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"Cushie Butterfield" | |
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Song by George "Geordie" Ridley | |
Language | English (Geordie) |
Written | 1800s |
Published | 1862 |
Songwriter(s) | George "Geordie" Ridley |
"Cushie Butterfield" is a famous Geordie folk song written in the 19th century by Geordie Ridley, in the style of the music hall popular in the day. It is regarded by many as the second unofficial anthem of Tyneside after Blaydon Races. [1]
This now famous local piece pokes fun at one of the many (at the time) whitening-stone sellers. The stone, made of baked clay (or "yella clay") was used to clean and decorate the stone steps leading up to the front door of the many terrace houses in the area (The material, or similar, was in common use throughout the country). Ridley had to leave the area for a while when the song initially caused consternation with the real live stone sellers. It is apparently the last song written by him. [2] [3]
The song was featured, along with a number of other Geordie folk songs of yesteryear, in "Geordie The Musical" which premiered at the Customs House in South Shields in 2015 and was recommissioned in 2017 at the Tyne Theatre & Opera House as part of their 150-year anniversary celebrations.
The song was first published in 1862 by Thomas Allan in his book of a collection of Tyneside songs. The music was by Harry Clifton (1832–1872) originally composed and performed by him as "Pretty Polly Perkins of Paddington Green", though possibly not published in the original version until a year or two after the words to "Cushey Butterfield" had appeared in print.
The version below is taken from the 1873 edition of the book, now titled "A Choice collection of Tyneside songs, by Wilson, Corvan, Mitford, Gilchrist, Robson, Harrison ... with the lives of the authors, illustrated with views of the town and portraits of the poets and eccentrics of Newcastle". It appears on pages 220 & 221. This version is as follows:
CUSHEY BUTTERFIELD' Air – “Pretty Polly Perkins of Paddington Green” THE LAST SONG WRITTEN BY GEORGE RIDLEY.
Aw's a broken hearted keelman and Aw's owerheed in luv
Wiv a yung lass in Gyetshead an’ aw caals her me duv;
Her nyem's Cushy Butterfield, an’ she sells yella clay,
An’ her cusin is a muckman, an’ they caall him Tom Gray.
KORUS.
She's a big lass an' a bonny one,
An' she likes her beer;
An, they call her Cushy Butterfield,
An' aw wish she was here.
Her eyes are like two holes in a blanket burnt throo,
An' her brows in a mornin wad spyen a yung coo;
An' when aw heer her shootin "Will ye buy ony clay,"
Like a candy man's trumpet, it steels maw young hart away.
KORUS—She's a big lass an' a bonny one, &c.
Ye'll oft see hor doon at Sandgate when the fresh herrin cums in;
She's like a bagfull o' sawdust tied roond wiv a string;
She weers big golashes, te, an' her stockins was wonce white,
An' her bedgoon is a laelock, an’ her hat's nivor strite,
KORUS—She's a big lass an' a bonny one, &c.
When aw axed her te marry me, she started te laff,
"Noo, nyen o' yor monkey tricks, for aw like ne such chaff !"
Then she start’d a bubblin, an' roar’d like a bull,
An' the cheps i the keel says aw-m nowt but a fyeul.
KORUS—She's a big lass an' a bonny one, &c.
She says "The chep that gets me'll heh to work ivry day,
An when he cums hyem at neets he’ll heh te gan an' seek clay;
An' when he's away seekin't aal myek balls an' sing'
Weel may the keel row that my laddies in !"
KORUS—She's a big lass an' a bonny one, &c
Noo, aw heer she hes anuther chep, an' he hews at Shipcote'
If aw thowt she wad deceive me, ah'd sure cut me throat;
Aal doon the river sailin, an_sing "Aam afloat,"
Biddin addo te Cushy Butterfield an’ the chep at Shipcote.
KORUS—She's a big lass an' a bonny one, &c
For a translation, see Geordie dialect words
Gyetshead is Gateshead, the town on the opposite (south) side of the River Tyne from Newcastle upon Tyne
Sandgate pronounced Sandgit, is (or was) an area of the town named from the Sand Gate, one of the six main gates in the Newcastle town wall, a medieval defensive wall, the remaining parts of which are a Scheduled Ancient Monument. The quayside section of the wall was pulled down in 1763 and the Sand Gate in 1798. In 1701 the Keelmen's Hospital was built in the Sandgate area of the city, using funds provided by the keelmen. This building still stands today.
Shipcote was a colliery in Gateshead. [4]
Keelman were the dockers of yesteryear, who worked on the keels (or keelboats) of the River Tyne. Many, in fact the majority, resided as a close-knit community with their families in the Sandgate area, to the east of the city and beside the river. Their work included working on the keels/keelboats which were used to transfer coal from the river banks to the waiting colliers, for transport to various destinations including London.
A hewer is a Geordie and mining term for the miner who digs the coal. [5]
A muckman is a sewage worker. [6]
NOTE –
Owen Brannigan (1908–73) was one of England's most popular bass singers in his day. His E.P. Folk Songs From Northumbria (ref 7EG 8551) included Cushie Butterfield together with six other titles and a YouTube recording is available.
Brendan Grace had a number 1 hit with the song in 1975. His version is often associated with being amongst the most popular.
Gingersfarne, a punk band-cum-cult of anonymous ginger Geordie exiles, released a “badpunk” version of the song as the A-side to their 2017 third EP A Fishy Butter Dish which features a cursed image of Brannigan as the cover art.
Geordie dialect words
Pretty Polly Perkins of Paddington Green
"Blaydon Races" is a Geordie folk song of 1862, with lyrics by George Ridley written in a style deriving from music hall. It celebrates the horse races held at Blaydon in North East England that year, although mostly composed in advance of the event. The words were inspired by the American ballad "On the Road to Brighton", to the tune of which they are set. The song has become a local anthem, and is frequently sung by supporters of Newcastle United Football Club, Newcastle Falcons rugby club, and Durham County Cricket Club.
"Pretty Polly Perkins of Paddington Green" is the title of an English song, composed by the London music hall and broadside songwriter Harry Clifton (1832–1872), and first published in 1864. It is catalogued as Roud Folk Song Index No. 430.
Edward "Ned" Corvan was a Tyneside concert hall songwriter and performer, and a contemporary of George "Geordie" Ridley. His songs were printed in a modified English orthography designed to represent the traditional dialect of Tyneside in the middle of the 19th century, and are examples of Dialect Literature.
George "Geordie" Ridley was a Tyneside concert hall songwriter and performer in the middle of the 19th century. His most famous song is "Blaydon Races". He was a contemporary of Edward Corvan. He has been described by a council source as a candidate for Tyneside's most famous songwriter.
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"Keep yor feet still! Geordey, hinny" is a famous Geordie comic song written in the 19th century by Joe Wilson, in a style deriving from music hall. Though the words were by Wilson, it is to be sung to the existing tune of "Nelly Gray"
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The Newcassel Worthies is a famous Geordie folk song written in the 19th century by William "Willie" Armstrong, in a style deriving from music hall.
"Wor Peg's Trip te Tynemouth" is a Geordie folk song written in the 19th century by Joe Wilson, in a style deriving from music hall.
Jemmy Joneson's Whurry is a traditional Geordie folk song in Geordie dialect written circa 1815, by Thomas Thompson, in a style deriving from music hall.
Rowland "Rowley" Harrison (1841–1897) was a Tyneside poet and singer/songwriter, from Gateshead in County Durham. Possibly his best known work is "Geordy Black", an example of Geordie dialect.
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The Pitman's Revenge is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte.
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Robert Nunn, better known as Bobby Nunn, was an English concert-hall songwriter and performer in the 19th century. His most famous song is possibly "The Fiery Clock Fyece". A roof slater by trade, after suffering a serious injury that cost him his vision, he was unable to continue employment, taking up music to support his wife and three children.
Henry Robson was a Tyneside concert hall poet, songwriter and performer in the late 18th and early 19th century. His best known works were perhaps the narrative poem "The Collier's Pay Week", and a poem "The Northern Minstrel's Budget", describing the repertoire of a travelling fiddler and piper.
John Kelday Smith (c1834-1889) was a Scottish-born Geordie bellhanger and songwriter in the middle and late 19th century, many of the songs being in the local Geordie dialect. His most famous song is possibly "Since aw hev been away".
The Tyneside Songster (or to give it its full title – "The Tyneside Songster containing a splendid collection of Local Songs by popular Authors, in the Northumbrian Dialect Printed by J W Swanston, 67 & 69 St Andrews Street, Newcastle and may be had at all Booksellers, Newsagents, &c" is a chapbook of Geordie folk song consisting of 39 songs, crammed into its meagre 16 pages, and published in the 1880s by J. W. Swanston, a Newcastle printer and publisher.
"The Cullercoats Fish Lass" is a folk song, written by Edward Corvan, originally printed as a broadside in 1862 and collated in Allan's Illustrated Edition of Tyneside Songs and Readings in 1891.
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