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Dan Hicks | |
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Born | Spennymoor, County Durham, England |
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Website | www |
Dan Hicks, FSA (born 1972) is a British archaeologist and anthropologist. He is Professor of Contemporary Archaeology at the University of Oxford, Curator at the Pitt Rivers Museum, and a Fellow of St Cross College, Oxford. His research is focused on contemporary archaeology, material culture studies, historical archaeology, colonial history, heritage studies, and the history of art, archaeology, anthropology, and museum collections. [1] [2]
Hicks studied archaeology and anthropology at St John's College, Oxford, gaining a Bachelor of Arts (BA) degree. He received his Doctor of Philosophy (PhD) degree in archaeology and anthropology from the University of Bristol. [3] [ failed verification ]
Hicks worked as a field archaeologist in the local authority and private sector in the 1990s. [4] [5] He has conducted fieldwork in the UK, the eastern Caribbean, and the eastern United States, and has published on archaeological and ethnographic collections from around the world. [6] He was previously Lecturer in Archaeology and Anthropology at St John's College, Oxford, Lecturer in Archaeology and Anthropology at the University of Bristol, and Research Fellow in Archaeology and Anthropology at Boston University.[ citation needed ] Hicks is Professor of Contemporary Archaeology at the University of Oxford and Curator at the Pitt Rivers Museum. [7]
Hicks has appeared on BBC Radio 4's In Our Time [8] and Making History. [9] In 2017-18 he was the Junior Proctor of the University of Oxford. Hicks has also served as a non-executive director of Museum of London Archaeology, a member of council and trustee of the Society of Antiquaries of London, a trustee and delegate of Oxford University Press, and a trustee and member of council of the University of Oxford. [4] In 2019, Hicks co-curated the exhibition Lande: The Calais ‘Jungle’ and Beyond at the Pitt Rivers Museum. [10] In 2021-22, Hicks was advisor to Isaac Julien for his work Once Again (Statues Never Die), commissioned by the Barnes Foundation. [11] In 2022, he curated an installation by the Nigerian artist Victor Ehikhamenor at St Paul's Cathedral. [12]
Hicks's 2020 book The Brutish Museums is the subject of both praise and criticism. It was named one of the New York Times Best Arts Books of 2020, [13] and was described as "a startling act of conscience" by Ben Okri, [14] as "masterful" by the LA Review of Books, [15] and by The Guardian as "A beautifully written, carefully argued book". [16] It was also criticised with Nigel Biggar saying "Brutish Museums is an object lesson in how political zeal can abuse data in the cause of manufacturing an expedient narrative" [17] and Richard Morrison of The Times saying "Hicks’s vision of great museums returning hundreds of thousands of items...to the possible descendants (or not) of the peoples who created them, in some cases thousands of years ago, strikes me as being so impractical on so many levels that it could only have come from someone who makes his living in an ivory tower that’s actually stocked with ivory". [18]
In June 2023 Hicks was announced as Chair of Judges for the 2023 Hessell-Tiltman Prize. [19]
Hicks has written comment and opinion pieces in The Guardian , [20] The Telegraph , [21] Hyperallergic , [22] The Art Newspaper [23] and Art Review , [24] covering issues around museums, art, colonial history, cultural restitution, heritage policy and archaeology. [25]
In 2022 Hicks was caught up in controversy with his contributions to decolonising the Wellcome Collection's "Medicine Man" exhibit. He was criticised for "cloudy vagueness" and historical inaccuracy in asserting that Jeremy Bentham was opposed to the abolition of slavery and involved in the invention of race science. [26] He responded to this accusation by claiming that the provision of bodies for anatomical investigation was a key part of the development of 19th century race science. [27]
He delivered the 2020 Schöne Lecture of the Technische University, Berlin; the 2021 Marilyn Strathern Lecture at the University of Cambridge; the 2021 Spence Lecture at Western University, Ontario; the 2022 Robert K. Webb Lecture at UMBC Baltimore; the 2021 Goethe Lecture of the Goethe Institute in London; the 2022 Bernie Grant Memorial Lecture at the Bernie Grant Arts Centre; and the 2023 Driedger Lecture at University of Lethbridge. [28] [ better source needed ]
On 24 January 2008, Hicks was elected a Fellow of the Society of Antiquaries of London (FSA). [29] He is also a full Member of the Chartered Institute for Archaeologists (MCIfA). In 2017-18 Hicks was visiting professor at the Musée du quai Branly – Jacques Chirac. In 2017, Hicks was awarded the Rivers Memorial Medal by the Royal Anthropological Institute. [30] Hicks' book The Brutish Museums was the joint winner of the 2021 Elliott P Skinner Book Prize of the Association for Africanist Anthropology, [31] and won the 2022 Best Book in Public History of the National Council on Public History. [32] It was also shortlisted for the 2021 Bread and Roses Award. [33]
Lieutenant General Augustus Henry Lane Fox Pitt Rivers was an English officer in the British Army, ethnologist, and archaeologist. He was noted for innovations in archaeological methodology, and in the museum display of archaeological and ethnological collections. His international collection of about 22,000 objects was the founding collection of the Pitt Rivers Museum at the University of Oxford while his collection of English archaeology from the area around Stonehenge forms the basis of the collection at The Salisbury Museum in Wiltshire.
The Oxford University Museum of Natural History (OUMNH) is a museum displaying many of the University of Oxford's natural history specimens, located on Parks Road in Oxford, England. It also contains a lecture theatre which is used by the university's chemistry, zoology and mathematics departments. The museum provides the only public access into the adjoining Pitt Rivers Museum.
Pitt Rivers Museum is a museum displaying the archaeological and anthropological collections of the University of Oxford in England. The museum is located to the east of the Oxford University Museum of Natural History, and can only be accessed through that building.
Archaeology is the study of human activity in the past, primarily through the recovery and analysis of the material culture and environmental data that they have left behind, which includes artifacts, architecture, biofacts and cultural landscapes.
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Maria Antonina Czaplicka, also referred to as Marya Antonina Czaplicka and Marie Antoinette Czaplicka, was a Polish cultural anthropologist who is best known for her ethnography of Siberian shamanism. Czaplicka's research survives in three major works: her studies in Aboriginal Siberia (1914); a travelogue published as My Siberian Year (1916); and a set of lectures published as The Turks of Central Asia (1918). Curzon Press republished all three volumes, plus a fourth volume of articles and letters, in 1999.
Dorothy Annie Elizabeth Garrod, CBE, FBA was an English archaeologist who specialised in the Palaeolithic period. She held the position of Disney Professor of Archaeology at the University of Cambridge from 1939 to 1952, and was the first woman to hold a chair at either Oxford or Cambridge.
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Christina Riggs is a British-American historian, academic, and former museum curator. She specializes in the history of archaeology, history of photography, and ancient Egyptian art, and her recent work has concentrated on the history, politics, and contemporary legacy of the 1922 discovery of Tutankahmun's tomb. Since 2019, she has been Professor of the History of Visual Culture at Durham University. She is also a former Fellow of All Souls College, Oxford. The author of several academic books, Riggs also writes on ancient Egyptian themes for a wider audience. Her most recent books include Ancient Egyptian Magic: A Hands-On Guide and Treasured: How Tutankhamun Shaped a Century.
Christopher Hugh Gosden is a British and Australian archaeologist specialising in the archaeology of identity, particularly English identity. He is Professor of European Archaeology and Director of the Institute of Archaeology at the University of Oxford. He is also a trustee of the British Museum.
Anne Walbank Buckland, M.A.I. (1832–1899) was a British anthropologist, ethnologist, and travel writer. She presented new ideas on mythology, symbolism and custom.
Alice Stevenson is a British archaeologist and museum curator. She is Professor of Museum Archaeology at UCL's Institute of Archaeology and a specialist in Predynastic and Early Dynastic Egyptian archaeology.
Innocent Pikirayi is Professor in Archaeology and Head of the Department of Anthropology and Archaeology at the University of Pretoria. He works on the state and societies in southern Africa. Pikirayi was amongst the first Zimbabweans to train in archaeology after Zimbabwean independence.
David Wengrow is a British archaeologist and Professor of Comparative Archaeology at the Institute of Archaeology, University College London. He co-authored the international bestseller The Dawn of Everything: A New History of Humanity which was a finalist for the Orwell Prize in 2022. Wengrow has contributed essays on topics such as social inequality and climate change to The Guardian and The New York Times. In 2021 he was ranked No. 10 in ArtReview's Power 100 list of the most influential people in art.
Clare Elizabeth Harris, is a British anthropologist, art historian, and academic, specialising in South Asia, Himalayas, and Tibet. She has been curator for Asian Collections at the Pitt Rivers Museum since 1998, and Professor of Visual Anthropology at the University of Oxford since 2014. She was elected a Fellow of the British Academy (FBA), the United Kingdom's national academy for the humanities and the social sciences, in July 2019.
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