"Blaydon Races" is a Geordie folk song of 1862, with lyrics by George Ridley written in a style deriving from music hall. It celebrates the horse races held at Blaydon in North East England that year, although mostly composed in advance of the event. The words were inspired by the American ballad "On the Road to Brighton", to the tune of which they are set. The song has become a local anthem, and is frequently sung by supporters of Newcastle United Football Club, Newcastle Falcons rugby club, and Durham County Cricket Club.
"Pretty Polly Perkins of Paddington Green" is the title of an English song, composed by the London music hall and broadside songwriter Harry Clifton (1832–1872), and first published in 1864. It is catalogued as Roud Folk Song Index No. 430.
Edward "Ned" Corvan was a Tyneside concert hall songwriter and performer, and a contemporary of George "Geordie" Ridley. His songs were printed in a modified English orthography designed to represent the traditional dialect of Tyneside in the middle of the 19th century, and are examples of Dialect Literature.
George "Geordie" Ridley was a Tyneside concert hall songwriter and performer in the middle of the 19th century. His most famous song is "Blaydon Races". He was a contemporary of Edward Corvan. He has been described by a council source as a candidate for Tyneside's most famous songwriter.
Joe Wilson was a Tyneside concert hall songwriter and performer in the mid-19th century. His most famous song is "Keep yor feet still Geordie hinny". He was a contemporary of George "Geordie" Ridley. He wrote and sang in the Geordie dialect of Newcastle upon Tyne, his native speech.
"Keep yor feet still! Geordey, hinny" is a famous Geordie comic song written in the 19th century by Joe Wilson, in a style deriving from music hall. Though the words were by Wilson, it is to be sung to the existing tune of "Nelly Gray"
"Swalwell Hopping" is a Geordie folk song written in the 19th century by John Selkirk, in a style deriving from music hall.
The Pitman's Courtship is a famous Geordie folk song written in the 19th century by William Mitford, in a style deriving from music hall. This piece takes a humorous look at the courtship of a Pitman and his lass where the discussion forms the proposal of marriage and the couple's plans for a life together. This song was generally considered to be one of the region's finest 'traditional' songs, one of only a handful of Tyneside songs to be appreciated outside the region in its day.
The Newcassel Worthies is a famous Geordie folk song written in the 19th century by William "Willie" Armstrong, in a style deriving from music hall.
"Wor Peg's Trip te Tynemouth" is a Geordie folk song written in the 19th century by Joe Wilson, in a style deriving from music hall.
Jemmy Joneson's Whurry is a traditional Geordie folk song in Geordie dialect written circa 1815, by Thomas Thompson, in a style deriving from music hall.
Rowland "Rowley" Harrison (1841–1897) was a Tyneside poet and singer/songwriter, from Gateshead in County Durham. Possibly his best known work is "Geordy Black", an example of Geordie dialect.
"Geordy Black", also known as "Geordie Black" and "I'm Going Down the Hill" is a 19th-century Geordie folk song by Rowland "Rowley" Harrison, in a style deriving from music hall.
The Pitman's Revenge is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte.
"The Cliffs of Old Tynemouth" is a Geordie folk song written in the 19th century by David Ross Lietch. This song is a ballad, romanticising about one of the tourist sights of the Tyneside area.
Robert Nunn, better known as Bobby Nunn, was an English concert-hall songwriter and performer in the 19th century. His most famous song is possibly "The Fiery Clock Fyece". A roof slater by trade, after suffering a serious injury that cost him his vision, he was unable to continue employment, taking up music to support his wife and three children.
Henry Robson was a Tyneside concert hall poet, songwriter and performer in the late 18th and early 19th century. His best known works were perhaps the narrative poem "The Collier's Pay Week", and a poem "The Northern Minstrel's Budget", describing the repertoire of a travelling fiddler and piper.
John Kelday Smith (c1834-1889) was a Scottish-born Geordie bellhanger and songwriter in the middle and late 19th century, many of the songs being in the local Geordie dialect. His most famous song is possibly "Since aw hev been away".
The Tyneside Songster (or to give it its full title – "The Tyneside Songster containing a splendid collection of Local Songs by popular Authors, in the Northumbrian Dialect Printed by J W Swanston, 67 & 69 St Andrews Street, Newcastle and may be had at all Booksellers, Newsagents, &c" is a chapbook of Geordie folk song consisting of 39 songs, crammed into its meagre 16 pages, and published in the 1880s by J. W. Swanston, a Newcastle printer and publisher.
"The Cullercoats Fish Lass" is a folk song, written by Edward Corvan, originally printed as a broadside in 1862 and collated in Allan's Illustrated Edition of Tyneside Songs and Readings in 1891.
