Daguerreobase is a public platform of archives, libraries, museums and private contributors from across Europe. Daguerreobase assembles and preserves information on daguerreotypes. It aims to bring together digital images and descriptions of more than 25 000 European historical daguerreotypes, daguerreotype equipment and related literature. Daguerreobase is a unique research tool for daguerreotypes, not only for curators, photographic historians and scientists, but also for collectors, photographers and the general public.
In Daguerreobase you will see amazing historical pictures made by the first photographers in Europe, and you will find quality images of daguerreotypes in a common database.
The database will teach you how to recognise these unique objects and how to share them with the public at large. The content is also available through Europeana, the portal and digital library for European Cultural Heritage of the European Union.
In 2014, Daguerreobase and Europeana celebrated the 175th birthday of photography with a Virtual Exhibition of European daguerreotypes on their website.
Currently 18 partners from 13 different European countries are working together: institutions, private-collectors and photograph conservators.
The project is partially funded under the ICT Policy Support Programme (ICT PSP) as part of the Competitiveness and Innovation Framework Programme by the European Community.
Belgium – FotoMuseum Provincie Antwerp, FoMu
Austria – Institut für Papierrestaurierung Schloß Schönbrunn, IPR
Czech Republic – National Technical Museum
Denmark – The Royal Library, The National Library and Copenhagen University Library
Finland – The Finnish Museum of Photography, FMP
France – Atelier de Restauration et de Conservation des Photographies de la Ville de Paris, ARCP
Germany – Museum Ludwig / Stadt Köln
Germany – Technische Sammlungen Dresden, Dresden
Italy – SMP Di Sandra Maria Petrillo
Luxembourg – Ministère de la Culture
Norway – National Library of Norway
Spain – Universitat Politècnica de Valencia
Netherlands – Stichting Nederlands Fotomuseum
Netherlands – Picturae bv
Netherlands – Ortelee Marinus Jan / Daguerreotypist, MOCED
United Kingdom – Museum Conservation Services Ltd
Calotype or talbotype is an early photographic process introduced in 1841 by William Henry Fox Talbot, using paper coated with silver iodide. Paper texture effects in calotype photography limit the ability of this early process to record low contrast details and textures. The term calotype comes from the Ancient Greek καλός, "beautiful", and τύπος, "impression".
Daguerreotype was the first publicly available photographic process; it was widely used during the 1840s and 1850s. "Daguerreotype" also refers to an image created through this process.
Louis-Jacques-Mandé Daguerre was a French artist and photographer, recognized for his invention of the eponymous daguerreotype process of photography. He became known as one of the fathers of photography. Though he is most famous for his contributions to photography, he was also an accomplished painter, scenic designer, and a developer of the diorama theatre.
Leiden University Libraries is a library founded in 1575 in Leiden, Netherlands. It is regarded as a significant place in the development of European culture: it is a part of a small number of cultural centres that gave direction to the development and spread of knowledge during the Enlightenment. This was due particularly to the simultaneous presence of a unique collection of exceptional sources and scholars. Holdings include approximately 5,200,000 volumes, 1,000,000 e-books, 70,000 e-journals, 2,000 current paper journals, 60,000 Oriental and Western manuscripts, 500,000 letters, 100,000 maps, 100,000 prints, 12,000 drawings and 300,000 photographs. The library manages the largest collections worldwide on Indonesia and the Caribbean. Furthermore, Leiden University Libraries is the only heritage organization in The Netherlands with three registrations of documents in UNESCO's Memory of the World Register.
The European Library is an Internet service that allows access to the resources of 49 European national libraries and an increasing number of research libraries. Searching is free and delivers metadata records as well as digital objects, mostly free of charge. The objects come from institutions located in countries which are members of the Council of Europe and range from catalogue records to full-text books, magazines, journals and audio recordings. Over 200 million records are searchable, including 24 million pages of full-text content and more than 7 million digital objects. Thirty five different languages are represented among the searchable objects.
Fratelli Alinari is one of the world's oldest photographic firms, founded in Florence, Italy in 1852. Its archives contain 5.5 million photographs, ranging from daguerreotypes to modern digital photos from around the world.
The history of photography began in remote antiquity with the discovery of two critical principles: camera obscura image projection and the observation that some substances are visibly altered by exposure to light. There are no artifacts or descriptions that indicate any attempt to capture images with light sensitive materials prior to the 18th century.
Hand-colouring refers to any method of manually adding colour to a monochrome photograph, generally either to heighten the realism of the image or for artistic purposes. Hand-colouring is also known as hand painting or overpainting.
As in many countries, the science, craft, and art of photography in Norway has evolved as a result of changing technology, improving economic conditions, and the level of acceptance of photography as an art form in its own right.
The conservation and restoration of photographs is the study of the physical care and treatment of photographic materials. It covers both efforts undertaken by photograph conservators, librarians, archivists, and museum curators who manage photograph collections at a variety of cultural heritage institutions, as well as steps taken to preserve collections of personal and family photographs. It is an umbrella term that includes both preventative preservation activities such as environmental control and conservation techniques that involve treating individual items. Both preservation and conservation require an in-depth understanding of how photographs are made, and the causes and prevention of deterioration. Conservator-restorers use this knowledge to treat photographic materials, stabilizing them from further deterioration, and sometimes restoring them for aesthetic purposes.
The following outline is provided as an overview of and topical guide to photography:
EPA Images | European Pressphoto Agency B.V. is an international news photo agency.
Europeana is a web portal created by the European Union containing digitised cultural heritage collections of more than 3,000 institutions across Europe. It includes records of over 50 million cultural and scientific artefacts, brought together on a single platform and presented in a variety of ways relevant to modern users. The prototype for Europeana was the European Digital Library Network (EDLnet), launched in 2008.
The European Platform for Rehabilitation (EPR) is a network of European providers of rehabilitation services to people with disabilities and other disadvantaged groups. EPR members deliver services in the fields of vocational training and education, reintegration of service users into the open labour market and improvement of their employability, physical rehabilitation and social care.
Fotomuseum Winterthur is a museum of photography in Winterthur, Switzerland.
EUscreen is a website that provides free access to Europe's television heritage through videos, articles, images and audio from European audiovisual archives and broadcasters. Its digitised content covers a period from early 1900 until today. EUscreen "aligns the heterogeneous collections held throughout Europe and encourages the exploration of Europe's cultural and television history by different user groups". EUscreen is also the name of the overarching network of institutions working on providing access European audiovisual collections.
The European Film Gateway (EFG) is a single access point to the digitized holdings of historical European film documents from numerous film archives and cinematheques, including over 600,000 individual objects from over 60 collections. The European Film Gateway gives access to images, textual materials, and moving images. The vast contents include film stills, set photos, posters, set drawings, portrait photographs, scripts, correspondences, film censorship and visa rulings, out-of-print books, film programs and reviews, as well as newsreels, documentaries, commercials, and feature films. The portal facilitates access to the archives which hold the original materials.
The Association of European Cinematheques is an affiliation of 49 European national and regional film archives founded in 1991. Its role is to safeguard the European film heritage and make these rich audiovisual records collected and preserved by the various film archives accessible to the public. ACE is a regional branch of FIAF Fédération Internationale des Archives du Film / International Federation of Film Archives. ACE members are non-profit institutions committed to the FIAF Code of Ethics.
The practice and appreciation of photographyin the United States began in the 19th century, when various advances in the development of photography took place and after daguerreotype photography was introduced in France in 1839. The earliest commercialization of photography was made in the country when Alexander Walcott and John Johnson opened the first commercial portrait gallery in 1840. In 1866, the first color photograph was taken. Only in the 1880s, would photography expand to a mass audience with the first easy-to-use, lightweight Kodak camera, issued by George Eastman and his company.
European Forest Genetic Resources Programme (EUFORGEN) is an international network that supports the conservation and sustainable use of forest genetic resources in Europe. The programme’s tasks include to coordinate and promote in situ and ex situ conservation of forest genetic resources, to facilitate the exchange of information, and to increase public awareness of the need to conserve forest genetic resources.