years.[3]
1992: Shuster dies
Shuster died on July 30, 1992, and he willed control of his estate to his sister, Jean Shuster Peavy.[13] On October 2, 1992, Jean Peavy and Frank Shuster (Joe Shuster's brother)[26] signed an agreement with DC Comics wherein they re-granted DC all of Joe Shuster's rights in exchange for a $25,000 annual stipend.[13] The agreement read:
We ask you to confirm by your signatures below that this agreement fully settles all claims to any payments or other rights or remedies which you may have under any other agreement or otherwise, whether now or hereafter existing regarding any copyrights, trademarks, or other property right in any and all work created in whole or in part by your brother, Joseph Shuster, or any works based thereon. In any event, you now grant to us any such rights and release us, our licensees and all others acting with our permission, and covenant not to assert any claim of right, by suit or otherwise, with respect to the above, now and forever.[27]
In a 2010 lawsuit (see below), DC Comics claimed it and its affiliates had paid Shuster's heirs "close to $500,000" under this agreement.[28]
1996: Siegel dies
Jerry Siegel, his wife Joanne, and daughter Laura (1976)
When Siegel died on January 28, 1996, his estate passed to his widow Joanne Siegel, son Michael Siegel, and daughter Laura Siegel Larson, who held respectively 25%, 12.5%, and 12.5% of the interest in Superman.[29]
The Copyright Act of 1976 contained a provision which allowed for a creator to terminate their grant of the copyright to their work 56 years after the date the copyright was first secured. The creator would then have a five-year window to do so.[30] The creator, however, would have to serve a notice of termination in advance of the effective date; between two and ten years in advance.[31]Action Comics #1 was published on April 18, 1938. Consequently, Superman's copyright would become eligible for termination beginning April 18, 1994 and ending April 18, 1999, and the termination notices had to be served between April 18, 1984, and April 18, 1997.[13] Likewise, Superboy's copyright became eligible for termination between December 2000 and December 2005, and the notices had to be served sometime between and December 1990 and December 2003.
Siegel never applied for termination, but his heirs did after his death. On April 3, 1997, Joanne Siegel and Laura Siegel Larson served DC Comics a termination notice for Superman which became effective on April 16, 1999. The Siegel heirs now owned 50% of Superman, the other half remaining with DC Comics.
Warner Bros. attempted to negotiate an agreement with Siegel's heirs in order to retain Siegel's half of the rights to Superman. On October 16, 2001, Warner made an offer. Warner offered a payment of $3 million, an annual stipend of $500,000, a 6% royalty of Superman and a 1% royalty of his publications, and full medical benefits. Warner also agreed to insert the line "By Special Arrangement with the Jerry Siegel Family" in all future Superman productions.[32] The Siegel heirs accepted this offer in an October 19 letter released by their lawyer, Kevin Marks.[33]
Marc Toberoff's offer to the Siegel and Shuster heirs
In 2001, Jean Peavy's son and Joe Shuster's nephew, Mark Warren Peary, contacted attorney and movie producer Marc Toberoff. On November 23, Peavy and Peary entered into a joint venture with Toberoff's production firm, Pacific Pictures.[34][35] Toberoff then contacted the Siegel heirs, first through a phone call to their lawyer, Kevin Marks, on November 29, 2001.[3] In negotiations the following year, Toberoff and his colleague Ari Emanuel offered the Siegel heirs $15 million for their half of rights to Superman. Toberoff's plan was to eventually produce a Superman movie after securing the rights to Superman from Siegel and Shuster's heirs.
On September 21, 2002, the Siegel heirs fired Marks and later replaced him with Toberoff.[3] On September 30, the Siegel heirs sent a letter to DC Comics stating that the negotiations were over.[13]
On November 8, 2002, Siegel's heirs filed termination notices for the Superboy character and claimed full ownership of the character. This termination would have taken effect on November 17, 2004. On August 27, 2004, DC Comics denied the notices. The Siegels then took DC Comics to court.[13]
Under the terms of the Copyright Act of 1976 in its original form, only the spouse, children, or grandchildren of a dead author could terminate a grant of copyright. This had prevented Shuster's sister and nephew from terminating Shuster's grant of his half of the copyright to Superman in the years following his death. In 1998, the Sonny Bono Copyright Term Extension Act modified the law to allow executors of estates to terminate.[36] Under the original law, the window to serve the termination notice had ended in 1997, but the Sonny Bono Act also added a new subsection allowing the Shuster heirs to terminate 75 to 80 years after the copyright was first secured (with the usual two- to ten-year advance notice).[37] The Shuster heirs could terminate their grant between 2013 and 2018, and the termination notice would have to be served between 2003 and 2016. On November 7, 2003, Peary served DC Comics with a notice of termination of Shuster's grant of the rights to Superman. He assigned Shuster's half of the rights to Superman to Pacific Pictures.[13]
2004–2016: Siegel's heirs sue
On October 8, 2004, Siegel's heirs filed suit in the United States District Court for the Central District of California to assert their claim they owned 50% of the copyright of Superman (the other half being Shuster's).[38] On October 22, 2004, Siegel heirs filed another lawsuit in the same court over the rights to Superboy.[39] They claimed 100% ownership of the Superboy character, as it was solely the creation of Siegel.[40] Marc Toberoff represented the Siegels in both cases.
The cases were assigned to Judge Ronald S.W. Lew on September 21, 2005. The following year, Lew took senior status and the cases were eventually reassigned to Judge Stephen G. Larson on October 30, 2006.[41] In November 2009, Larson recused himself and the cases were reassigned to Judge Otis D. Wright II.[42]
Joanne Siegel died on February 12, 2011, before the cases were resolved. Her daughter, Laura Siegel Larson, took over the cases and became executor of the Siegel estate.[13]
Regarding Superman
DC Comics argued that the October 19, 2001 letter from the Siegels constituted a binding acceptance of DC's offer for the rights to Superman. However, Judge Larson found that the parties kept changing the terms of the agreement in subsequent correspondence, and thus never came to a stable agreement that the courts could enforce.
One need only review the language of the parties’ correspondence, their conduct in reaction thereto, and the numerous material differences between the terms relayed in the October 19 and 26, 2001, letters and the February 1, 2002, draft to reach the conclusion that the parties failed to come to an agreement on all material terms.
[...]
The Court’s responsibility is not to create a patch-quilt agreement by stringing together certain expressions of assent made at one point (October 19), and attaching to it material terms spelled out later in time (and to which the supposedly assenting party promptly rejected).
[...]
Accordingly, the Court concludes that the parties’ settlement negotiations did not result in an enforceable agreement resolving the issues presently before the Court.[43]
Larson ruled that the Siegel heirs had regained half of the rights to Action Comics #1.
After seventy years, Jerome Siegel’s heirs regain what he granted so long ago — the copyright in the Superman material that was published in Action Comics, Vol. 1. What remains is an apportionment of profits, guided in some measure by the rulings contained in this Order, and a trial on whether to include the profits generated by DC Comics’ corporate sibling’s exploitation of the Superman copyright.[43]
In an August 12, 2009 supplement, Larson further elaborated his ruling.
...the Court finds that plaintiffs have successfully recaptured (and are co-owners of) the rights to the following works: (1) [**165] Action Comics No. 1 (subject to the limitations set forth in the Court's previous Order); (2) Action Comics No. 4; (3) Superman No. 1, pages three through six, and (4) the initial two weeks' worth of Superman daily newspaper strips. Ownership in the remainder of the Superman material at issue that was published from 1938 to 1943 remains solely with defendants.[44]
Regarding Superboy
DC Comics argued that Superboy was a work made for hire and thus DC owned the character from conception; that Superboy was a derivative work of Superman and thus Siegel had no right to it because DC owned Superman; and that Superboy was a joint work between Siegel and Shuster and thus Siegel's heirs lacked the majority interest required to terminate.[45]
On March 23, 2006, Judge Lew concluded that, in the 1947-48 lawsuit (see above), Judge Young already addressed and rejected these arguments and that res judicata and collateral estoppel precluded re-litigation. Lew ruled that the Siegel heirs had effectively terminated Siegel's grant of the rights to Superboy. He also ruled that the protagonist of the television show Smallville was Superboy.
After Judge Larson took over the case in October 2006, DC Comics moved for reconsideration of Lew's decision, and on July 27, 2007, Larson vacated Lew's ruling regarding the terminations of DC's Superboy right.
The court reversed the District Court's grant of summary judgment, ruling that the October 19, 2001 letter from the Siegels (see above) constituted a legally binding acceptance of the October 16 oral agreement with DC Comics.[47] The court ruled that, even though the agreement had not been finalized, the terms were "sufficiently definite that a court could enforce them". In a January 2013 memorandum, the presiding judges wrote:
California law permits parties to bind themselves to a contract, even when they anticipate that "some material aspects of the deal [will] be papered later." [...] This principle applies notwithstanding the lack of an express reference to an intended future agreement, as long as the terms of any contract that may have been formed are sufficiently definite that a court could enforce them (as is undoubtedly the case here).
The appeals court remanded the case back to the District Court. In an April 18, 2013 judgment, Judge Wright denied all of the Siegel heirs' claims and ruled that the October 19, 2001 letter irrevocably gave DC Comics the rights to Superman and Superboy.
The Court declares that, under the parties’ October 19, 2001 settlement agreement, Larson and her family transferred to DC, worldwide and in perpetuity, any and all rights, title, and interest, including all copyright interests, that they may have in Superman, Superboy, and Spectre.
—Judge Wright, April 18, 2013
Larson appeals to the Ninth Circuit
Laura Siegel Larson appealed Wright's April 2013 judgment to the Ninth Circuit.
Larson argued that the October 2001 letter did not transfer the rights to Superboy because at the time of its writing the Siegel heirs had not yet terminated DC Comics' rights to Superboy. The appeals court rejected this argument.
Larson claimed that her mother Joanne had rescinded the October 2001 letter and that DC Comics agreed to her decision. This was the first time that Larson raised this argument, and the appeals court refused to consider it because doing so would prejudice DC by forcing them to rework their defense from scratch.
On remand, Larson argued for the first time that her mother, Joanne Siegel, had rescinded the 2001 contractual settlement agreement in letters written in 2002 and that DC acquiesced in the recission. As the district court noted, permitting Larson to raise these arguments now would substantially prejudice DC. Joanne Siegel has since died. DC would have to change its defense strategy, conduct new discovery, and the litigation would effectively have to begin all over. The rescission and acquiescence affirmative defenses are therefore waived.
—Feb 10, 2016 memorandum
Effects of these cases
The television show Legion of Super Heroes, which aired from 2006 to 2008, was originally meant to be titled Superboy and the Legion of Superheroes, but because this ongoing lawsuit left the ownership of Superboy in doubt, Warner Bros. Animation changed the title and replaced the character of Superboy with Superman (although he remained a teenager).[48]
2010–2013: DC sues the Shuster heirs
In 2010, DC Comics sued Toberoff, Joanne Siegel, Laura Siegel Larson, and Mark Warren Peary. Jean Peavy, incapacitated by a stroke in 2009, was not listed as a defendant in this case. Her son, Mark Warren Peary, was substitute executor for the Shuster estate. DC asked the court to invalidate and void the Shusters' termination notice and the agreements between Toberoff's firms and the heirs of Siegel and Shuster.
The judge agreed with DC's argument that the 1992 agreement with Jean Peavy, the sole heir and executor to Shuster's estate, barred her and all other heirs from pursuing termination. The judge also ruled that the 1992 agreement superseded all prior agreements between Shuster and DC Comics, and as a post-1978 grant it is not subject to termination under § 304(d) of US copyright law.[50] The judge also ruled that the transfer of rights to Pacific Pictures was illegal because it had been made before the effective date of termination of October 26, 2013.[51]
The Shuster heirs appealed to the Ninth Circuit, but the appeals court agreed with Wright's judgment.
Future
The copyright to Action Comics #1 was in its renewal term on October 27, 1998 (the date the Copyright Term Extension Act became effective). This means that the copyright will expire 95 years after it was first secured, i.e. at the end of 2033.[52] Thus, barring new legislation, Superman as he is depicted in Action Comics #1 will become public domain in 2034, along with other story elements such as Lois Lane. Some later developments of the character, such as his power of "heat vision" (introduced in a 1949 story), may not be available to unlicensed authors as they were introduced in works that will persist longer under copyright. Supporting characters such as Lana Lang, or locales such as the Fortress of Solitude, will also persist for longer in copyright.[53]
↑ Judge J. Addison Young, "Findings of Facts", April 12, 1948: "DETECTIVE COMICS, INC. was a corporation duly organized and existing under the laws of the State of New York, and was one of the constituent corporations consolidated on September 30, 1946 into defendant NATIONAL COMICS PUBLICATIONS, INC."
↑ Daniels (1998), p.41: "By 1940 the publisher began to be identified as DC Comics, after a circular logo appearing on its covers. Officially the initials stood for "Detective Comics"..."
↑ Warren Peary changed his name from "Peavy" to "Peary", according to the complaint filed by DC Comics in the 2010 lawsuit (2:10-cv-03633).
↑ U.S. Social Security Applications and Claims Index, 1936-2007 Via ancestry.com
↑ Jerome Siegel, in a sworn affidavit signed 1 March 1973, filed in Jerome Siegel & Joseph Shuster vs National Periodical Publications et al, 69 Civ 1429: "In 1935 Malcolm Wheeler-Nicholson, a publisher of comic books, expressed interest in Superman and tried to persuade us that the property would be more successful if published in comic book form where it would be seen in color, than it would be in a black and white daily strip. Our experience with him had been such that we did not consider him the publisher to entrust with the property and his proposal was rejected."
↑ Siegel, Jerry. Unpublished memoir "The Story Behind Superman #1", registered for U.S. copyright in 1978 under later version Creation of a Superhero as noted by Tye (2012), p.309. Memoir additionally cited by Ricca (2014), p.148.
↑ Exhibit Q (Docket 353-3) in Laura Siegel Larson v Warner Bros. Entertainment, Inc., DC Comics, Case no. 13-56243 (Scans available from Dropbox and Scribd). Originally submitted as an exhibit in Jerome Siegel and Joseph Shuster v. National Comics Publications Inc. et al., No. 1099-1947 (N.Y.Sup.Ct. 1947)
↑ Judge J. Addison Young's findings of facts, April 12, 1948: "On December 19, 1939, a modification agreement (Pl. Ex. 22), was entered into between plaintiffs and DETECTIVE COMICS, INC. by which plaintiffs' compensation for SUPERMAN magazine releases was increased to $20. per page, and in addition DETECTIVE COMICS, INC. agreed to pay to plaintiffs 5% of the net proceeds to be derived from commercial exploitation of SUPERMAN other than from magazine and book publication and newspaper syndication."
↑ Judge J. Addison Young, "Findings of Facts", April 12, 1948: "92. From June 1, 1943 to March, 1947, DETECTIVE COMICS, INC. published in magazines, 120 releases of the comic strip SUPERMAN, for which plaintiff SIEGEL did not create the continuity. 93. DETECTIVE COMICS, INC. paid to plaintiff SIEGEL the sum of $200. per release for each of said 120 releases, which sum was accepted by plaintiff SIEGEL in full payment."
↑ Judge J. Addison Young, "Findings of Facts", April 12, 1948: "94. From July 1, 1943 to March, 1947, DETECTIVE COMICS, INC. published in magazines 130 releases of the comic strip SUPERMAN for which plaintiff SHUSTER did not create art work. 95. DETECTIVE COMICS, INC. paid to plaintiff SHUSTER the sum of $150. per release for 80 of said releases, and the sum of $200. per release for 50 of said releases, which sums were accepted by plaintiff SHUSTER in full payment."
↑ Ricca (2014): "So when the first official Superboy adventure was published in More Fun Comics #101, the first portion of the story is Jerry’s script with Joe (and the shop) providing art. But then, abruptly, the tone changes as writer Don Cameron is brought in to finish the rest."
↑ Jerome Siegel and Joseph Shuster v. National Comics Publications Inc. et al., No. 1099-1947 (N.Y.Sup.Ct. 1947)
1 2 Judge J. Addison Young, in his April 12, 1948 interlocutory judgment.
1 2 Jerome Siegel and Joseph Shuster, v. National Periodical Publications, Inc., et al., 508 F.2d 909 (2d Cir. 1974)
↑ Sergi (2015): "In exchange, Siegel and Shuster once again acknowledged that DC Comics was the exclusive owner of all rights and title to Superman."
↑ Paragraph (5)(a) of the 1975 agreement: "Warner will make monthly payments to each of you at the annual rate of $20,000 for your respective lifetimes, less any applicable withholding taxes, commencing January 1, 1976."
↑ Not to be confused with Frank Shuster the comedian and Joe Shuster's cousin. Ricca (2014) writes that the brother died in 1996 whereas the cousin died in 2002.
↑ 1992 agreement between DC Comics and the Shuster heirs.
↑ In paragraph 51 in the complaint filed by DC Comics on May 14, 2010.
↑ This is noted in the complaint filed by DC Comics in its 2010 lawsuit against the Shuster heirs.
↑ Ricca (2014): "DC eventually returned with an offer whereby the Siegels would surrender their portion of the copyright for a payday of $2 million, another million in advance, and a minimum annual sum of $500,000. In addition, the Siegels would get a 6 percent royalty of Superman and a 1 percent royalty of his publications. Jerry and Joe would keep their credits, and the families would get full medical benefits. The Siegels accepted the offer on October 16, 2001, one day before what would have been Jerry’s eighty-seventh birthday."
↑ According to Ricca (2014), Peary said this in a 2011 deposition to lawyers representing Warner Bros. the corporate owner of DC Comics.
↑ From a motion filed on August 13, 2010 by one of Toberoff's attorneys in the 2010 lawsuit (Document 30, 2:10-cv-03633): "In mid-2001, Joseph Shuster’s nephew, Mark Warren Peary (“Peary”), after researching copyright issues on the internet, sought out attorney Marc Toberoff in connection with the potential termination of Joseph Shuster’s copyright grants."
↑ The Copyright Term Extension Act: Sections 203(a)(2) and 304(c)(2) of title 17, United States Code.
↑ Laura Siegel Larson et al. v. Warner Bros. Entertainment, Inc. et al., Case No. CV 04-8400 (USDC CDCA 2004)
↑ Laura Siegel Larson et al. v. Time Warner, Inc. et al., Case No. CV 04-8776 (USDC CDCA 2004)
↑ In the complaint filed on October 22, 2004: "As the sole creator and author of "Superboy", Jerome Siegel owned all rights in "Superboy", including the copyrights to "Superboy" prior to the alleged transfer or assignment of "Superboy" pursuant to the 1948 Stipluation."
↑ From a Joint Status Report filed on December 21, 2009. Document 184, page 20. In Joanne Siegel et al v. Time Warner Inc et al 2:04-cv-08776-ODW-RZ
↑ DC Comics v. Pacific Pictures Corp. et al, Case No. CV 10-3633 ODW (RZx) (USDC C.D. Cal. 2010)
↑ "In sum, the Court finds that the 1992 Agreement, which represented the Shuster heirs’ opportunity to renegotiate the prior grants of Joe Shuster’s copyrights, superseded and replaced all prior grants of the Superman copyrights. The 1992 Agreement thus represents the parties’ operative agreement and, as a post-1978 grant, it is not subject to termination under 17 U.S.C. § 304(d)."
↑ "Defendants do not dispute that they entered into multiple agreements purporting to grant and otherwise encumber rights covered by a (to be) terminated grant; indeed, they agree that those agreements are void insofar as they aim to transfer the subject copyrights. (See Opp’n at 18.) Those agreements run afoul of 17 U.S.C. § 304(c)(6)(D) as well and, accordingly, are hereby deemed invalid."
Leaffer, Marhsall A. (2010). Understanding Copyright Law. LexisNexis. ISBN9781422486368.
Ricca, Brad (2014). Super Boys: The Amazing Adventures of Jerry Siegel and Joe Shuster - the Creators of Superman. St. Martin's Griffin. ISBN978-1250049681.
Sergi, Joe (2015). The Law for Comic Book Creators: Essential Concepts and Applications. McFarland. ISBN978-0786473601.
DC Comics, Inc. is an American comic book publisher and the flagship unit of DC Entertainment, a subsidiary of Warner Bros. Discovery. DC is an initialism for "Detective Comics", an American comic book series first published in 1937.
Superman is a superhero who appears in American comic books published by DC Comics. The character was created by writer Jerry Siegel and artist Joe Shuster, and debuted in the comic book Action Comics #1. Superman has been adapted to several other media including radio serials, novels, films, television shows, theater, and video games.
Joseph Shuster, was a Canadian-American comic book artist best known for co-creating the DC Comics character Superman, with Jerry Siegel, in Action Comics #1.
Superboy is the name of several fictional superheroes appearing in American comic books published by DC Comics. These characters have been featured in several eponymous comic series, in addition to Adventure Comics and other series featuring teenage superhero groups.
Jerome Siegel was an American comic book writer. He is the co-creator of Superman, in collaboration with his friend Joe Shuster, published by DC Comics. They also created Doctor Occult, who was later featured in The Books of Magic. Siegel and Shuster were inducted into the comic book industry's Will Eisner Comic Book Hall of Fame in 1992 and the Jack Kirby Hall of Fame in 1993. With Bernard Baily, Siegel also co-created the long-running DC character The Spectre. Siegel created ten of the earliest members of the Legion of Super-Heroes, one of DC's most popular team books, which is set in the 30th Century. Siegel also used pseudonyms including Joe Carter and Jerry Ess.
Notable events of 1938 in comics.
Superboy is an American television series based on the fictional DC Comics character Superman's early years as Superboy. The show ran from 1988–1992 in syndication. It was renamed The Adventures of Superboy at the start of the third season.
National Comics Publications v. Fawcett Publications, 191 F.2d 594. was a decision by the United States Court of Appeals for the Second Circuit in a twelve-year legal battle between National Comics and the Fawcett Comics division of Fawcett Publications, concerning Fawcett's Captain Marvel character being an infringement on the copyright of National's Superman comic book character. The litigation is notable as one of the longest-running legal battles in comic book publication history.
More Fun Comics, originally titled New Fun: The Big Comic Magazine, is a 1935–1947 American comic book anthology that introduced several major superhero characters and was the first American comic book series to feature solely original material rather than reprints of newspaper comic strips. It was also the first publication of National Allied Publications, the company that would become DC Comics.
Superman is an American fictional character created by Jerry Siegel and Joe Shuster and featured pervasively in DC Comic books. The character debuted in Action Comics issue #1 in June 1938 and has since become a paradigm for superhero characters.
Superman was a daily newspaper comic strip which began on January 16, 1939, and a separate Sunday strip was added on November 5, 1939. These strips ran continuously until May 1966. In 1941, the McClure Syndicate had placed the strip in hundreds of newspapers. At its peak, the strip, featuring Superman, was in over 300 daily newspapers and 90 Sunday papers, with a readership of over 20 million. A spin-off, Lois Lane, Girl Reporter, ran irregularly between 1943 and 1944.
The New Adventures of Superman is a series of six-minute animated Superman adventures produced by Filmation that were broadcast Saturday mornings on CBS from September 10, 1966, to September 5, 1970. The 68 segments appeared as part of three different programs during that time, packaged with similar shorts featuring The Adventures of Superboy and other DC Comics superheroes.
Magazine Enterprises was an American comic book company lasting from 1943 to 1958, which published primarily Western, humor, crime, adventure, and children's comics, with virtually no superheroes. It was founded by Vin Sullivan, an editor at Columbia Comics and before that the editor at National Allied Publications, the future DC Comics.
Superboy is a superhero that appears in American comic books published by DC Comics. The character was created by Jerry Siegel and Don Cameron and is based on the character of Superman that Siegel co-created with Joe Shuster. Superboy first appeared in the comic book More Fun Comics #101 in 1945.
The origin of Superman and his superhuman powers have been a central narrative for Superman since his inception, with the story of the destruction of his home planet of Krypton, his arrival on Earth and emergence as a superhero evolving from Jerry Siegel's original story into a broad narrative archetype over the course of Superman's literary history and as the character's scope continues to expand across comics, radio, television and film.
Joanne Siegel was an American model, who in the 1930s worked with Superman artist Joe Shuster as the model for Lois Lane, Superman's love interest. She later married Superman's co-creator Jerry Siegel and sued for restoration of her husband's authorship copyright in the Superman character.
Marc Toberoff is an intellectual property attorney specializing in copyright and entertainment litigation.
Detective Comics, Inc. v. Bruns Publications, Inc., 111 F.2d 432, the case of Superman v. Wonderman, is a 1940 decision of the Second Circuit in which the court held that the archetype of a comic book hero, in this case a cape-wearing benevolent-Hercules figure (Superman), is an idea, which the copyright in the comic strips does not protect against copying; only the specific details of the strips, their particular expression, enjoy legal protection. The author of the court's opinion was Judge Augustus N. Hand and the panel of Second Circuit judges included Judge Learned Hand.
Nights of Horror is an American series of fetish comic books, created in 1954 by publisher Malcla, drawn by comic artist Joe Shuster, who is also one of the original creators of Superman. The comic stories were written by an author under the pseudonym Clancy, who also used other pseudonyms for different issues of the books. The stories are based on situations of BDSM, bondage, torture, and sexual slavery, featuring both men and women as the tormentors and victims. The series was important in the conviction of Jack Koslow in 1954, during the trial of the Brooklyn Thrill Killers. The books themselves were seized and banned first by New York City, then by the State of New York for violating obscenity laws, and the case went to the Supreme Court of the United States. The Court determined that the ban was not in violation of First Amendment rights, and upheld New York's request for destroying copies of Nights of Horror. Shuster was never named as the illustrator until Gerard Jones published the information in 2004.
The 1940s were an essential time for DC Comics. Both National Comics Publications and All-American Publications would introduce many new featured superheroes in American comic books in superhero comics anthology tales like More Fun Comics, Adventure Comics, Detective Comics, Action Comics, All-American Comics, Superman, Flash Comics, Batman, All Star Comics, World's Finest Comics, All-Flash, Star Spangled Comics, Green Lantern, Leading Comics, Sensation Comics, Wonder Woman, Comic Cavalcade and Superboy that would be a staple for the comic book company. Examples of the superheroes include the Flash, Hawkman and Hawkgirl, Johnny Thunder and Thunderbolt, Spectre, Hourman, Robin, Doctor Fate, Congo Bill, Green Lantern, Atom, Manhunter, Doctor Mid-Nite, Sargon the Sorcerer, Starman, Johnny Quick, the Shining Knight, the Star-Spangled Kid and Stripesy, Tarantula, Vigilante, Green Arrow and Speedy, Aquaman, Wonder Woman, Sandy, the Golden Boy, Mister Terrific, Wildcat, Air Wave, Guardian, Robotman, TNT and Dan the Dyna-Mite, Liberty Belle, Superboy and Black Canary. These characters would later crossover in superhero team titles in the 1940s such as the Justice Society of America and the Seven Soldiers of Victory helping pave a way to a shared universe of the publication company. Other used featured characters outside of superheroes included kid titular heroes like the Newsboy Legion and the Boy Commandos. Later Western heroes would be used such as Johnny Thunder, Nighthawk and Pow Wow Smith.
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