Daniel Kellogg (born 1976 in Wilton, Connecticut) is an American composer. Kellogg is Assistant Professor of Music at the College of Music of the University of Colorado at Boulder, teaching music composition, counterpoint and orchestration. [1] [2]
Kellogg received his Bachelor of Music degree from the Curtis Institute of Music in Philadelphia, and Master of Music and Doctor of Musical Arts degrees from the Yale University School of Music. He also studied at Indiana University, the Aspen Music Festival, and the Norfolk Chamber Music Festival. His teachers have included Martin Bresnick, Jacob Druckman, Don Freund, Jennifer Higdon, Ezra Laderman, Ned Rorem, and Joseph Schwantner. [3] Kellogg's notable students include Lawrence Wilde. [4]
Kellogg's music has been performed by the National Symphony Orchestra, Colorado Symphony Orchestra, the Philadelphia Orchestra, the San Diego Symphony, the Kansas City Symphony, the Green Bay Symphony, the South Dakota Symphony, the Santa Barbara Symphony, the Yale Philharmonic, the Ensemble Orchestral de Paris, the President's Own United States Marine Band, the Ying Quartet, the Aspen Contemporary Ensemble, eighth blackbird, the Jupiter String Quartet, and the Pittsburgh New Music Ensemble, among others in such venues as Carnegie’s Weill Recital Hall, Alice Tully Hall, the Library of Congress, the Smithsonian’s Hirshhorn Museum and the National Gallery of Art, the Philadelphia Museum of Art, and the Caramoor Music Festival. His music has been broadcast on National Public Radio’s “Performance Today,” New York’s WQXR, and China National Radio.
Among his numerous notable commissions include Divinum Mysterium for eighth blackbird, which was received with critical acclaim in 2000 and released on eighth blackbird's CD, Beginnings. In 2000, he won the William Schuman Prize. [5] In 2002, he won the Young Concert Artists composition competition. [6] In 2005, Kellogg won a commission from the Philadelphia Orchestra to write a work celebrating the 300th birthday of Benjamin Franklin, which he titled Ben. In celebration of the orchestra's 90th anniversary, in 2016 he received a commission from the Colorado Springs Philharmonic composing Halcyon Skies from Katharine Lee Bates's original poem America the Beautiful. "The phrase was later changed to 'spacious skies' and both terms reflect the open vistas and beautiful blue skies that define Colorado" said Kellogg. The World Premiere of Halcyon Skies was performed by the Colorado Springs Philharmonic at the Pikes Peak Center for the Performing Arts on January 21, 2017 with Kellogg in attendance. [7] Kellogg received a performance from the Colorado Symphony Orchestra of Refracted Skies, commissioned to celebrate the opening of the Denver Art Museum's new addition. Kellogg received a commission from the Kansas City Symphony, composing The Golden Spike to commemorate the 150th anniversary of the transcontinental railroad. The Golden Spike received its world premiere in Kansas City's Kauffman Center for the Performing Arts on October 4, 2019. Writing the next day for KC Studio Magazine, reviewer Libby Hansen noted "For The Golden Spike, Kellogg explored the power, glory, and pain of rampant, unhindered progress, bringing out these elements in the race for a transcontinental railway, which was completed (May 10,) 1869." Kellogg has also received awards from the American Academy of Arts and Letters, the Barlow Endowment ASCAP, and BMI.
Joan Tower is a Grammy-winning contemporary American composer, concert pianist and conductor. Lauded by The New Yorker as "one of the most successful woman composers of all time", her bold and energetic compositions have been performed in concert halls around the world. After gaining recognition for her first orchestral composition, Sequoia (1981), a tone poem which structurally depicts a giant tree from trunk to needles, she has gone on to compose a variety of instrumental works including Fanfare for the Uncommon Woman, which is something of a response to Aaron Copland's Fanfare for the Common Man, the Island Prelude, five string quartets, and an assortment of other tone poems. Tower was pianist and founding member of the Naumburg Award-winning Da Capo Chamber Players, which commissioned and premiered many of her early works, including her widely performed Petroushskates.
Aaron Jay Kernis is a Pulitzer Prize- and Grammy Award-winning American composer serving as a member of the Yale School of Music faculty. Kernis spent 15 years as the music advisor to the Minnesota Orchestra and as director of the Minnesota Orchestra's Composers' Institute, and is currently the workshop director of the Nashville Symphony Composer Lab. He has received numerous awards and honors throughout his thirty-five-year career. He lives in New York City with his wife, pianist Evelyne Luest, and their two children.
Melinda Jane Wagner is a US composer, and winner of the 1999 Pulitzer Prize in music. Her undergraduate degree is from Hamilton College. She received her graduates degrees from University of Chicago and University of Pennsylvania. She also served as Composer-in-Residence at the University of Texas (Austin) and at the 'Bravo!' Vail Valley Music Festival. Some of her teachers included Richard Wernick, George Crumb, Shulamit Ran, and Jay Reise.
Bernard Rands is a British-American contemporary classical composer. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna in Darmstadt, Germany, and with Luigi Dallapiccola and Luciano Berio in Milan, Italy. He held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by Paul Sperry, Zubin Mehta, and the New York Philharmonic, won the Pulitzer Prize for Music. He has since taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he is Walter Bigelow Rosen Professor of Music Emeritus.
Christopher Chapman Rouse III was an American composer. Though he wrote for various ensembles, Rouse is primarily known for his orchestral compositions, including a Requiem, a dozen concertos, and six symphonies. His work received numerous accolades, including the Kennedy Center Friedheim Award, the Grammy Award for Best Classical Contemporary Composition, and the Pulitzer Prize for Music. He also served as the composer-in-residence for the New York Philharmonic from 2012 to 2015.
Carter Pann is an American composer. He studied composition and piano at the Eastman School of Music and the University of Michigan, Ann Arbor, where he earned a Doctor of Musical Arts degree. His teachers include Samuel Adler, William Albright, Warren Benson, William Bolcom, David Liptak, Joseph Schwantner, and Bright Sheng, and piano with Barry Snyder.
Kevin Matthew Puts is an American composer, best known for his opera The Hours and for winning a Pulitzer Prize in 2012 for his first opera Silent Night and a Grammy Award in 2023 for his concerto Contact.
Bill Douglas is a Canadian musician, composer, pianist, and bassoonist whose works received influence from classical music, jazz, African, Brazilian and Indian music, 1970s funk and many other genres.
Dalit Hadass Warshaw is a New York-based composer, pianist, and thereminist. Previously on the composition and music theory faculty of Boston Conservatory, she currently serves on the composition faculty at Juilliard and CUNY-Brooklyn College. Her works have been performed by dozens of orchestral ensembles, including the New York Philharmonic and Israel Philharmonic Orchestras, the Boston Symphony, the Cleveland Orchestra, the Houston Symphony, the Y Chamber Orchestra, the Colorado Symphony and the Albany Symphony Orchestra. In April 2006, her piece After the Victory for orchestra and chorus, was premiered by the Grand Rapids Symphony and the North American Choral Company. Her first recording, entitled "Invocations" was released by Albany Records in 2011. Her first piano concerto, Conjuring Tristan, was commissioned by the Grand Rapids Symphony in 2014. The work was inspired by Richard Wagner's Tristan und Isolde, as well as by Thomas Mann's novella Tristan. The piece received its world premiere in January 2015, with Warshaw as the soloist.
The Ars Nova Singers is a choral ensemble based in Boulder, Colorado. Founded in 1986, Ars Nova Singers is composed of about 40 singers who were selected through auditions from the Boulder / Denver metropolitan area. Ars Nova has achieved significant national recognition, recording ten critically acclaimed solo recordings as well as performing on seven recordings with Boulder composer and instrumentalist, Bill Douglas.
D. J. Sparr is an American composer and electric guitar soloist. He is influenced by impressionism and postminimalism, and is one of the preeminent composer-performers of his generation. Sparr's notable compositions include his one-act opera, Approaching Ali based on the work "The Tao of Muhammad Ali" by Davis Miller (2013), Concerto for Jazz Guitar and Orchestra: Katrina (2016), Violet Bond: Concerto for electric guitar and orchestra (2013), Dreams of the Old Believers for Orchestra (2014), Optima Vota for Orchestra (2012), Precious Metal: Concerto for flute and winds (2010), The Glam Seduction (2004), Woodlawn Drive (1999), Sound Harmonies with Air (2009), DACCA : DECCA : GaFfA (2008).
The Boulder Philharmonic Orchestra, founded in 1958, is a professional symphony orchestra based in Boulder, Colorado. It is led by Music Director Michael Butterman. The Boulder Philharmonic's season at Macky Auditorium on the University of Colorado at Boulder campus and other venues includes classical music, pops, school and family concerts, as well as an annual production of The Nutcracker with Boulder Ballet.
Roger Joseph Zare is a Chinese-American composer and pianist. Currently based in Boone, North Carolina. He is known primarily for his orchestral and wind ensemble works, several of which have received significant recognition in the contemporary music community.
David T. Little is a Grammy-nominated American composer, record producer, and drummer known for his operatic, orchestral, and chamber works, most notably his operas JFK,Soldier Songs, and Dog Days which was named a standout opera of recent decades by The New York Times. He is the artistic director of Newspeak, an eight-piece amplified ensemble that explores the boundaries between rock and classical music, and is the Chair of the composition faculty at Mannes School of Music.
Kenji Bunch is an American composer and violist. Bunch currently serves as the artistic director of Fear No Music and teaches at Portland State University, Reed College, and for the Portland Youth Philharmonic. He is also the director of MYSfits, the most advanced string ensemble of the Metropolitan Youth Symphony.
Richard Joiner was an American clarinetist and teacher of clarinet.
Gregory T.S. Walker is an American composer, violinist, and guitarist. He was the recipient of the American Academy of Arts and Letters Charles Ives Fellowship in 2000, and has performed with major orchestras around the world.
Lawrence Irving Wilde, is a composer, educator, violinist, and nyckelharpa player. Wilde has been commissioned by and collaborated with ensembles such as the Kronos Quartet, Eighth Blackbird, JACK Quartet, ÆON Music Ensemble, Sō Percussion, Tesla Quartet, Aspen Music Festival Orchestra, Moscow String Quartet, Ensemble Mise-En, Juilliard Orchestra, and others.
Matthew Peterson is a classical composer of operas, choral works, orchestral and chamber music.
Gabriella Smith is an American composer from Berkeley, California.
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