A crossing, in ecclesiastical architecture, is the junction of the four arms of a cruciform (cross-shaped) church. [1]
In a typically oriented church (especially of Romanesque and Gothic styles), the crossing gives access to the nave on the west, the transept arms on the north and south, and the choir, as the first part of the chancel, on the east.
The crossing is sometimes surmounted by a tower or dome. A large crossing tower is particularly common on English Gothic cathedrals. With the Renaissance, building a dome above the crossing became popular. Because the crossing is open on four sides, the weight of the tower or dome rests heavily on the corners; a stable construction thus required great skill on the part of the builders. [2] In centuries past, it was not uncommon for overambitious crossing towers to collapse. [2] In other cases, the supports had to be reinforced with strainer arches. [3] Sacrist Alan of Walsingham's octagon, built between 1322 and 1328 after the collapse of Ely's nave crossing on 22 February 1322, is the "... greatest individual achievement of architectural genius at Ely Cathedral" according to architectural historian Nikolaus Pevsner. [4]
A tower over the crossing may be called a lantern tower if it has openings through which light from outside can shine down to the crossing.
In Early Medieval churches, the crossing square was often used as a module, or a unit of measurement. The nave and transept would have lengths that were a certain multiple of the length of the crossing square. [5]
The term is also occasionally used for secular buildings of a cruciform plan, for instance The Crystal Palace in London. [6]
Romanesque architecture is an architectural style of medieval Europe that was predominant in the 11th and 12th centuries. The style eventually developed into the Gothic style with the shape of the arches providing a simple distinction: the Romanesque is characterized by semicircular arches, while the Gothic is marked by the pointed arches. The Romanesque emerged nearly simultaneously in multiple countries ; its examples can be found across the continent, making it the first pan-European architectural style since Imperial Roman architecture. Similarly to Gothic, the name of the style was transferred onto the contemporary Romanesque art.
Gothic architecture is an architectural style that was prevalent in Europe from the late 12th to the 16th century, during the High and Late Middle Ages, surviving into the 17th and 18th centuries in some areas. It evolved from Romanesque architecture and was succeeded by Renaissance architecture. It originated in the Île-de-France and Picardy regions of northern France. The style at the time was sometimes known as opus Francigenum ; the term Gothic was first applied contemptuously during the later Renaissance, by those ambitious to revive the architecture of classical antiquity.
Filippo di ser Brunellesco di Lippo Lapi, commonly known as Filippo Brunelleschi and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to be a founding father of Renaissance architecture. He is recognized as the first modern engineer, planner, and sole construction supervisor. In 1421, Brunelleschi became the first person to receive a patent in the Western world. He is most famous for designing the dome of the Florence Cathedral, and for the mathematical technique of linear perspective in art which governed pictorial depictions of space until the late 19th century and influenced the rise of modern science. His accomplishments also include other architectural works, sculpture, mathematics, engineering, and ship design. Most surviving works can be found in Florence.
Cathedrals, collegiate churches, and monastic churches like those of abbeys and priories, often have certain complex structural forms that are found less often in parish churches. They also tend to display a higher level of contemporary architectural style and the work of accomplished craftsmen, and occupy a status both ecclesiastical and social that an ordinary parish church rarely has. Such churches are generally among the finest buildings locally and a source of regional pride. Many are among the world's most renowned works of architecture. These include St Peter's Basilica, Notre-Dame de Paris, Cologne Cathedral, Salisbury Cathedral, Antwerp Cathedral, Prague Cathedral, Lincoln Cathedral, the Basilica of Saint-Denis, Santa Maria Maggiore, the Basilica of San Vitale, St Mark's Basilica, Westminster Abbey, Saint Basil's Cathedral, Antoni Gaudí's incomplete Sagrada Família and the ancient cathedral of Hagia Sophia in Istanbul, now a mosque.
A rib vault or ribbed vault is an architectural feature for covering a wide space, such as a church nave, composed of a framework of crossed or diagonal arched ribs. Variations were used in Roman architecture, Byzantine architecture, Islamic architecture, Romanesque architecture, and especially Gothic architecture. Thin stone panels fill the space between the ribs. This greatly reduced the weight and thus the outward thrust of the vault. The ribs transmit the load downward and outward to specific points, usually rows of columns or piers. This feature allowed architects of Gothic cathedrals to make higher and thinner walls and much larger windows.
Laon Cathedral is a Roman Catholic church located in Laon, Aisne, Hauts-de-France, France. Built in the twelfth and thirteenth centuries, it is one of the most important and stylistically unified examples of early Gothic architecture. The church served as the cathedral of the Diocese of Laon until 1802, and has been recognized as a monument historique since 1840.
A transept is a transverse part of any building, which lies across the main body of the building. In cruciform ("cross-shaped") churches, in particular within the Romanesque and Gothic Christian church architectural traditions, a transept is an area set crosswise to the nave. Each half of a transept is known as a semitransept.
Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg, also known as Strasbourg Minster, is a Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely considered to be among the finest examples of Rayonnant Gothic architecture. Architect Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318, and beyond through his son Johannes von Steinbach, and his grandson Gerlach von Steinbach, who succeeded him as chief architects. The Steinbachs’ plans for the completion of the cathedral were not followed through by the chief architects who took over after them, and instead of the originally envisioned two spires, a single, octagonal tower with an elongated, octagonal crowning was built on the northern side of the west facade by master Ulrich Ensingen and his successor, Johannes Hültz. The construction of the cathedral, which had started in the year 1015 and had been relaunched in 1190, was finished in 1439.
The Basilica of Saint-Sernin is a church in Toulouse, France, the former abbey church of the Abbey of Saint-Sernin or St Saturnin. Apart from the church, none of the abbey buildings remain. The current church is located on the site of a previous basilica of the 4th century which contained the body of Saint Saturnin or Sernin, the first bishop of Toulouse in c. 250. Constructed in the Romanesque style between about 1080 and 1120, with construction continuing thereafter, Saint-Sernin is the largest remaining Romanesque building in Europe. The church is particularly noted for the quality and quantity of its Romanesque sculpture. In 1998 the basilica was added to the UNESCO World Heritage Sites under the description: World Heritage Sites of the Routes of Santiago de Compostela in France.
Valencia Cathedral, at greater length the Metropolitan Cathedral–Basilica of the Assumption of Our Lady of Valencia, also known as St Mary's Cathedral, is a Roman Catholic church in Valencia, Spain.
English Gothic is an architectural style that flourished from the late 12th until the mid-17th century. The style was most prominently used in the construction of cathedrals and churches. Gothic architecture's defining features are pointed arches, rib vaults, buttresses, and extensive use of stained glass. Combined, these features allowed the creation of buildings of unprecedented height and grandeur, filled with light from large stained glass windows. Important examples include Westminster Abbey, Canterbury Cathedral and Salisbury Cathedral. The Gothic style endured in England much longer than in Continental Europe.
The medieval cathedrals of England, which date from between approximately 1040 and 1540, are a group of twenty-six buildings that constitute a major aspect of the country's artistic heritage and are among the most significant material symbols of Christianity. Though diverse in style, they are united by a common function. As cathedrals, each of these buildings serves as central church for an administrative region and houses the throne of a bishop. Each cathedral also serves as a regional centre and a focus of regional pride and affection.
The Primatial Cathedral of Tarragona is a Roman Catholic church in Tarragona, Catalonia, Spain. The edifice is located in a site previously occupied by a Roman temple dating to the time of Tiberius, a Visigothic cathedral, and a Moorish mosque. It was declared a national monument in 1905.
Sacred Heart Church is a Roman Catholic church in Blackpool, Lancashire, England, on Talbot Road close to the town centre. It was the first Roman Catholic church built in Blackpool and has been designated a Grade II* listed building by English Heritage.
The early domes of the Middle Ages, particularly in those areas recently under Byzantine control, were an extension of earlier Roman architecture. The domed church architecture of Italy from the sixth to the eighth centuries followed that of the Byzantine provinces and, although this influence diminishes under Charlemagne, it continued on in Venice, Southern Italy, and Sicily. Charlemagne's Palatine Chapel is a notable exception, being influenced by Byzantine models from Ravenna and Constantinople. The Dome of the Rock, an Umayyad Muslim religious shrine built in Jerusalem, was designed similarly to nearby Byzantine martyria and Christian churches. Domes were also built as part of Muslim palaces, throne halls, pavilions, and baths, and blended elements of both Byzantine and Persian architecture, using both pendentives and squinches. The origin of the crossed-arch dome type is debated, but the earliest known example is from the tenth century at the Great Mosque of Córdoba. In Egypt, a "keel" shaped dome profile was characteristic of Fatimid architecture. The use of squinches became widespread in the Islamic world by the tenth and eleventh centuries. Bulbous domes were used to cover large buildings in Syria after the eleventh century, following an architectural revival there, and the present shape of the Dome of the Rock's dome likely dates from this time.
Southern French Gothic, or Meridional Gothic, is a specific and militant style of Gothic architecture developed in the South of France, especially in the Toulouse region. It arose in the early 13th century following the victory of the Catholic church over the Cathars, as the church sought to re-establish its authority in the region. As a result, church buildings typically present features drawn from military architecture. Taking into account the Cathars' criticism of the Catholic Church, Southern French Gothic is simpler and less ornate than northern French Gothic, and further differs in that the construction material is typically brick rather than stone. Over time, the style came to influence secular buildings as well as churches and spread beyond the area where Catharism had flourished.
Romanesque architecture appeared in France at the end of the 10th century, with the development of feudal society and the rise and spread of monastic orders, particularly the Benedictines, which built many important abbeys and monasteries in the style. It continued to dominate religious architecture until the appearance of French Gothic architecture in the Île-de-France between about 1140 and 1150.
Over the crossings of the end transepts are, one at each end, squat octagonal towers, surmounted by large gilt ball-and-spike finials