Da-Da

Last updated
Da-Da
Da-Da.album.jpg
Studio album by
Released1986
StudioSound Ideas Studios
Genre Jazz
Length34:24
Label Columbia [1]
Producer Arthur Blythe (all tracks), Bruce Purse (track 2), Vincent Henry (tracks 2 and 3)
Arthur Blythe chronology
Put Sunshine in It
(1984)
Da-Da
(1986)
Basic Blythe
(1987)

Da-Da is an album by the American saxophonist Arthur Blythe, released in 1986. [2] [3] Its title came from Blythe's son. [4]

Contents

Production

The album was coproduced by Bruce Purse. [5] Blythe made heavy use of synthesizers. [6] He considered some of the songs a return to the dance and blues styles of his youth. [7] Olu Dara played cornet. [8] John Hicks played piano. [4] "After Paris" is a version of the Roland Hanna song; "Crescent" is an interpretation of the John Coltrane song. [9] [10]

Critical reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [11]
Robert Christgau B [12]
The Encyclopedia of Popular Music Star full.svgStar full.svgStar full.svgStar empty.svgStar empty.svg [13]

Robert Christgau wrote that "Blythe is a major musician and except for one piece of dinky funk this passes pleasantly enough, but its conceptual confusion epitomizes jazz's commercial impasse." [12] The Ottawa Citizen stated that Blythe "can range freely from boppish lines through to free form and funk, with intermediate stops to sample the ideas of John Coltrane, Mid-East tonalities, gospel roots and latin rhythms." [9]

The Sun-Sentinel deemed Da-Da "a multifaceted and perfectly balanced recording steeped in the essence of jazz." [14] The Omaha World-Herald concluded that "Dara's contributions show that he continues to be a promising talent deserving of his own leadership date." [15]

AllMusic wrote that "'Splain Thang', with its electronic rhythms, is a bit commercial but Bob Stewart's crazy electric tuba solo holds one's interest." [11]

Track listing

No.TitleLength
1."Odessa"7:32
2."Splain Thang"5:32
3."Esquinas (Corners)"4:55
4."Crescent"6:34
5."Break Tune"5:39
6."After Paris"4:11

Related Research Articles

<span class="mw-page-title-main">Hard bop</span> Subgenre of jazz music

Hard bop is a subgenre of jazz that is an extension of bebop music. Journalists and record companies began using the term in the mid-1950s to describe a new current within jazz that incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.

<span class="mw-page-title-main">Arthur Blythe</span> American jazz saxophonist and composer

Arthur Murray Blythe was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying "one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing" and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.

<i>Walkabout</i> (The Fixx album) 1986 studio album by the Fixx

Walkabout is the fourth studio album by the English new wave band the Fixx, released in 1986. The first single, "Secret Separation", spent two weeks atop the Billboard Album Rock Tracks chart in July 1986; it was the band's second No. 1 single on the chart.

<i>Ascension</i> (John Coltrane album) 1966 studio album by John Coltrane

Ascension is a jazz album by John Coltrane recorded in June 1965 and released in 1966. It is considered a watershed in Coltrane's work, with the albums recorded before it being more conventional in structure and the albums recorded after it being looser, free jazz inspired works. In addition, it signaled Coltrane's interest in moving away from the quartet format. AllMusic called it "the single recording that placed John Coltrane firmly into the avant-garde".

<i>First Meditations (for quartet)</i> 1977 studio album by John Coltrane

First Meditations (for quartet) is an album by John Coltrane recorded on September 2, 1965, and posthumously released in 1977. It is a quartet version of a suite Coltrane would record as Meditations two months later with an expanded group. Along with Sun Ship, recorded a week earlier, First Meditations represents the final recordings of Coltrane's classic quartet featuring pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones.

<i>Flash</i> (Jeff Beck album) 1985 studio album by Jeff Beck

Flash is the fifth studio album by guitarist Jeff Beck, released in July 1985 by Epic/CBS Records. The album reached No. 39 on the U.S. Billboard 200 chart as well as reaching the top 60 in four other countries.

<i>Dark Magus</i> 1977 live album by Miles Davis

Dark Magus is a live double album by the American jazz trumpeter, composer, and bandleader Miles Davis. It was recorded on March 30, 1974, at Carnegie Hall in New York City, during the electric period in Davis' career. His group at the time included bassist Michael Henderson, drummer Al Foster, percussionist Mtume, saxophonist Dave Liebman, and guitarists Pete Cosey and Reggie Lucas; Davis used the performance to audition saxophonist Azar Lawrence and guitarist Dominique Gaumont. Dark Magus was produced by Teo Macero and featured four two-part recordings, titled with the Swahili numerals for numbers one through four.

<span class="mw-page-title-main">Frank Lowe</span> American jazz saxophonist and composer

Frank Lowe was an American avant-garde jazz saxophonist and composer.

"Ogunde" is the opening track on jazz saxophonist John Coltrane's 1967 album Expression, and one of two songs on The Olatunji Concert: The Last Live Recording.

<i>Of Human Feelings</i> 1979 Ornette Coleman album

Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.

<i>Mudfoot</i> 1986 studio album by The Leaders

Mudfoot is the debut album by the all-star jazz group The Leaders released on the Black Hawk label in 1986. The album features performances by Lester Bowie, Chico Freeman, Arthur Blythe, Cecil McBee, Kirk Lightsey and Don Moye.

<span class="mw-page-title-main">1970s in jazz</span> Events of the 1970s related to jazz music

In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972 the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.

<i>Exhale</i> (Arthur Blythe album) 2003 studio album by Arthur Blythe

Exhale, is the final album by saxophonist Arthur Blythe which was recorded in 2002 and released on the Savant label the following year.

<i>Blythe Byte</i> 2001 studio album by Arthur Blythe

Blythe Byte is an album by the saxophonist Arthur Blythe, recorded in 2001 and released on the Savant label.

<i>Turn It Over</i> 1970 studio album by the Tony Williams Lifetime

Turn It Over is the second album by the American jazz fusion group the Tony Williams Lifetime, released in 1970 via Polydor Records. It was rereleased by Verve Records in 1997, as part of Spectrum: The Anthology. Williams is again joined by guitarist John McLaughlin and organist Larry Young, along with former Cream member Jack Bruce on bass guitar.

<i>Two Worlds One Heart</i> 1990 studio album by Ladysmith Black Mambazo

Two Worlds One Heart is an album by the South African choral group Ladysmith Black Mambazo, released in 1990. The first single was "Township Jive", which the group had performed on the Graceland tour.

<i>Galo Negro</i> 1998 studio album by Sam Mangwana

Galo Negro is an album by the Angolan Congolese musician Sam Mangwana, released in 1998. Mangwana deemed his sound "Congolese Rumba." Mangwana supported the album with a North American tour, accompanied by labelmate Ricardo Lemvo.

<i>The Message</i> (Alpha Yaya Diallo album) 1998 studio album by Alpha Yaya Diallo

The Message is an album by the Guinean-born Canadian musician Alpha Yaya Diallo. It was independently released in Canada in 1998, with an international release in 1999. The Message won a Juno Award for "Best Global Album". Diallo supported the album with a Canadian tour.

<i>Royal Garden Blues</i> (album) 1986 studio album by Branford Marsalis

Royal Garden Blues is an album by the American saxophonist Branford Marsalis, released in 1986. Marsalis promoted it with a North American tour.

<i>Rhythm People (The Resurrection of Creative Black Civilization)</i> 1990 studio album by Steve Coleman

Rhythm People (The Resurrection of Creative Black Civilization) is an album by the American saxophonist Steve Coleman, released in 1990. He is credited with his band, the Five Elements.

References

  1. Thompson, Dave (April 2, 2019). Goldmine Record Album Price Guide. Penguin.
  2. Miller, Mark (5 June 1986). "Da-Da Arthur Blythe". The Globe and Mail. p. C5.
  3. Varga, George (June 8, 1986). "Eclectic jazzman Blythe coming 'home' with Leaders". The San Diego Union-Tribune. p. E3.
  4. 1 2 "Hank Crawford & Dr. John". The Washington Post. Retrieved 6 September 2022.
  5. "For the Record". Billboard. Vol. 99, no. 18. May 10, 1986. p. 84.
  6. Quill, Greg (14 Nov 1986). "Blythe probing limits of jazz". Toronto Star. p. D12.
  7. Emerson, Bo (June 3, 1988). "Blythe Spirit – Alto saxophonist is at ease with all black music forms". The Atlanta Journal-Constitution. p. P1.
  8. McClary, Eric (May 25, 1986). "Jazz". Reno Gazette-Journal. p. 8E.
  9. 1 2 Moody, Lois (27 June 1986). "Arthur Blythe Da-Da". Ottawa Citizen. p. F5.
  10. Hadekel, Peter (31 July 1986). "The mark of an accomplished jazz soloist...". The Gazette. Montreal. p. B5.
  11. 1 2 "Arthur Blythe Da-Da". AllMusic.
  12. 1 2 "Arthur Blythe". Robert Christgau.
  13. Larkin, Colin (2006). The Encyclopedia of Popular Music. Vol. 1. MUZE. p. 718.
  14. Sleight, Peter (June 1, 1986). "Arthur Blythe, who has always perched blithely on the edge of the avant-garde...". Sun-Sentinel. p. 3G.
  15. Smith, Will (July 20, 1986). "Saxist Blythe Returns In Satisfying Collection". Entertainment. Omaha World-Herald.