Manfred Mohr is a German artist considered to be a pioneer in the field of digital art. He has lived and worked in New York since 1981.
Peter Weibel was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe.
The ZKM | Center for Art and Media Karlsruhe, a cultural institution, was founded in 1989 and, since 1997, is located in a former munitions factory in Karlsruhe, Germany. The ZKM organizes special exhibitions and thematic events, conducts research and produces works on the effects of media, digitization, and globalization, and offers public as well as individualized communications and educational programs.
Kenneth Feingold is a contemporary American artist based in New York City. He has been exhibiting his work in video, drawing, film, sculpture, photography, and installations since 1974. He has received a Guggenheim Fellowship (2004) and a Rockefeller Foundation Media Arts Fellowship (2003) and has taught at Princeton University and Cooper Union for the Advancement of Art and Science, among others. His works have been shown at the Museum of Modern Art, NY; Centre Georges Pompidou, Paris; Tate Liverpool, the Whitney Museum of American Art, New York, among others.
Lynn Hershman Leeson is an American multimedia artist and filmmaker. Her work with technology and in media-based practices is credited with helping to legitimize digital art forms. Her interests include feminism, race, surveillance, and artificial intelligence and identity theft through algorithms and data tracking.
Mary Lucier is an American visual artist and pioneer in video art. Concentrating primarily on video and installation since 1973, she has produced numerous multiple- and single-channel pieces that have had a significant impact on the medium.
Nathaniel Dorsky is an American experimental filmmaker and film editor. His film career began during the New American Cinema movement of the 1960s, when he met his partner Jerome Hiler. He won an Emmy Award in 1967 for his work on the film Gaugin in Tahiti: Search for Paradise.
Amy Franceschini is a contemporary American artist and designer. Her practice spans a broad range of media including drawing, sculpture, design, net art, public art and gardening. She was a 2010 Guggenheim Fellow. Franceschini in 2009 was also a recipient of the Creative Capital Award in the discipline of Emerging Fields.
George Legrady is a multidisciplinary digital media artist and university professor in photography and computational media arts.
Hans Belting was a German art historian and media theorist with a focus on image science, and this with regard to contemporary art and to the Italian art of the Middle Ages and the Renaissance.
Jeffrey Shaw is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals.
Semiconductor is UK artist duo Ruth Jarman and Joe Gerhardt. They have been working together for over twenty years producing visually and intellectually engaging moving image works which explore the material nature of our world and how we experience it through the lens of science and technology, questioning how these devices mediate our experiences. Their unique approach has won them many awards, commissions and prestigious fellowships including; SónarPLANTA 2016 commission, Collide @ CERN Ars Electronica Award 2015, Jerwood Open Forest 2015 and Samsung Art + Prize 2012. Exhibitions and screenings include; The Universe and Art, Mori Art Museum, Tokyo, Japan, 2016; Infosphere, ZKM, Karlsruhe, 2016; Quantum of Disorder, Museum Haus Konstruktiv, Zurich, 2015; Da Vinci: Shaping the Future, ArtScience Museum, Singapore, 2014; Let There Be Light, House of Electronic Arts, Basel 2013 ; Field Conditions, San Francisco Museum of Modern Art, 2012; International Film Festival Rotterdam, 2012; New York Film Festival: Views from the Avant Garde, 2012; European Media Art Festival, 2012; Worlds in the Making, FACT, Liverpool 2011 ; Earth; Art of a Changing World, Royal Academy of Arts, London, 2009 and Sundance Film Festival, 2009.
Paul Joseph Kos is an American conceptual artist and educator, he is one of the founders of the Bay Area Conceptual Art movement in California. Kos incorporates video, sound and interactivity into his sculptural installations. Currently Kos lives and works in San Francisco.
Ala Ebtekar is a contemporary artist known primarily for his work in painting, drawing, illumination, and installation. His work frequently orchestrates various orbits and cadences of time, bringing forth sculptural and photographic possibilities of the universe, and time, gazing back at us.
Janis Crystal Lipzin, is an American artist and educator, working with film, photography, video, audio, multi-media installations, and media performance. Lipzin is known for her work in many media and taught at the San Francisco Art Institute for over three decades. Lipzin's films offer a unique blend of rigorous conceptual structure, formal investigation, and sensual discovery. The Bladderwort Document is a haunting visual fantasia of her life on a farm in the 1970s; Trepanations is a droll meditation on social forces and women's appearance; and Seasonal Forces, Part One creates a fluid and immediate record of the cultural and seasonal changes in the rural landscape where she lives.She has been an active filmmaker since 1974, when she became attracted to using Super-8 cameras, in part because of their easy portability and flexibility to make changes to a film up to the moment of projection. Her more recent work incorporates both digital and analog film methods. wherein light and photo-chemistry collide and conspire to reveal aspects of our world deserving of more careful scrutiny. Her work blends an enduring interest in the volatility of nature and human events with a sympathy for alternative, hand-made methods that she interweaves with digital processes. Lipzin is based in Sonoma County, California.
Lynn Marie Kirby is an artist, filmmaker and teacher. She currently lives and works in San Francisco.
Nan Hoover was a Dutch/American-expatriate artist who is known for her pioneering work in video art, photography and performance art. She spent almost four decades living and working in the Netherlands. She also used the mediums of drawing, painting, photography and film and created art objects and sculptures. One of the main themes of her art was light and motion. The rigorous, minimalist handling of her means as well as the intense concentration with which she performed within spaces of light and shadow are the most salient characteristics of her artistic work.
Harry Dodge is an American sculptor, performer, video artist, professor, and writer.
Kurt Hentschlager, or Hentschläger is a New York-based Austrian artist who creates audiovisual installations and performances. Between 1992 and 2003, he worked in a duo called Granular-Synthesis.
Frank Gillette is an American video and installation artist. Interested in the empirical observation of natural phenomena, his early work integrated the viewer's image with prerecorded information. He has been described as a "pioneer in video research [...] with an almost scientific attention for taxonomies and descriptions of ecological systems and environments". His seminal work Wipe Cycle –co-produced with Ira Schneider in 1968– is considered one of the first video installations in art history. Gillette and Schneider exhibited this early "sculptural video installation" in TV as a Creative Medium, the first show in the United States devoted to Video Art. In October 1969, Frank Gillette and Michael Shamberg founded the Raindance Corporation, a "media think-tank [...] that embraced video as an alternative form of cultural communication.
