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David Pagel is an American art critic, educator, curator, dioramatist and bike enthusiast.
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David Pagel is an American art critic, educator, curator, dioramatist and bike enthusiast.
Since 1991, Pagel has been a regular contributor to the Los Angeles Times. [1] He is a professor of art theory and history at Claremont Graduate University, where he has taught in the art department since 1994. He is also an adjunct curator at the Parrish Art Museum in Water Mill, New York.
Pagel has written numerous essays for exhibition catalogs by such artists as Jim Isermann, Rodney Carswell, Roy Dowell, David Klamen, Michael Reafsnyder, Robert Zakanitch, Tim Bavington, Sush Machida, Leslie Love Stone, Ron Nagle, Elizabeth Patterson, Asad Faulwell, Wendell Gladstone, and Irene Hardwicke Olivieri. [2]
He was the recipient of an Andrew W. Mellon Fellowship in Contemporary Arts Criticism in 1990 and was a Macgeorge Fellow at the University of Melbourne in Australia in 2002. [3]
David Pagel has curated:
Hard-edge painting is painting in which abrupt transitions are found between color areas. Color areas are often of one unvarying color. The Hard-edge painting style is related to Geometric abstraction, Op Art, Post-painterly Abstraction, and Color Field painting.
The Museum of Fine Arts, Houston (MFAH), is an art museum located in the Houston Museum District of Houston, Texas. With the recent completion of an eight-year campus redevelopment project, including the opening of the Nancy and Rich Kinder Building in 2020, it is the 12th largest art museum in the world based on square feet of gallery space. The permanent collection of the museum spans more than 6,000 years of history with approximately 70,000 works from six continents.
Blaffer Art Museum is a non-collecting contemporary art museum located in the Arts District of the University of Houston campus. Housed in the university’s Fine Arts Building, it is part of the Kathrine G. McGovern College of the Arts. It was founded in 1973 and has won several awards, including the Coming Up Taller Award as part of the President's Committee on the Arts and Humanities. The museum presents focus and major monographic and group exhibitions of national and international contemporary artists as well as artwork by University of Houston School of Art students.
The Las Vegas Art Museum (LVAM) was an art museum in Las Vegas, Nevada. It was formerly located in a building shared with the Sahara West Library branch of the Las Vegas-Clark County Library District in Las Vegas, NV. The museum closed in 2009.
Janet Biggs is an American artist, known for her work in video, photography and performance art. Biggs lives and works in New York City.
Roger Edward Kuntz was a highly accomplished Southern California landscape painter and a member of the Claremont Group of painters - professors and graduates of Pomona College, Scripps College, and the Claremont Graduate School. A figurative artist with an eye for abstract form, he won critical acclaim for striking compositions that transform an unusual array of subjects, including tennis players, domestic interiors, freeways, road signs, bathtubs and the Goodyear Blimp. A retrospective exhibition of his work, at the Laguna Art Museum in Laguna Beach, CA in 2009, was aptly titled "Roger Kuntz: The Shadow Between Representation and Abstraction". In the exhibition catalogue, curator Susan M. Anderson wrote: "Kuntz's work of the late 1950s and early 1960s quintessentially embodied the experimentation, fragmentation, and paradox in American culture of the time."
Gabriela Trzebinski is an African artist of European heritage based in Houston, Texas, United States.
Andrea Grover is an American curator, artist, and writer. She founded the Aurora Picture Show film center in her front room in 1998.
Sush Machida Gaikotsu, is a contemporary Japanese artist. He currently lives and works in Las Vegas, Nevada, U.S.A. His artwork has been exhibited internationally. Machida received his M.F.A. (2002) from the University of Nevada, Las Vegas. He is represented by Western Project, Los Angeles, among others.
Terrie Sultan is an American independent curator and cultural consultant and Principal Museum Strategist for Art Museum Strategies @ Hudson Ferris, a boutique consulting firm based in New York City. AMS is a partnership of two experienced former art museum directors, Sultan and Robin Nicholson, offering consulting services in strategic planning, crisis management, operational structures and organizational assessment, board governance, and curatorial expertise to peers in the field, as well as fundraising in partnership with Hudson Ferris. Sultan was appointed Director of the Parrish Art Museum in Water Mill, New York in April 2008. During her tenure as Director of the Parrish she oversaw the $33 million capital campaign and the design and construction of a new facility located in Water Mill, NY, designed by the Swiss architects Herzog & de Meuron. The Parrish broke ground on the project in July 2010 and opened the building to the public in November 2012. Sultan left her position in 2021 and launched AMS @ Hudson Ferris that same year.
Peter Plagens is an American artist, art critic, and novelist based in New York City. He is most widely known for his longstanding contributions to Artforum and Newsweek, and for what critics have called a remarkably consistent, five-decade-long body of abstract formalist painting. Plagens has written three books on art, Bruce Nauman: The True Artist (2014), Moonlight Blues: An Artist's Art Criticism (1986) and Sunshine Muse: Modern Art on the West Coast, 1945-70 (1974), and two novels, The Art Critic (2008) and Time for Robo (1999). He has been awarded major fellowships for both his painting and his writing. Plagens's work has been featured in surveys at the Museum of Modern Art, Los Angeles County Museum of Art (LACMA), Whitney Museum, and PS1, and in solo exhibitions at the Hirshhorn Museum and Las Vegas Art Museum. In 2004, the USC Fisher Gallery organized and held a 30-year traveling retrospective of his work. Critics have contrasted the purely visual dialogue his art creates—often generating more questions than answers—with the directness of his writing; they also contend that the visibility of his bylines as a critic has sometimes overshadowed his artmaking—unduly. Los Angeles Times critic David Pagel described Plagens's painting as a "fusion of high-flying refinement and everyday awkwardness" with an intellectual savvy, disdain for snobbery and ungainliness he likened to Willem de Kooning's work. Reviewing Plagens's 2018 exhibition, New York Times critic Roberta Smith called the show an "eye-teasing sandwich of contrasting formalist strategies," the hard-won result of a decade of focused experimentation.
Leonardo Drew is a contemporary artist based in Brooklyn, New York. He creates sculptures from natural materials and through processes of oxidation, burning, and decay, Drew transforms these objects into massive sculptures that critique social injustices and the cyclical nature of existence.
Analia Saban is a contemporary conceptual artist that was born in Buenos Aires, Argentina, but is currently living in Los Angeles, California. Her work takes traditional artistic media such as drawing, painting and sculpture and pushes their limits as a scientific experimentation with art making. Because of her pushing the limits with different forms of art, Saban has taken the line that separated the different art forms and merged them together.
Merion Estes is a Los Angeles-based painter. She earned a B.F.A. at the University of New Mexico, in Albuquerque, and an M.F.A. at the University of Colorado, in Boulder. Estes was raised in San Diego from the age of four. She moved to Los Angeles in 1972 and first showed her work at the Woman's Building in Los Angeles. As a founding member of Grandview 1 & 2, she was involved in the beginnings of Los Angeles feminist art organizations including Womanspace, and the feminist arts group "Double X," along with artists Judy Chicago, Nancy Buchanan, Faith Wilding, and Nancy Youdelman. In 2014, Un-Natural, which was shown at the Los Angeles Municipal Art Gallery in Los Angeles and included Estes' work, was named one of the best shows in a non-profit institution in the United States by the International Association of Art Critics.
Tam Van Tran is a visual artist born in Vietnam who lives and works in Los Angeles, California. His primary materials for paintings and sculptures include clay and paper, and extend to chlorophyll, glass, algae, staples, crushed eggshells, Wite-out eraser liquid, beet juice, gelatin, and other diverse ingredients which lend texture and intricacy to his organically-molded abstractions.
Michael Lazarus is an American painter. He has been working since the early 1990s.
Lezley Irene Saar is an African American artist whose artwork is responsive to race, gender, female identity, and her ancestral history. Her works are primarily mixed media, 3-dimensional, and oil & acrylic on paper and canvas. Through her artistic practice Lezley explores western and non-western concepts of beauty, femininist psychology and spirituality. Many works conjure elements of magical realism. She has exhibited widely in the U.S. and internationally. Her work is included in museum collections such as The Kemper Museum, CAAM, The Ackland Art Museum, the Smith College Museum of Art, the Studio Museum in Harlem and MOCA. She is currently represented by Walter Maciel Gallery in Los Angeles and Various Small Fires in Asia.
Sarah Campbell Blaffer was an American philanthropist and contributor to the art collection of the Museum of Fine Arts, Houston. She inherited two fortunes based on oil money – one from her father's investments in Texaco, and the other from her husband's investments in Humble Oil.
Jim Isermann is an American artist. He is based in Palm Springs and Guerneville, California. In 1977 he graduated from University of Wisconsin-Milwaukee and then received an MFA from CalArts in 1980. His artwork has focused on post-war industrial design and architecture. He has participated in numerous exhibitions in art galleries and museum, and has also created large scale commissioned projects utilizing industrial manufacturing processes. His work has been presented in solo exhibitions at Richard Telles, Los Angeles, Praz-Delavallade, Paris (2010), Corvi-Mora, London (2011), Mary Boone Gallery, New York and others. Recent commissioned projects include works for the Hammer Museum in Los Angeles, CA, Yale University Art Museum in New Haven, CT, University of California, Riverside, Los Angeles Metro, and an installation for the Cowboys Stadium in Dallas, TX.
Don Bacigalupi is a curator specializing in contemporary art and popular culture and a museum administrator. Bacigalupi helped to set the direction for two American museums early in their history: The Crystal Bridges Museum of American Art and The Lucas Museum of Narrative Art.
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