Cyber Bandits | |
---|---|
Directed by | Erik Fleming |
Written by | James Robinson James Goldman (credited as Winston Beard) |
Produced by | Paul Colichman Lilli Rouleau Miles A. Copeland III Lila Cazès |
Starring | Martin Kemp Alexandra Paul Adam Ant Grace Jones Robert Hays |
Cinematography | Denis Maloney |
Edited by | Rebecca Ross |
Music by | Tom Hiel Steve Hunter |
Production companies | Lumiere Pictures IRS Media |
Distributed by | Columbia TriStar |
Release date |
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Running time | 86 minutes |
Language | English |
Cyber Bandits, also known as A Sailor’s Tattoo, [1] is a 1995 science fiction film directed by Erik Fleming. [2] It uses a screenplay by James Robinson [3] and James Goldman (credited as Winston Beard). [4] It was made by Lumiere Pictures and used visual effects by Steven Robiner. [3]
The film stars Martin Kemp as the ship captain Jack Morris who unwittingly gets entangled into a dangerous adventure when he transports passengers who have created a lethal virtual reality weapon. [5] Others in the cast included Alexandra Paul, Robert Hays, Adam Ant, Grace Jones, Kiana Tom, and Rowan & Martin's Laugh-In regular Henry Gibson. [3] [6] It was distributed by Columbia TriStar and released on DVD in December 2004. [7] It received an R rating from the Motion Picture Association of America for violence and profanity. [8]
When Jack Morris accepts a job to serve as a navigator aboard a yacht owned by millionaire Morgan, he's unaware that this will place him in the middle of a deadly entanglement. Morgan's mistress, Rebecca Snow, has stolen his most recent and deadly invention, the computer code for a weapon capable of erasing a target's brain and leaving them trapped within their own body. In order to force his help, Rebecca tattoos the code onto Jack's skin, making him a target for any and everyone who wants to obtain the code.
Jones wore her own clothes to portray the character. [9]
Cyber Bandits was released direct to video during November 1995, through Columbia TriStar. [10]
Film critics Mick Martin and Marsha Porter dismissed the film as a "farfetched action outing that uses high technology as camouflage for its own lack of invention." [8] Another commentator stated: "Fleming directs it like nothing is out of the ordinary about these bizarre characters and crazy situations." [11] Entertainment Weekly indicated that Kemp struggled with and ultimately failed in employing an American accent, and criticized the film for its ignorance of technology in what was supposed to be a plot involving technology of the future. [12]
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