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Deadweight | ||||
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Studio album by | ||||
Released | August 4, 2017 | |||
Studio | Wade Studios, Orlando, Florida | |||
Genre | Metalcore [1] [2] | |||
Length | 39:52 | |||
Label | Fearless | |||
Producer | ||||
Wage War chronology | ||||
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Singles from Deadweight | ||||
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Deadweight is the second studio album by American metalcore band Wage War. It was released on August 4, 2017, through Fearless Records. It is also the first album to have lead vocalist Briton Bond do clean vocals alongside Cody Quistad on the songs "Never Enough" and "Gravity".
Review scores | |
---|---|
Source | Rating |
Already Heard | [1] |
Dead Press! | 6/10 [3] |
Distorted Sound | 5/10 [4] |
KillYourStereo | 65/100 [5] |
Louder Sound | [2] |
New Noise | [6] |
Rock Sound | 8/10 [7] |
Wall of Sound | 8/10 [8] |
The album received mostly positive reviews, but also mixed reviews from several critics. Already Heard rated the album 3.5 out of 5 and stated that "...is a well-made album with crossover appeal in the metalcore sub-genre." [1] Zach Redrup from Dead Press! rated the album positively but saying that "...doesn't live up to its promise and is rendered a disappointment. However, despite not being able to take metalcore to the next level, they have more than enough potential to be a standout band in a sadly diluted pool and, with all things considered, that's not a particularly bad place to be." [3] Distorted Sound scored the album 5 out of 10 and said: "In conclusion, therefore, Deadweight is by no means an album for those who are looking for something to turn the genre upside down. However, for fans of angry, chunky breakdowns and gym-session inducing metalcore, WAGE WAR have produced a record that will keep many of their fans happy." [4] Owen Morawitz from KillYourStereo gave the album 65 out of 100 and said: "Deadweight is by no means a bad record. In fact, musically, tonally and lyrically, it's an above-average metalcore record. If you're new to the genre and happen to use bands like I Prevail and Blessthefall as your benchmark for guidelines, Wage War offer up something far more satisfying here on their second album. That said, if you've been around the metalcore block a time or two (like this reviewer), those looking for the above-mentioned originality in composition or execution will find very little here that's worth returning to. Still, 'Stitch' is such a rollicking good time, that it almost makes the entire thing worthwhile." [5]
Louder Sound gave the album a positive review and stated: "Overall, this slickly produced mix of unapologetically aggressive vocals, soaring choruses, crunchy riffs and effective breakdowns is authentic, emotional and strangely therapeutic." [2] New Noise gave the album a perfect score 5 out of 5 and stated that "...with Deadweight, Wage War has carved out a niche that isn't going to become null and void or irrelevant any time soon. If you weren't paying attention to them before Deadweight, now is the time to." [6] Rock Sound gave it 8 out of 10 and said: "Even if the interplay between Briton and guitarist / melodic vocalist Cody Quistad is hardly innovative, it might just be Wage War's trump card. They combine seamlessly throughout these 12 songs, bringing an emotional range to proceedings that so many of their peers lack." [7] Wall of Sound gave the album 8/10 and saying: "Is this album as good as Blueprints ? Only time will tell – Blueprints has the advantage of time, and the surprise of a new band that rocked that hard (plus the cough break in 'The River' is hard to beat). But Deadweight definitely holds its own, and has a legion of tracks which I'm keen to hear on their upcoming tour for sure." [8]
No. | Title | Length |
---|---|---|
1. | "Two Years" | 1:15 |
2. | "Southbound" | 2:56 |
3. | "Don't Let Me Fade Away" | 4:05 |
4. | "Stitch" | 3:25 |
5. | "Witness" | 3:53 |
6. | "Deadweight" | 3:36 |
7. | "Gravity" | 3:51 |
8. | "Never Enough" | 3:11 |
9. | "Indestructible" | 4:12 |
10. | "Disdain" | 2:04 |
11. | "My Grave Is Mine to Dig" | 3:26 |
12. | "Johnny Cash" | 3:52 |
Total length: | 39:52 |
Notes
Credits adapted from AllMusic. [9]
Wage War
Additional personnel [9]
Chart (2017) | Peak position |
---|---|
Australian Albums (ARIA) [10] | 45 |
UK Rock & Metal Albums (OCC) [11] | 15 |
US Billboard 200 [12] | 54 |
US Top Rock Albums (Billboard) [13] | 8 |
US Top Hard Rock Albums (Billboard) [14] | 2 |
Metalcore is a fusion genre combining elements of extreme metal and hardcore punk, that originated in the late 1980s. Metalcore is noted for its use of breakdowns, which are slow, intense passages conducive to moshing, while other defining instrumentation includes heavy guitar riffs often utilizing percussive pedal tones and double bass drumming. Vocalists in the genre typically perform screaming; more popular bands often combine this with the use of standard singing, usually during the bridge or chorus of a song. However, the death growl is also a popular technique within the genre.
Deathcore is an extreme metal subgenre that combines death metal with metalcore. The genre consists of death metal guitar riffs, blast beats, and metalcore breakdowns. While there are some precursors to the concept of death metal fused with metalcore/hardcore elements seen in the 1990s, deathcore itself emerged in the early 2000s and gained prominence beginning in the mid-2000s within the southwestern United States, especially Arizona and inland southern California, which are home to many notable bands and various festivals.
Groove metal, sometimes also called neo-thrash or post-thrash, is a subgenre of heavy metal music that began in the early 1990s. Heavily influenced by thrash metal, groove metal features raspy singing and screaming, down-tuned guitars, heavy guitar riffs, and syncopated rhythms. Groove metal is usually slower than thrash. Pantera are often considered the pioneers of groove metal, and the genre expanded in the 1990s with bands including White Zombie, Machine Head, and Sepultura. Successful groove metal acts of the 2000s include Lamb of God, DevilDriver, and Five Finger Death Punch.
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