| "Dali’s Car" | |
|---|---|
| Instrumental by Captain Beefheart & His Magic Band | |
| from the album Trout Mask Replica | |
| Released | June 16, 1969 |
| Recorded | March 1969 |
| Studio | Whitney Studios, Glendale, California |
| Genre |
|
| Length | 1:25 (approx.) |
| Label | Straight Records |
| Songwriter | Don Van Vliet |
| Producer | Frank Zappa |
"Dali's Car" is an instrumental track by American musician Captain Beefheart, recorded with his Magic Band and released on the 1969 double album Trout Mask Replica on Straight Records. The piece is frequently noted for its abstract, free-form structure and its title's allusion to surrealist painter Salvador Dalí. [1]
Following months of regimented rehearsals at the band house in Woodland Hills, Los Angeles, the group recorded Trout Mask Replica basics at Whitney Studios (Glendale) in March 1969 with producer Frank Zappa. Guitarist Bill Harkleroad later described the album’s sessions and Van Vliet's approach to timbre and tuning in his memoir, noting the leader’s interest in deliberately “off-kilter” sonorities and layered, non-parallel parts—an approach that aligns with the short, dissonance-rich canvas of "Dali's Car". [2]
A reputable retrospective connects the piece's conception to the band’s visit to a Dalí exhibition at the Los Angeles County Museum; in this account, Van Vliet and drummer/arranger John "Drumbo" French rapidly sketched the music, and the finished studio performance spotlights guitarists Harkleroad and Jeff Cotton. [3]
"Dali's Car" is brief and textural. It juxtaposes tightly articulated guitar fragments with agile bass and drums, eschewing a conventional blues form for stratified, free-time gestures. The absence of vocals heightens its function as a sonic vignette within the album's broader collage. Critics have described it as an abstract set-piece that foregrounds Beefheart's attraction to dissonance, non-parallel motion, and surrealist juxtaposition within a rock instrumentation. [4]
The track appears midway through Trout Mask Replica (Straight Records, released June 16, 1969). Although never issued as a single, it is regularly cited in discussions of the album's avant-garde design and has featured in later live sets and archival compilations. A live reading was issued on Magneticism III: The Best of Captain Beefheart & His Magic Bands (Live in Canada 1973–81). [5] Track-listing databases document the studio placement and timing on original pressings. [6] [7]
Adapted from contemporary accounts, session documentation and later memoirs; original LP did not print track-by-track credits.
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