Lick My Decals Off, Baby | ||||
---|---|---|---|---|
Studio album by | ||||
Released | December 1970 | |||
Recorded | May 1970 | |||
Studio | Record Plant (West Hollywood, California) | |||
Genre | avant-pop [3] | |||
Length | 39:38 | |||
Label | ||||
Producer | Don Van Vliet | |||
Captain Beefheart and the Magic Band chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | A− [5] |
The Rolling Stone Album Guide | [6] |
Lick My Decals Off, Baby is the fourth studio album by American musician Captain Beefheart (Don Van Vliet) and the Magic Band, released in December 1970 by Straight and Reprise Records. The follow-up to Trout Mask Replica (1969), it is regarded by some critics and listeners as superior, and was Van Vliet's own favorite of his albums. In his words, the title credo of the album was an encouragement to "get rid of the labels", and to evaluate things according to their merits.
Captain Beefheart performs vocals, harmonica, and woodwinds on the album, joined by Bill "Zoot Horn Rollo" Harkleroad on guitar; Mark "Rockette Morton" Boston on bass guitar; Art "Ed Marimba" Tripp, late of Frank Zappa's Mothers of Invention, on marimba, drums, and percussion; and John "Drumbo" French on drums and percussion.
French had been the band's arranger and musical director on Trout Mask Replica. Van Vliet ejected French from the group—both figuratively and literally, by allegedly throwing him down a flight of stairs—shortly after Trout Mask Replica was completed, and these roles passed to Harkleroad. French returned to the group shortly before recording began, but after Tripp had been hired to replace him, and so both percussionists appear on the album. [7] [8]
Most of the songs began as piano improvisations by Van Vliet, which Harkleroad arranged into full-band compositions. [9] The musical lines on Decals tend to be longer and more intricate than the assemblage of short fragments that characterized much of Trout Mask Replica. The liner notes contain two poems or sets of lyrics for songs not present on the album, one untitled and the other entitled "You Should Know by the Kindness of uh Dog the Way uh Human Should Be".
Critic Robert Christgau said of the record: "Beefheart's famous five-octave range and covert totalitarian structures have taken on a playful undertone, repulsive and engrossing and slapstick funny." Lester Bangs noted the maturation of Beefheart’s previous musical and lyrical concerns, writing that "even though the sonic textures are sometimes even more complex and angular than on Trout Mask...his messages are universal and warm as the hearth of the America we once dreamed of". [10]
With John Peel championing the work on BBC radio, Lick My Decals Off, Baby spent eleven weeks on the UK Albums Chart, peaking at number twenty and becoming his highest-charting album in the country.
An early promotional music video was made of its title song, and a television commercial for the album was also produced that included excerpts from "Woe-is-uh-Me-Bop", silent footage of masked Magic Band members using kitchen utensils as musical instruments, and Van Vliet kicking over a bowl of porridge onto a dividing stripe in the middle of a road. The video was rarely played, but was later accepted into the Museum of Modern Art. [11] [12]
Enigma Retro released a compact disc edition in 1989; the album has also seen reissue as a 180g vinyl LP, which is still in print. In January 2011, shortly after Van Vliet's death, iTunes and Amazon's MP3 store released the album for download. [13] On November 17, 2014, Rhino Records reissued the album as part of the limited edition four-disc Beefheart box set Sun Zoom Spark: 1970 to 1972, which also included The Spotlight Kid , Clear Spot , and a disc of outtakes from the three albums. [14] The album was reissued separately, without bonus tracks, by Rhino on September 25, 2015. [15]
All songs initially composed by Don Van Vliet. Arranged by Bill Harkleroad.
No. | Title | Length |
---|---|---|
1. | "Lick My Decals Off, Baby" | 2:38 |
2. | "Doctor Dark" | 2:46 |
3. | "I Love You, You Big Dummy" | 2:54 |
4. | "Peon" (instrumental) | 2:24 |
5. | "Bellerin' Plain" | 3:35 |
6. | "Woe-is-uh-Me-Bop" | 2:06 |
7. | "Japan in a Dishpan" (instrumental) | 3:00 |
No. | Title | Length |
---|---|---|
1. | "I Wanna Find a Woman That'll Hold My Big Toe Till I Have to Go" | 1:53 |
2. | "Petrified Forest" | 1:40 |
3. | "One Red Rose That I Mean" (instrumental) | 1:52 |
4. | "The Buggy Boogie Woogie" | 2:19 |
5. | "The Smithsonian Institute [sic] Blues (or the Big Dig)" | 2:11 |
6. | "Space-Age Couple" | 2:32 |
7. | "The Clouds Are Full of Wine (not Whiskey or Rye)" | 2:50 |
8. | "Flash Gordon's Ape" | 4:15 |
No. | Title | Length |
---|---|---|
1. | "Lick My Decals Off, Baby" | 2:38 |
2. | "Doctor Dark" | 2:46 |
3. | "Woe-is-uh-Me-Bop" | 2:06 |
4. | "Space-Age Couple" | 2:32 |
5. | "I Love You, You Big Dummy" | 2:54 |
6. | "Bellerin' Plain" | 3:35 |
7. | "Japan in a Dishpan" (instrumental) | 3:00 |
8. | "Peon" (instrumental) | 2:24 |
9. | "I Wanna Find a Woman That'll Hold My Big Toe Till I Have to Go" | 1:53 |
10. | "Petrified Forest" | 1:40 |
11. | "One Red Rose That I Mean" (instrumental) | 1:52 |
12. | "The Buggy Boogie Woogie" | 2:19 |
13. | "The Smithsonian Institute Blues (or the Big Dig)" | 2:11 |
14. | "The Clouds Are Full of Wine (not Whiskey or Rye)" | 2:50 |
15. | "Flash Gordon's Ape" | 4:15 |
Magazine recorded a cover of "I Love You, You Big Dummy" in 1978.
Production
Don Van Vliet was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. Conducting a rotating ensemble known as the Magic Band, he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues, free jazz, rock, and avant-garde composition with idiosyncratic rhythms, absurdist wordplay, a gravelly voice, and a wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as an influence on an array of experimental rock and punk-era artists.
Mallard was the name of an American band featuring ex-members of Captain Beefheart's Magic Band.
Trout Mask Replica is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz and avant-garde composition, the album is regarded as an important work of experimental rock. Its unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, has given the album a reputation as one of the most challenging recordings in the 20th century musical canon.
John Stephen French is an American drummer and former member of Captain Beefheart's Magic Band, where he was known by the nickname Drumbo. He was the principal drummer on several of Beefheart's albums, including 1969's Trout Mask Replica, for which he also acted as arranger. He later released several albums as a solo artist as well as with the collaborative group French Frith Kaiser Thompson.
Unconditionally Guaranteed is the eighth LP by Captain Beefheart and the Magic Band, released in 1974. It was recorded at Hollywood Sound, Los Angeles.
Bluejeans & Moonbeams is the ninth LP by Captain Beefheart and the Magic Band, released in 1974. Despite its uncharacteristically mainstream sound the album failed to chart.
The Spotlight Kid is the sixth studio album by Captain Beefheart. Released in 1972, it is the only album credited solely to Captain Beefheart rather than Captain Beefheart and his Magic Band, although every member is featured, and its material is considered part of the band's repertoire. Often cited as one of the most accessible of Beefheart's albums, it is solidly founded in the blues but also uses instruments such as marimba and jingle bells that are not typical of that genre. The incarnation of the Magic Band on this album was Bill Harkleroad and Elliot Ingber, guitars; Mark Boston, bass; John French, drums; and Art Tripp, marimba. Session drummer Rhys Clark substituted for French on one track, "Glider".
Safe as Milk is the debut studio album by American music group Captain Beefheart and his Magic Band, released in June 1967 by Buddah Records. A heavily blues-influenced work, the album features a 20-year-old Ry Cooder, who played guitar and wrote some of the arrangements.
Clear Spot is the seventh studio album by Captain Beefheart and the Magic Band. It was originally released on LP in 1972 in a clear plastic sleeve.
Shiny Beast (Bat Chain Puller) is the tenth studio album by American band Captain Beefheart and the Magic Band, released in October 1978 by Warner Bros. Records. The album emerged from production difficulties surrounding Bat Chain Puller, an album Captain Beefheart recorded for DiscReet and Virgin Records in 1976. DiscReet co-founders Herb Cohen and Frank Zappa feuded over the production of the album, because Cohen funded the production with Zappa's royalty checks. Captain Beefheart recorded a new album titled Shiny Beast (Bat Chain Puller) after Zappa withheld the master tapes of the original Bat Chain Puller album.
The Magic Band was the backing band of American singer, songwriter and multi-instrumentalist Captain Beefheart between 1967 and 1982. Originally Beefheart had simply been the lead singer of the group, formed by guitarist Alex St. Clair, but eventually they morphed into a backing band for him. The rotating lineup featured dozens of performers, many of whom became known by nicknames given to them by Beefheart. Longtime members during the band's heyday included drummer/arranger John French, guitarist Bill Harkleroad, bassist/guitarist Mark Boston, percussionist/keyboardist Art Tripp, guitarist Jeff Cotton, and guitarist Elliot Ingber. Ex-members of the Magic Band formed the short-lived group Mallard in 1974. The Magic Band reformed in 2003, without Beefheart.
Rockette Morton is an American musician, best known as a bassist and guitarist for Captain Beefheart and the Magic Band in the 1960s and 1970s.
Bill Harkleroad, known professionally as Zoot Horn Rollo, is an American guitarist. He is best known for his work with Captain Beefheart and The Magic Band. In 2003, he was ranked No. 62 in a Rolling Stone magazine list of "the 100 greatest guitarists of all time".
Alex St. Clair was an American musician.
Bat Chain Puller is the 13th studio album by Captain Beefheart, released on February 22, 2012. It was recorded in 1976 by DiscReet Records, who had intended to release it with Virgin Records as Captain Beefheart's tenth studio album. It was co-produced by Beefheart and Kerry McNab.
Arthur Dyer Tripp III is an American retired musician who is best known for his work as a percussionist with the original version of Frank Zappa's band the Mothers of Invention during the 1960s and Captain Beefheart and his Magic Band during the 1970s. Thereafter, Tripp retired from music. He attended an accredited chiropractic college in Los Angeles from 1980 through 1983, graduating with his Doctor of Chiropractic degree and later practising in Gulfport, Mississippi.
"Moonlight on Vermont" is a song by Captain Beefheart. It was released on his 1969 album Trout Mask Replica.
The following is a list of official releases by American musician Captain Beefheart. With various line-ups of musicians called The Magic Band, Beefheart released a total of 13 studio albums recorded between 1967 and 1982, after which he left music to concentrate on a career in painting, as Don Van Vliet. His catalogue has since been augmented with extra releases including an EP and various compilations of live material, studio outtakes and greatest hits releases.
I'm Going to Do What I Wanna Do is a live album from Captain Beefheart and the Magic Band. In support of the US release of his album Shiny Beast , Beefheart and the band undertook a promotional club tour. On Saturday 18 November 1978 they performed at My Father's Place in Roslyn, New York. My Father's Place was located under a motorway bridge, held about 200 people and the patrons sat at long tables and could dine whilst listening if they wished. The show was recorded and mixed directly to two-track tape. The tape was used for a radio broadcast on WLIR-FM on 11 December 1978. Rhino Records made the album available for download, after a limited release on CD. Released by Rhino on 4/22/23 on 2 vinyl LP's, limited to 5000, for Record Store Day.
Mallard is the eponymous debut by the group Mallard, who formed after tensions between them and Captain Beefheart exploded, causing them to leave his band. It was reissued as a CD with the band's other album, In a Different Climate, added on.