Shiny Beast (Bat Chain Puller) | ||||
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Studio album by | ||||
Released | October 1978 | |||
Recorded | July – August 1978 | |||
Studio | The Automatt, San Francisco | |||
Length | 47:20 | |||
Label | Warner Bros. (US) Virgin (UK) | |||
Producer |
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Captain Beefheart and the Magic Band chronology | ||||
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Shiny Beast (Bat Chain Puller) is the tenth studio album by American band Captain Beefheart and the Magic Band, released in October 1978 by Warner Bros. Records. The album emerged from production difficulties surrounding Bat Chain Puller , an album Captain Beefheart recorded for DiscReet and Virgin Records in 1976. DiscReet co-founders Herb Cohen and Frank Zappa feuded over the production of the album, because Cohen funded the production with Zappa's royalty checks. Captain Beefheart recorded a new album titled Shiny Beast (Bat Chain Puller) after Zappa withheld the master tapes of the original Bat Chain Puller album.
After recording Bongo Fury with Frank Zappa, Don Van Vliet formed a new Magic Band and began recording an album titled Bat Chain Puller for DiscReet and Virgin Records. [1] [2] Herb Cohen, DiscReet's co-founder and Zappa's business manager, paid for the album's production costs with Zappa's royalty checks, leading Zappa to end his business partnership with Cohen. [2] [3] Cohen and Zappa each demanded to be paid an advance by Virgin, leading Zappa to withhold the master tapes, for which Cohen sued him. [2] [3]
Shiny Beast (Bat Chain Puller) was recorded from July 6 to August 27, 1978 at the Automatt in San Francisco. Due to the lawsuit, Van Vliet re-recorded four Bat Chain Puller tracks for Warner Bros.: "The Floppy Boot Stomp", "Bat Chain Puller", "Harry Irene", and "Owed T'Alex". The Bat Chain Puller outtake "Candle Mambo" was also re-recorded for the album, as were older unused songs "Ice Rose" (a Strictly Personal outtake formerly known as "Big Black Baby Shoes") and "Suction Prints" (a Clear Spot outtake known as "Pompadour Swamp", no relation to the later song of that name). Four new songs completed the album, these being "You Know You're A Man", "When I See Mommy I Feel Like A Mummy", "Love Lies" and "Tropical Hot Dog Night", the latter being based on a riff of the Bat Chain Puller song "Odd Jobs", which was otherwise not re-recorded. The album was completed with "Apes-Ma", which is the same recording on both versions because it was sourced from Van Vliet's own home recording. Versions of "Run Paint Run Run" and "The Witch Doctor Life" were attempted during the sessions but not used (they have been bootlegged). They would be finished for Doc at the Radar Station and Ice Cream for Crow respectively.
The music of Shiny Beast featured a mix of different music styles, similar to Safe as Milk , incorporating elements of pop, spoken word and experimental music. [1] The song "Bat Chain Puller" was based upon the rhythm of Van Vliet's windshield wipers. [1]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Christgau's Record Guide | A [5] |
The Encyclopedia of Popular Music | [6] |
The Great Rock Bible | 7.5/10 [7] |
Tom Hull | A [8] |
MusicHound Rock: The Essential Album Guide | [9] |
Record Mirror | [10] |
The Rolling Stone Album Guide | [11] |
Spin Alternative Record Guide | 10/10 [12] |
The album received favorable reviews. Robert Christgau declared Shiny Beast to be better than all Van Vliet's previous albums, writing, "Without any loss of angularity or thickness, the new compositions achieve a flow worthy of Weill or Monk or Robert Johnson, and his lyrics aren't as willful as they used to be." [5] The Globe and Mail determined that Beefheart "is distinguished by the surprising poetic strength of his lyrics." [13] The New York Times noted that the album "recaptured much of his old ferocity." [14]
A contemporary reviewer, AllMusic's Ned Raggett, also praised the album, writing "Shiny Beast turned out to be manna from heaven for those feeling Beefheart had lost his way on his two Mercury albums". [4] Trouser Press called it "one of his best". [15]
In the Spin Alternative Record Guide (1995), the album was ranked 73 on the book's list of the "Top 100 Alternative Albums". [16]
All tracks written by Don Van Vliet except "Owed t' Alex", written by Don Van Vliet and Herb Bermann.
No. | Title | Length |
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1. | "The Floppy Boot Stomp" | 3:51 |
2. | "Tropical Hot Dog Night" | 4:49 |
3. | "Ice Rose" | 3:38 |
4. | "Harry Irene" | 3:43 |
5. | "You Know You're a Man" | 3:14 |
6. | "Bat Chain Puller" | 5:27 |
No. | Title | Length |
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7. | "When I See Mommy I Feel Like a Mummy" | 5:04 |
8. | "Owed t' Alex" | 4:07 |
9. | "Candle Mambo" | 3:24 |
10. | "Love Lies" | 5:03 |
11. | "Suction Prints" | 4:25 |
12. | "Apes-Ma" | 0:40 |
Additional personnel
Don Van Vliet was an American singer, songwriter, multi-instrumentalist, and visual artist best known by the stage name Captain Beefheart. Conducting a rotating ensemble known as the Magic Band, he recorded 13 studio albums between 1967 and 1982. His music blended elements of blues, free jazz, rock, and avant-garde composition with idiosyncratic rhythms, absurdist wordplay, a gravelly voice, and a wide vocal range. Known for his enigmatic persona, Beefheart frequently constructed myths about his life and was known to exercise an almost dictatorial control over his supporting musicians. Although he achieved little commercial success, he sustained a cult following as an influence on an array of experimental rock and punk-era artists.
Trout Mask Replica is the third studio album by the American band Captain Beefheart and his Magic Band, released as a double album on June 16, 1969, by Straight Records. The music was composed by Captain Beefheart and arranged by drummer John "Drumbo" French. Combining elements of R&B, garage rock, and blues with free jazz and avant-garde composition, the album is regarded as an important work of experimental rock. Its unconventional musical style, which includes polyrhythm, multi-octave vocals, and polytonality, has given the album a reputation as one of the most challenging recordings in the 20th century musical canon.
John Stephen French is an American drummer and former member of Captain Beefheart's Magic Band, where he was known by the nickname Drumbo. He was the principal drummer on several of Beefheart's albums, including 1969's Trout Mask Replica, for which he also acted as arranger. He later released several albums as a solo artist as well as with the collaborative group French Frith Kaiser Thompson.
One Size Fits All is the fourteenth album by the Mothers of Invention, and the twentieth overall album by Frank Zappa, released in June 1975. The album reached #26 on the Billboard Top LPs & Tape chart in the United States in August 1975.
Bongo Fury is a collaborative album by American artists Frank Zappa, Captain Beefheart, and Zappa's band the Mothers, released in October 1975. The live portions were recorded on May 20 and 21, 1975, at the Armadillo World Headquarters in Austin, Texas. Tracks 5, 6 and 9 are studio tracks recorded in January 1975 during the sessions which produced One Size Fits All (1975) and much of Studio Tan (1978).
Lick My Decals Off, Baby is the fourth studio album by American musician Captain Beefheart and the Magic Band, released in December 1970 by Straight and Reprise Records. The follow-up to Trout Mask Replica (1969), it is regarded by some critics and listeners as superior, and was Van Vliet's own favorite of his albums. In his words, the title credo of the album was an encouragement to "get rid of the labels", and to evaluate things according to their merits.
Ice Cream for Crow is the twelfth and final studio album by Captain Beefheart and the Magic Band, released in September 1982. After it was recorded, Don Van Vliet retired from music to devote himself to a career as a painter. It spent two weeks in the UK album charts, reaching number 90, but failed to make the Billboard Top 200.
Unconditionally Guaranteed is the eighth LP by Captain Beefheart and the Magic Band, released in 1974. It was recorded at Hollywood Sound, Los Angeles.
Bluejeans & Moonbeams is the ninth LP by Captain Beefheart and the Magic Band, released in 1974. Despite its uncharacteristically mainstream sound the album failed to chart.
The Spotlight Kid is the sixth studio album by Captain Beefheart. Released in 1972, it is the only album credited solely to Captain Beefheart rather than Captain Beefheart and his Magic Band, although every member is featured, and its material is considered part of the band's repertoire. Often cited as one of the most accessible of Beefheart's albums, it is solidly founded in the blues but also uses instruments such as marimba and jingle bells that are not typical of that genre. The incarnation of the Magic Band on this album was Bill Harkleroad and Elliot Ingber, guitars; Mark Boston, bass; John French, drums; and Art Tripp, marimba. Session drummer Rhys Clark substituted for French on one track, "Glider".
Clear Spot is the seventh studio album by Captain Beefheart and the Magic Band. It was originally released on LP in 1972 in a clear plastic sleeve.
Doc at the Radar Station is the eleventh studio album by American band Captain Beefheart and the Magic Band, released in August 1980 by Virgin Records.
Sleep Dirt is an album by Frank Zappa, released in January 1979 on his own DiscReet Records label, distributed by Warner Bros. Records. It reached No. 175 on the Billboard 200 album chart in the United States.
The Lost Episodes is a 1996 posthumous album by Frank Zappa which compiles previously unreleased material. Much of the material covered dates from early in his career, and as early as 1958, into the mid-1970s. Zappa had been working on these tracks in the years before his death in 1993.
Alex St. Clair was an American musician.
Bat Chain Puller is the 13th studio album by Captain Beefheart, released on February 22, 2012. It was recorded in 1976 by DiscReet Records, who had intended to release it with Virgin Records as Captain Beefheart's tenth studio album. It was co-produced by Beefheart and Kerry McNab.
Arthur Dyer Tripp III is an American retired musician who is best known for his work as a percussionist with the original version of Frank Zappa's band the Mothers of Invention during the 1960s and Captain Beefheart and his Magic Band during the 1970s. Thereafter, Tripp retired from music. He attended an accredited chiropractic college in Los Angeles from 1980 through 1983, graduating with his Doctor of Chiropractic degree and later practising in Gulfport, Mississippi.
The following is a list of official releases by American musician Captain Beefheart. With various line-ups of musicians called The Magic Band, Beefheart released a total of 13 studio albums recorded between 1967 and 1982, after which he left music to concentrate on a career in painting, as Don Van Vliet. His catalogue has since been augmented with extra releases including an EP and various compilations of live material, studio outtakes and greatest hits releases.
Moris Tepper, sometimes credited as Jeff Moris Tepper, is an American singer-songwriter, guitarist and artist.
I'm Going to Do What I Wanna Do is a live album from Captain Beefheart and the Magic Band. In support of the US release of his album Shiny Beast , Beefheart and the band undertook a promotional club tour. On Saturday 18 November 1978 they performed at My Father's Place in Roslyn, New York. My Father's Place was located under a motorway bridge, held about 200 people and the patrons sat at long tables and could dine whilst listening if they wished. The show was recorded and mixed directly to two-track tape. The tape was used for a radio broadcast on WLIR-FM on 11 December 1978. Rhino Records made the album available for download, after a limited release on CD. Released by Rhino on 4/22/23 on 2 vinyl LP's, limited to 5000, for Record Store Day.