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David Rabe | |
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| Born | David William Rabe March 10, 1940 Dubuque, Iowa, U.S. |
| Education | Villanova University, M.A., 1968 |
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| Children | 3, including Lily Rabe |
David William Rabe (born March 10, 1940) is an American playwright and screenwriter. He won the Tony Award for Best Play in 1972 ( Sticks and Bones ) and also received Tony Award nominations for Best Play in 1974 ( In the Boom Boom Room ), 1977 ( Streamers ) and 1985 ( Hurlyburly ).
Rabe was born on March 10, 1940, in Dubuque, Iowa, [1] of German and Irish descent, the son of Ruth ( née McCormick), a department store worker, and William Rabe, a teacher and meat packer. He was raised in a devout Catholic family.[ citation needed ]
| This section of a biography of a living person needs additional citations for verification .(January 2023) |
Rabe was drafted into the U.S. Army in 1965 and served in a medical unit during the Vietnam War. After leaving the Army in 1967, Rabe returned to Villanova University, studying writing and earning an M.A. in 1968.
During this time, he began work on the play Sticks and Bones, in which the family represents the ugly underbelly of the seemingly stereotypical Nelson family (whose names match the main characters of the sunny 1950s television series—Ozzie, Harriet, David and Ricky) when they are faced with their embittered and hopeless son David returning home from Vietnam as a blinded vet.
Rabe is known for his loose trilogy of plays drawing on his experiences as an Army draftee in Vietnam, Sticks and Bones (1969), the Tony Award-winning The Basic Training of Pavlo Hummel (1971), and Streamers (1976).
He has also written Hurlyburly (both the play and the screenplay for the film version), and the screenplays for the Vietnam War drama Casualties of War (1989) and the film adaptation of John Grisham's The Firm (1993). Rabe also wrote a screenplay for First Blood for producer Martin Bregman with Mike Nichols interested in directing and the role of John Rambo written for Al Pacino, but it was not filmed because Pacino found it "too extreme" and declined to appear in it. [2]
A collection of Rabe's manuscripts is housed in the Mugar Memorial Library, at Boston University.
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Streamers is a play by David Rabe.
Hurlyburly is a dark comedy play by David Rabe, first staged in 1984. The title refers to dialogue from Shakespeare's Macbeth.
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Sticks and Bones is a 1971 play by David Rabe. The black comedy focuses on David, a blind Vietnam War veteran who finds himself unable to come to terms with his actions on the battlefield and alienated from his family because they neither can accept his disability nor understand his wartime experience. Rabe explores the conflicted feelings of many civilians during the era by parodying the ideal American family as it was portrayed on the television sitcom The Adventures of Ozzie and Harriet. Beneath the perfect facade of the playwright's fictional Nelson family are layers of prejudice, bigotry, and self-hatred that are peeled away slowly as they interact with their physically and emotionally damaged son and brother.
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The Basic Training of Pavlo Hummel is a play by David Rabe.
Hurlyburly is a 1998 independent comedy-drama film directed by Anthony Drazan and based on the 1984 play of the same name by David Rabe, who adapted the screenplay. The film is about the intersecting lives of several Hollywood players and wannabes. Rabe condensed the action of his three-hour plus play into two hours and updated the setting from the mid-1980s to the late 1990s.
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Sticks and Bones is a television film adapted from the Tony Award-winning play of the same title by David Rabe. The black comedy focuses on David, a blind Vietnam War veteran who finds himself unable to come to terms with his actions on the battlefield and alienated from his family because they neither can accept his disability nor understand his wartime experience. Rabe explores the conflicted feelings of many civilians during the era by parodying the ideal American family as it was portrayed on the television sitcom The Adventures of Ozzie and Harriet. Beneath the perfect facade of the playwright's fictional Nelson family are layers of prejudice, bigotry, and self-hatred that are peeled away slowly as they interact with their physically and emotionally damaged son and brother.
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Basic training or Basic Training may refer to:
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