A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section, brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts.
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, and occasionally including the harp, double bass, or bass guitar. On rare occasions, additional, non-traditional instruments may be added to such ensembles such as piano, synthesizer, or electric guitar.
John Barnes Chance was an American composer. Chance studied composition with Clifton Williams at the University of Texas, Austin, and is best known for his concert band works, which include Variations on a Korean Folk Song, Incantation and Dance, and Blue Lake Overture.
William Francis McBeth was an American composer, whose wind band works are highly respected. His primary musical influences included Clifton Williams, Bernard Rogers, and Howard Hanson. The popularity of his works in the United States during the last half of the twentieth century led to many invitations and appearances as a guest conductor, where he often conducted the premiere performances of some of his compositions, the majority of which were commissioned. His conducting activities took him to forty-eight states, three Canadian provinces, Japan, and Australia; and for a number of years he was principal conductor of the Arkansas Symphony Orchestra in the capital of Little Rock. At one time, his "Double Pyramid Balance System" was a widely used pedagogical tool in the concert band world.
Timothy Mahr is an American composer and conductor. He previously conducted the St. Olaf Band for 29 years before his retirement in 2023.
[James] Clifton Williams, Jr. was an American composer, pianist, French hornist, mellophonist, music theorist, conductor, and teacher. Williams was known by symphony patrons as a virtuoso French hornist with the symphony orchestras of Baton Rouge, New Orleans, Houston, Oklahoma City, Austin, and San Antonio. The young composer was honored with performances of Peace, A Tone Poem and A Southwestern Overture by the Houston and Oklahoma City symphony orchestras, respectively. He remains widely known as one of America's accomplished composers for the wind ensemble and band repertory.
David Sartor is an American composer, conductor, and educator, and is the founder and music director of the Parthenon Chamber Orchestra.
Samuel Robert Hazo is an American composer, primarily of music for concert band.
Frank Ticheli is an American composer of orchestral, choral, chamber, and concert band works. He lives in Los Angeles, California, where he is a Professor Emeritus of Composition at the University of Southern California. He was the Pacific Symphony's composer-in-residence from 1991 to 1998, composing numerous works for that orchestra. A number of his works have become standards in concert band repertoire.
Jack Stamp is a North American wind ensemble conductor and composer. He has approximately sixty compositions available from Neil A. Kjos Music Company, including his most well-known piece, Gavorkna Fanfare, which was dedicated to Eugene Corporon. In 1993, he formed the Keystone Wind Ensemble, comprising students, alumni and professors at Indiana University of Pennsylvania, which has been recorded on 16 albums.
James Charles Barnes is an American composer.
Mark Camphouse is an American composer and conductor who has written primarily for symphonic band, but whose output also includes works for orchestra, choir and chamber brass.
Yasuhide Ito is a contemporary Japanese composer.
Dr. Timothy Brett Rhea is director of bands and music activities at Texas A&M University. As director of bands, he leads the university band program, serves as conductor of the Texas A&M Wind Symphony, and coordinates the Fightin' Texas Aggie Band marching band. As director of music activities, he administratively oversees the activities of the jazz, orchestra, and choral programs. Rhea also served as the 79th president of the American Bandmasters Association from 2016-2017.
Julie Ann Giroux is an American pianist and composer of orchestral, choral, chamber, and numerous concert band works.
Loris Ohannes Chobanian was an American-Armenian composer of classical music, conductor, and guitar and lute teacher and performer. He served as Professor of Composition as well as Composer-in-Residence at Baldwin-Wallace College Conservatory.
Bernard Howard Gilmore was an American composer, conductor, French horn player, and Professor Emeritus of music at the University of California, Irvine. He is best known for his compositions, including Five Folk Songs for Soprano and Band which has become a reputable work in contemporary band music repertoire.
Raise the Roof is a one-movement concerto for timpani and orchestra by the American composer Michael Daugherty. The work was commissioned by the Detroit Symphony Orchestra for the opening of the Max M. Fisher Music Center. It was premiered in Detroit, October 16, 2003, with conductor Neeme Järvi leading the Detroit Symphony Orchestra and timpanist Brian Jones. Daugherty later arranged the piece for concert band in 2007; this arrangement was commissioned by the University of Michigan Symphony Band and was premiered under conductor Michael Haithcock at the National Conference of the College Band Directors National Association on March 30, 2007. Raise the Roof is one of Daugherty's most-programmed pieces and has been frequently performed as a concert opener since its publication.
