John French | |
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Background information | |
Birth name | John Stephen French |
Born | San Bernardino, California, U.S. | 29 September 1948
Genres | Rock, blues, experimental rock |
Occupation(s) | Musician, songwriter, musical director |
Instrument(s) | Drums, guitar |
Years active | 1964–present |
Labels | Proper/Last Music Co. |
John Stephen French (born 29 September 1948) is an American drummer and former member of Captain Beefheart's Magic Band, where he was known by the nickname Drumbo. He was the principal drummer on several of Beefheart's albums, including 1969's Trout Mask Replica , for which he also acted as arranger. He later released several albums as a solo artist as well as with the collaborative group French Frith Kaiser Thompson.
French grew up in Lancaster, California; the same area of Southern California as Frank Zappa, Don Van Vliet and other members of The Magic Band and The Mothers of Invention. He was interested in the local music scene as a teenager, hanging out with Doug Moon and watching The Omens perform live.
Around 1964, he played and recorded with Merrell and The Exiles, a band led by Merrell Fankhauser and featuring Jeff Cotton on guitar. French and Cotton joined Mark Boston in another band in 1966, never recorded, called Blues in a Bottle. Bill Harkleroad aka Zoot Horn Rollo joined later; thus the nucleus of the Trout Mask Replica band was formed.
French was invited to join Beefheart and the Magic Band in late 1966, as a replacement for Paul Blakely. [1] Having played on Safe as Milk (1967), his distinctive drumming style moulded the driving heavy psychedelic blues of Strictly Personal (1968) and Mirror Man (1967, but not released till 1971). During the Trout Mask Replica sessions, French transcribed the musical ideas Beefheart played for him on piano for the rest of the band. However, shortly after the completion of Trout Mask Replica, French was booted out of the group rather violently by Beefheart (he was thrown down some stairs),[ citation needed ] and was replaced by the inexperienced Jeff Bruschell. French was also contentiously omitted from the credits of Trout Mask Replica and was largely absent from the band photos taken for the artwork. Nevertheless, he was soon invited back and played on the critically acclaimed albums Lick My Decals Off, Baby and The Spotlight Kid , sharing percussion duties with Art Tripp aka Ed Marimba. Then in late 1972, just before an American tour, he left again.
Beefheart's contractual problems in 1975 forced him to join Frank Zappa's Bongo Fury tour,[ citation needed ] but as soon as he was able to, he reformed The Magic Band as their drummer and music director. 1976 saw the recording of the original version of Bat Chain Puller , which due to legal ownership problems remained unreleased until 2012. French also played guitar as well as drums on some of these songs. He walked out on Beefheart when his friend John Thomas (keyboards) was sacked from the band.
French visited Beefheart in 1980 looking for work and was hired to take part in the recording of Doc at the Radar Station , playing guitar (and drumming on two tracks). He left before the band toured though, when Beefheart handed him a list of 40 songs to learn over a 3-month period. French sealed the walkout the next day by returning the guitar Beefheart had loaned him.
French was briefly involved and co-wrote some songs with Mallard, a group formed by other Magic Band members who left in 1974 after tensions within the band (reportedly caused mainly by Beefheart's domineering, sometimes abusive, behavior) finally reached a breaking point. Following Mallard, John joined Rattlesnakes and Eggs on drums and vocals for an extended stay.
French has subsequently made solo records, and played with the experimental group French Frith Kaiser Thompson [2] and again with Henry Kaiser in Crazy Backwards Alphabet.
In 2000, he was involved in compiling and writing the sleeve notes for the anthology of Beefheart rarities Grow Fins. He also gave his insights into the problems of working with Beefheart in the BBC documentary The Artist Formerly Known as Captain Beefheart.
2003 saw him reform The Magic Band as a live act with Rockette Morton, Denny Walley, and Gary Lucas. They divided the show into an instrumental and a vocal section. French handled the vocals and harmonica, handing over the drum kit to Robert Williams when he was singing. They released an album, Back to the Front, in 2004 and a live CD, 21st Century Mirror Men, in 2005. The Magic Band have continued to tour regularly since then.
In 2008, French released a solo album (under his "Drumbo" moniker) entitled City of Refuge. The album features other musicians from The Magic Band including John Thomas, Mark Boston (aka Rockette Morton), Bill Harkleroad (aka Zoot Horn Rollo) and Greg Davidson (aka Ella Guru). The album was released on UK label Proper Records.
In 2010 French released this memoir of his time in the Magic Band (Proper Music Publishing, London).
Don Van Vliet was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. Conducting a rotating ensemble known as The Magic Band, he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues, free jazz, rock, and avant-garde composition with idiosyncratic rhythms, absurdist wordplay, a loud, gravelly voice, and his claimed wide vocal range, though reports of it have varied from three octaves to seven and a half. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as an influence on an array of experimental rock and punk-era artists.
Mallard was the name of an American band featuring ex-members of Captain Beefheart's Magic Band.
Trout Mask Replica is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz and avant-garde composition, the album is regarded as an important work of experimental rock. Its unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, has given the album a reputation as one of the most challenging recordings in the 20th century musical canon.
Lick My Decals Off, Baby is the fourth studio album by American band Captain Beefheart and the Magic Band, released in December 1970 by Straight and Reprise Records. The follow-up to Trout Mask Replica (1969), it is regarded by some critics and listeners as superior, and was Van Vliet's favorite. Van Vliet said that the title was an encouragement to "get rid of the labels", and to evaluate things according to their merits rather than according to superficial labels.
Unconditionally Guaranteed is the eighth LP by Captain Beefheart and the Magic Band, originally released in 1974. It was recorded at Hollywood Sound, Los Angeles.
Bluejeans & Moonbeams is the ninth LP by Captain Beefheart and the Magic Band, originally released in 1974. Despite its uncharacteristically mainstream sound the album failed to chart.
The Spotlight Kid is the sixth studio album by Captain Beefheart. Released in 1972, it is the only album credited solely to Captain Beefheart rather than Captain Beefheart and his Magic Band, although every member is featured, and its material is considered part of the band's repertoire. Often cited as one of the most accessible of Beefheart's albums, it is solidly founded in the blues but also uses instruments such as marimba and jingle bells that are not typical of that genre. The incarnation of the Magic Band on this album was Bill Harkleroad and Elliot Ingber, guitars; Mark Boston, bass; John French, drums; and Art Tripp, marimba. Session drummer Rhys Clark substituted for French on one track, "Glider".
Strictly Personal is the second album by Captain Beefheart and his Magic Band. It was originally released in October 1968 as the first album on the Blue Thumb Records label. It was released nearly a year after the band had taken to the studio to record the follow-up to 1967's Safe as Milk.
Safe as Milk is the debut studio album by American music group Captain Beefheart and his Magic Band, released in June 1967 by Buddah Records. A heavily blues-influenced work, the album features a 20-year-old Ry Cooder, who played guitar and wrote some of the arrangements.
Clear Spot is the seventh studio album by Captain Beefheart and the Magic Band. It was originally released on LP in 1972 in a clear plastic sleeve.
The Magic Band was the backing band of American singer, songwriter and multi-instrumentalist Captain Beefheart between 1967 and 1982. The rotating lineup featured dozens of performers, many of whom became known by nicknames given to them by Beefheart. Ex-members of the Magic Band formed the short-lived group Mallard in 1974. The Magic Band reformed in 2003, without Beefheart.
Rockette Morton is an American musician, best known as a bassist and guitarist for Captain Beefheart and the Magic Band in the 1960s and 1970s.
Bill Harkleroad, known professionally as Zoot Horn Rollo, is an American guitarist. He is best known for his work with Captain Beefheart and The Magic Band. In 2003, he was ranked No. 62 in a Rolling Stone magazine list of "the 100 greatest guitarists of all time".
Jeffrey Ralph Cotton is an American rock guitarist, known for his work as a member of Captain Beefheart's Magic Band.
Bat Chain Puller is the 13th studio album by Captain Beefheart, released on February 22, 2012. It was recorded in 1976 by DiscReet Records, who had intended to release it with Virgin Records as Captain Beefheart's tenth studio album. It was co-produced by Beefheart and Kerry McNab.
Arthur Dyer Tripp III is an American retired musician who is best known for his work as a percussionist with Frank Zappa and the Mothers of Invention and Captain Beefheart and his Magic Band during the 1960s and 1970s. Tripp retired from music in the 1980s and works as a chiropractor in Mississippi.
Crazy Backwards Alphabet is an album conceived by cartoonist Matt Groening and recorded by Henry Kaiser. The core group features Kaiser on guitar along with drummer John "Drumbo" French, bassist Andy West, and Swedish avant-rock drummer Michael Maksymenko.
"Moonlight on Vermont" is a song by Captain Beefheart. It was released on his 1969 album Trout Mask Replica.
French Frith Kaiser Thompson was an English/American experimental rock quartet comprising John French, Fred Frith, Henry Kaiser and Richard Thompson. The band was formed in 1987 to create an album, Live, Love, Larf & Loaf. In 1990 they recorded their second album, Invisible Means, and performed live in Berkeley, California to promote this album.
Mallard is the eponymous debut by the group Mallard, who formed after tensions between them and Captain Beefheart exploded, causing them to leave his band. It was reissued as a CD with the band's other album, In a Different Climate, added on.