Elaborations | ||||
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Studio album by | ||||
Released | 1982 | |||
Recorded | 1982 | |||
Genre | Jazz | |||
Label | Columbia | |||
Producer | Jim Fishel, Arthur Blythe | |||
Arthur Blythe chronology | ||||
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Elaborations is an album by the American jazz saxophonist Arthur Blythe, released in 1982. [1] [2]
Review scores | |
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Source | Rating |
AllMusic | [3] |
The Rolling Stone Jazz Record Guide | [4] |
The AllMusic review by Scott Yanow states: "This post bop music (which falls between advanced hard bop and the avant-garde) is well worth several listens". [3] In The Boston Phoenix , Bob Blumenthal focused on cellist Abdul Wadud's playing ("his bowing is clear and mobile as a violinist's, his lines are sweeping and rhapsodic"), but also noted that "there are other rewards as well on Elaborations: Stewart's barrel-chested blowing, Bell's growing assertiveness, Blythe’s invigorating swing". [5]
Bob Stewart is an American jazz tuba player and music teacher.
A Night at Birdland, Vols. 1 & 2 are a pair of separate but related live albums by the Art Blakey Quintet. They were recorded at the Birdland jazz club on February 21, 1954 and released on Blue Note in 1956. The performance was originally spread out over three 10" LPs as A Night at Birdland Vols. 1–3 (1954).
Abdul Wadud was an American cellist known for his work in jazz and classical settings. Jazz musician and fellow composer Tomeka Reid hailed Abdul Wadud's "Camille" in a 2020 feature in the New York Times on music that one could play to make friends fall in love with the cello.
Page One is the debut album by American jazz tenor saxophonist Joe Henderson, recorded and released by Blue Note Records in 1963. Henderson is featured in a group with trumpeter Kenny Dorham, pianist McCoy Tyner, bassist Butch Warren and drummer Pete La Roca. The pieces on the album were written by either Henderson or Dorham, and include two pieces that went on to become jazz standards: Henderson’s "Recorda Me" and Dorham’s "Blue Bossa". All of the musicians are listed on the album's front cover with the exception of Tyner, who is credited as "ETC." due to his being signed to rival Impulse! Records.
Lenox Avenue Breakdown is an album by jazz saxophonist Arthur Blythe. It was released by Columbia Records in 1979 and reissued by Koch Jazz in 1998. The album reached No. 35 on the Billboard Jazz Albums chart in 1979.
Coon Bid'ness is an album released by Julius Hemphill in 1975 on Arista featuring performances by Hemphill, Baikida Carroll, Abdul Wadud, Phillip Wilson, Arthur Blythe, Barry Altschul and Daniel Zebulon. The final track, "The Hard Blues," was recorded at the same recording session as Hemphill's debut album Dogon A.D.. After Hemphill's death in 1995, Freedom Records re-released the album as a CD under the name Reflections.
Quartets 4 X 4 is a 1980 album by jazz pianist McCoy Tyner, released on the Milestone label. It was recorded in March and May 1980 by Tyner with bassist Cecil McBee and drummer Al Foster and featuring trumpeter Freddie Hubbard, guitarist John Abercrombie, vibraphonist Bobby Hutcherson and alto saxophonist Arthur Blythe, each for one side of the original double LP. The album was digitally remastered and first issued on a single CD in 1993.
When Was That? is an album by Henry Threadgill released on the About Time label in 1982. The album and features five of Threadgill's compositions performed by Threadgill with Craig Harris, Olu Dara, Fred Hopkins, Brian Smith, Pheeroan akLaff and John Betsch.
Metamorphosis is a live album by jazz saxophonist Arthur Blythe which was recorded at the Brook, New York City in 1977 and released in 1979 on the India Navigation label. The album was released on CD as a compilation with The Grip which was recorded at the same concert.
The Grip is a live debut album by jazz saxophonist Arthur Blythe which was recorded at the Brook, New York City in 1977 and released on the India Navigation label. The album was released on CD as a compilation with Metamorphosis which was recorded at the same concert.
Bush Baby is an album by jazz saxophonist Arthur Blythe. It was recorded in December 1977 and released in 1978 on the Adelphi label.
In the Tradition is an album by the American jazz saxophonist Arthur Blythe. His first album for the Columbia label, it was recorded in New York City in 1978.
Illusions is jazz saxophonist Arthur Blythe's third album for the Columbia label, recorded in New York City in 1980.
Blythe Spirit is an album by the American jazz saxophonist Arthur Blythe. It was his fourth album for the Columbia label, recorded in New York City in 1981.
Light Blue: Arthur Blythe Plays Thelonious Monk is jazz saxophonist Arthur Blythe's sixth album for the Columbia label, recorded in New York City in 1983. The album features Blythe's quintet performing compositions by Thelonious Monk.
Wynton Marsalis is the debut album by the jazz trumpeter Wynton Marsalis. It was released in 1982 by Columbia. It contains seven tracks, three composed by Marsalis. The album peaked at number 165 on the Billboard 200 and number nine on the Billboard Jazz Albums chart.
Passengers is an album by American jazz vibraphonist Gary Burton, with German jazz bassist Eberhard Weber. It was recorded for ECM in November 1976 and released the following year. Burton's quartet features rhythm section Pat Metheny, Steve Swallow and Danny Gottlieb.
Priestess is a live album by jazz composer, arranger, conductor and keyboardist Gil Evans recorded in 1977 and performed by Evans with an orchestra featuring David Sanborn, Arthur Blythe, Lew Soloff, and George Adams.
Blues à la Suisse is a live album by American saxophonist Dexter Gordon recorded at the Montreux Jazz Festival in Switzerland in 1973 and released on the Prestige label. The track "Blues à la Suisse" is credited to Gordon on the LP, but the composition is actually John Coltrane's "Some Other Blues" from Coltrane's 1960 Atlantic LP Coltrane Jazz.
Another Time/Another Place is an album by drummer Barry Altschul. It was recorded on March 13, 1978, and April 14, 1978, at Rosebud Studio in New York City, and was released later that year by Muse Records. On the album, Altschul appears in a variety of instrumental combinations, and is joined by saxophonist Arthur Blythe, trombonist Ray Anderson, pianist Anthony Davis, guitarist Bill DeArango, cellists Abdul Wadud and Peter Warren, and double bassists Dave Holland and Brian Smith.