Crossfire (band)

Last updated

Crossfire
OriginSydney, New South Wales, Australia
Genres Jazz-fusion
Years active1974 (1974)–1983 (1983), 1991
LabelsTrafalgar/RCA, Warner, East West
Past members
  • Jim Kelly
  • Michael Kenny
  • Ian Bloxsom
  • Greg Lyon
  • Phil Scorgie
  • Don Reid
  • Tony Buchanan
  • John Proud
  • Doug Gallacher
  • Steve Hopes
  • Mark Riley

Crossfire was an Australian jazz-fusion band active from 1974 to 1991, which recorded five studio albums. The primary composers of the group were founding members Jim Kelly (guitars) and Michael Kenny (keyboards, piano). Other members of Crossfire included Ian Bloxsom (percussion, glockenspiel), Greg Lyon and Phil Scorgie (electric bass), Don Reid and Tony Buchanan (saxophones, flute), John Proud, Doug Gallacher, Steve Hopes, and Mark Riley (drums).

Contents

History

Crossfire was a jazz-fusion band formed in Sydney in 1974 with a line-up of Ian Bloxsom on percussion, Tony Buchanan on saxophone, Steve Hopes on drums, Jim Kelly on guitar, Michael Kenny on piano and Greg Lyon on bass guitar. [1] [2] [3] Bloxsom, Kelly and Kenny had been band mates in Southern Contemporary Rock Assembly. [4] The ensemble issued a self-titled debut album late in 1975, with a line-up of Bloxsom; Kelly; Kenny on keyboards and trumpet; Lyon on bass guitar and vocals; John Proud on drums and Don Reid on reeds. [5] Rock Australia Magazine 's Felicity Surtees found that the group had "gone past the stage of being just a creative outlet and has become a major part of their lives." [5] Lyon described their style, "what we play is contemporary music. We're influenced by everyone really... It allows everyone to be creative." [5]

Crossfire were the first Australian artists to use direct-to-disc recording for their aptly titled second album, '' Direct to Disc , in late 1978. [6] It was produced and engineered by Alan Thorne and issued by Trafalgar Records/RCA. [6] For the album, the line-up was Bloxsom; Kenny on Wurlitzer piano and flugelhorn; Lyon; Kelly on guitar; and Don Reid on saxophones and flute; joined by Doug Gallacher on drums. [6] Michael Foster of the Canberra Times felt "their music displays many moods — playful and joyous, eerie and sombre — always sensitive, reflecting the influences and experiences of each player." [6] He emphasised "the effect gained by the horns, which seem to hang suspended a lot of the time against a backdrop of the instruments which normally carry rhythm, and the percussion group. The rhythm and percussion instruments often, as is the way since bop, step outside their roles as custodians of time and measure, and establish their own rights to individual actions." [6]

The group's third album, East of Where (1980), was issued on WEA and was co-produced by Kelly, Kenny and Martin Benge. [7] All the tracks were written by Kelly or Kenny. [7] For this album Bloxsom, Buchanan, Hopes, Kelly and Kenny were joined by Phil Scorgie bass guitar. [7] Foster found there was "more humour in this album than in the previous one. The music is of the same genre, but there is a certain wryness in the approach to its work, by one of Australia's most exciting bands." [7] Although "there are times when it gets a little heavy, but generally the music lifts and soars, and is fun to listen to." [7]

Crossfire were the backing band for the American jazz singer Michael Franks on an Australian tour, which provided a live album, Michael Franks with Crossfire Live (1980). They were also the backing band for American jazz guitarist Lee Ritenour during his 1981 Australian tour. Lee was impressed when Michael Franks had played Lee his tapes of his live album back in L.A. In late 1982 they issued their fourth studio album, Hysterical Rochords, again with Kelly, Kenny and Benge co-producing. The line-up was Bloxsom, Buchanan, Hope, Kelly, Kenny and Scorgie. [8] The Canberra Times' W. L. Hoffman noticed that "there are six tunes, all of them interesting and, again, all of them written by [Kelly or Kenny]." [8] Hoffman praised the title track, "it is a neatly structured, very bluesy piece, with Ton Buchanan's saxophone threading through the tune, bringing it all together" while "the sounds continue on the second side, smooth, singing music as is characteristic of Crossfire." [8]

During 1982 Crossfire undertook an international tour through India, Holland, England and the United States. [9] The group's performance at the Montreux Jazz Festival on 16 July 1982 was recorded. [9] It was released as their second live album, Live at Montreux (July 1983). [3] The ensemble were Bloxsom on percussion and mallets, Buchanan on saxophones and shakers, Kelly, Kenny, Lyon and Mark Riley on drums. [9] Eric Myers declared, in the July–August edition of Jazz magazine, that the gig showed the group "playing original music that is an outgrowth of our own culture, can take their place on the international stage with the best of them ... a great moment for Crossfire and a high point for Australian music." [3] The group disbanded later that year. Their performance at the Basement in Sydney was broadcast on ABC radio's The Burrows Collection for the episode, "Ten Years On – The Basement" in August 1984. [10] The gig had included guest vocals from Erana Clark and Barry Leaf. [10]

Crossfire reunited briefly in 1991 and issued another album, Tension Release; with the line-up of Bloxsom, Buchanan, Hopes, Kelly, Kenny and Lyon. [11] In July that year they promoted its release with a series of gigs in Sydney. [12] They also did a backing band for the Randy Brecker tour at that time

Discography

Studio albums

List of albums, with selected chart positions
TitleAlbum detailsPeak chart
positions
AUS
[13]
Crossfire
  • Released: November 1975
  • Format: LP
  • Label: Harvest (SHVL 616)
90
Direct to Disc
  • Released: 1978
  • Format: LP
  • Label:
-
East of Where''
  • Released: September 1980
  • Format: LP
  • Label: WEA (600072)
88
Hysterical Rochords
  • Released: 1982
  • Format:
  • Label:
-
Tension Release
  • Released: July 1991
  • Format:
  • Label:
-

Live albums

List of albums, with selected chart positions
TitleAlbum detailsPeak chart
positions
AUS
[13]
Michael Franks with Crossfire Live
(Michael Franks with Crossfire)
  • Released: 1980
  • Format: LP
  • Label: WEA (6000084)
92
Crossfire Live at Montreux
  • Released: July 1983
  • Format:
  • Label:
-

Related Research Articles

The Lounge Lizards were an eclectic musical group founded by saxophonist John Lurie and his brother, pianist Evan Lurie, in 1978. Initially known for their ironic, tongue-in-cheek take on jazz, The Lounge Lizards eventually became a showcase for John Lurie's sophisticated compositions straddling jazz and many other genres. They were active until about 1998 with the Lurie brothers as the only constant members, though many leading New York City based musicians were members of the group.

<span class="mw-page-title-main">James Morrison (jazz musician)</span> Australian jazz musician

James Lloyd Morrison AM is an Australian jazz musician. Although his main instrument is trumpet, he has also performed on trombone, tuba, euphonium, flugelhorn, saxophone, clarinet, double bass, guitar, and piano. He is a composer, writing jazz charts for ensembles of various sizes and proficiency levels.

Nucleus were a British jazz-fusion band, which continued in different forms from 1969 to 1989. In 1970, the band won first prize at the Montreux Jazz Festival, released the album Elastic Rock, and performed both at the Newport Jazz Festival and the Village Gate jazz club.

John Francis Kennedy is an English-born Australian musician and singer-songwriter–guitarist. He has been the leader of a number of groups including JFK & the Cuban Crisis (1980–84), and John Kennedy's Love Gone Wrong (1984–88). In 1984 he described his music as "urban and western".

Directions in Groove or DIG were an Australian acid jazz band which formed in 1991 by Alexander Hewetson on bass guitar, Terepai Richmond on drums and percussion, Rick Robertson on saxophone, Tim Rollinson on guitar and Scott Saunders on keyboards. Originally styled as dig they performed instrumental acid jazz before Saunders added vocals. They released three studio albums, Dig Deeper, Speakeasy and Curvystrasse. At the APRA Music Awards of 1996 they won Most Performed Jazz Work for their track, "Futures". They disbanded in 1998 before reforming in 2008 for selected performances and again 2011 to release a fourth studio album, Clearlight.

William Bruce Field is an Australian singer-songwriter and multi-instrumentalist. He has run his own recording studio and has worked as a producer. His solo first album, Bad Habits, reached No. 1 on the Kent Music Report. His top 20 hit singles are "Bad Habits", "You Weren't in Love with Me" and "True Love".

Louis Rohan Tillett is an Australian rock music singer-songwriter, keyboardist and saxophonist. Tillett was the front man in Australian bands The Wet Taxis, Paris Green and The Aspersion Caste. He has also worked as a backing musician with Catfish, Laughing Clowns, New Christs and Tex Perkins. For Tillett's solo career he has issued seven albums, Ego Tripping at the Gates of Hell (1987), A Cast of Aspersions (1990), Letters to a Dream (1992), Cry Against the Faith (1998), Learning to Die (2001), The Hanged Man (2005) and Soliloquy (2006). He has often worked with Charlie Owen, releasing two albums, The Ugly Truth (1994) and Midnight Rain. The latter album won the Rolling Stone Critics Award for Best Album of 1996.

<span class="mw-page-title-main">Ayers Rock (band)</span> Australian rock band

Ayers Rock were an Australian rock band which formed in August 1973. Ray Burton, Mark Kennedy (drums), and Duncan McGuire (bass), members of Leo de Castro and Friends, left to form the eponymous trio of Burton, McGuire & Kennedy. They added a guitarist, Jimmy Doyle, changed their name to Ayers Rock and invited Col Loughnan to join. The group signed with independent label Mushroom Records in December 1973. Burton left the following March, and was replaced by Chris Brown. With live appearances, coverage in print media and word of mouth the group had a high national profile despite little radio airplay, and journalists praised their musicianship, music, and live energy.

Margret RoadKnight is an Australian singer-guitarist. In a career spanning more than five decades, she has sung in a wide variety of styles including blues, jazz, gospel, comedy, cabaret, and folk. In January 1976 she released a cover version of Bob Hudson's album track, "Girls in Our Town", as a single, which reached the Kent Music Report Singles Chart Top 40.

The Badloves are an Australian R&B, soul band that formed as DC3 in 1990 by founding mainstay member Michael Spiby on guitar and lead vocals. They changed their name after a year. Their debut studio album, Get on Board, was issued in July 1993, which peaked at No. 5 on the ARIA Albums Chart. At the ARIA Music Awards of 1994 they won Best New Talent and Breakthrough Artist – Album for Get on Board and Breakthrough Artist – Single for its first single, "Lost" (1993). The Badloves' second album, Holy Roadside, reached the top 20. Their highest-charting single, "The Weight" (1993), is a cover version of the Band's 1968 single and features Jimmy Barnes on co-lead vocals. It reached the ARIA singles chart top 10.

Paul Anthony Furniss is an Australian jazz clarinetist and saxophonist. He has worked with Bob Learmonth, Geoff Bull, Graeme Bell and Tom Baker. He founded and led the Eclipse Alley Five and led the San Francisco Jazz Band after Tom Baker. He has played with many other musicians in the tradition jazz and swing idioms

Russell James Dunlop was an Australian musician, singer-songwriter and record producer-engineer. From the late 1970s he collaborated with Bruce Brown in a production company for albums and singles by Australian performers including Mental As Anything, The Reels and Machinations. As a musician he was a member of various groups such as Aesop's Fables (1968–70), Levi Smith's Clefs (1971), Southern Contemporary Rock Assembly (SCRA) (1971–72) and Ayers Rock (1976).

<span class="mw-page-title-main">Dutch Tilders</span> Musical artist

Dutch Tilders, born Mattheus Frederikus Wilhelmus Tilders, anglicised as Matthew Tilders, was a Netherlands-born Australian blues singer-songwriter and guitarist. He performed and released material as a solo artist and also issued a blues-rock album with Kevin Borich, The Blues Had a Baby and They Called It Rock'n'Roll. He has toured with John Mayall (1974), Brownie McGhee, and Taj Mahal. Tilders was diagnosed with oesophageal and liver cancer in May 2010 and died on 23 April 2011, aged 69. In May 2012 Australian Guitar magazine listed him in the top 40 on their Definitive Australian Guitarists of All Time.

<i>Michael Franks with Crossfire Live</i> 1980 live album by Michael Franks

Michael Franks with Crossfire Live is a live jazz vocal album by Michael Franks featuring the Australian band Crossfire. It was recorded over a series of three concerts in Australia and New Zealand in September 1980; at the Capitol Theater in Sydney on the 25th, St James Tavern in Sydney on the 27th and The Town Hall in Auckland on the 29th.

Michael William Armiger is an English-born Australian guitarist and teacher. He has been a member of various groups including Paul Kelly Band (1983–84), Paul Kelly and the Coloured Girls (1985–86), John Kennedy's Love Gone Wrong (1987–88), The Johnnys, The Go-Betweens (1989), and Sean Kelly and the Iron Dukes (1990).

Direct to Disc is the second studio album by Australian jazz-fusion band Crossfire released on the Trafalgar Records label and distributed by Warner Music in 1978. It was recorded using the direct to disc recording method, hence the title of the record.

Southern Contemporary Rock Assembly or SCRA was an Australian jazz-rock group formed in mid-1971 by Sheryl Black on lead vocals, Ian Bloxsom on percussion, Russell Dunlop on drums, Dave Ellis on bass guitar, Greg Foster on trombone and harmonica, Mickey Leyton on lead vocals, Jim Kelly on lead guitar, Mike Kenny on trumpet, Peter Martin on guitar and vocals and Don Wright on tenor sax and flute.

Daly-Wilson Big Band was an Australian jazz group formed in 1968 by Warren Daly on drums and Ed Wilson on trombone. The business manager and silent partner was Don Raverty. The line-up, at times, was an eighteen-piece ensemble, that played popular jazz cover versions and originals. Lead singers that fronted the band include Kerrie Biddell, Marcia Hines and Ricky May. They released seven albums and toured Australia and internationally before disbanding in September 1983.

Jonathan Peter Zwartz is a New Zealand-born Australian jazz musician. In the 2018 ARIA Music Awards, he won the Best Jazz Album category for his third album, Animarum, released in 2018.

Bachelors from Prague were an Australian band formed in 1985. Original members were Russell Cook on drums, George Friml on bass guitar, Bruce Haymes on keyboards, Henry Maas on vocals, Chris Minko on trumpet, Andrew Philipp on saxophone, Jeff Raglus on trumpet, Tom Roberts on guitar, and Justin Stanford on percussion. Their music is described by Ian McFarlane as a mix of "1940s jazz, 1950s R&B;, 1970s funk and salsa" and by Maas as, "jazz meets dance." In 1991 Friml was replaced on bass guitar by Thiery Fossemalle. The group broke up in 1993 but reunited in 2016 and in the following year. They released five albums including, Live at Sing Sing (1986), The Energetic Cool, Birth of the Fool and The Essentials (1990). Their 1989 single, "Get Smart", was later covered by Melbourne Ska Orchestra, which issued it as a single in 2014.

References

General

Specific

  1. "Crossfire Biography". AllMusic . Retrieved 18 September 2015.
  2. Lloyd, Ivan (13 April 2012). "In the Crossfire" (Digital Radio Broadcast). Jazz Notes. ABC Jazz (Australian Broadcasting Corporation (ABC)). Retrieved 18 September 2015.
  3. 1 2 3 Fitzgerald, Jonathon (2005). "From French's Wine Bar to Montreau: Crossfire's Jazz-Rock Fusion Journey". Perfect Beat. ePublications@SCU (Southern Cross University). 7 (3): 19–35. Archived from the original on 13 May 2014. Retrieved 18 September 2015. Note: Archived version shows an Abstract and additional details.
  4. McFarlane, 'Southern Contemporary Rock Assembly (SCRA)' entry. Archived from the original [ permanent dead link ] on 22 June 2004. Retrieved 18 September 2015.
  5. 1 2 3 Surtees, Felicity (5 December 1975). "Crossfire: The approach is serious". Rock Australia Magazine (20): 4.
  6. 1 2 3 4 5 Foster, Michael (8 December 1978). "Mostly Jazz: Varied, but Always Sensitive". The Canberra Times . National Library of Australia. p. 29. Retrieved 18 September 2015.
  7. 1 2 3 4 5 Foster, Michael (12 January 1981). "Mostly Jazz: Interesting Amalgam". The Canberra Times. National Library of Australia. p. 9. Retrieved 18 September 2015.
  8. 1 2 3 Hoffman, W. L. (11 October 1982). "Canberra Living: Intriguing – Hysterical Rochords". The Canberra Times. National Library of Australia. p. 16. Retrieved 19 September 2015.
  9. 1 2 3 Foster, Michael (29 August 1983). "Mostly Jazz: Excitement". The Canberra Times. National Library of Australia. p. 10. Retrieved 19 September 2015.
  10. 1 2 "Sydney club celebrates". The Canberra Times. National Library of Australia. 6 August 1984. p. 7. Retrieved 19 September 2015.
  11. Crossfire (1991), Tension Release, East West Records , retrieved 19 September 2015
  12. "Strong support for Schniede Remark". The Canberra Times. National Library of Australia. 25 July 1991. p. 15. Retrieved 19 September 2015.
  13. 1 2 Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 78. ISBN   0-646-11917-6.