Deaf culture in the United States

Last updated

In the United States, deaf culture was born in Connecticut in 1817 at the American School for the Deaf, when a deaf teacher from France, Laurent Clerc, was recruited by Thomas Gallaudet to help found the new institution. Under the guidance and instruction of Clerc in language and ways of living, deaf American students began to evolve their own strategies for communication and for living, which became the kernel for the development of American Deaf culture. [1]

Contents

Introduction

A Deaf American is defined as a member of the American Sign Language (ASL) linguistic minority. Though they are medically deaf, children of Deaf people and a few hearing people who learn ASL can become adopted into the wider Deaf community. Inversely, Deaf American is not inclusive to all people with hearing loss but only those who use ASL as their primary language.

Terminology

deaf and Deaf

In 1972, Professor James Woodward, co-director of the Centre for Sign Linguistics and Deaf Studies at the Chinese University of Hong Kong since 2004, proposed a distinction between deafness and the Deaf culture. [2] He suggested using deaf (written with a lower case d) to refer to the audiological condition of deafness, and Deaf (written with an upper case D) to refer to Deaf culture. [3] [4] [5]

deaf vs. Deaf

A U.S. state regulation from the Colorado Department of Human Services defines Deaf (uppercase) as "A group of people, with varying hearing acuity, whose primary mode of communication is a visual language (predominantly American Sign Language (ASL) in the United States) and have a shared heritage and culture," and has a separate definition for deaf (lowercase). [6]

This convention has been widely adopted within the culture and the scholarly literature in English, [7] and to some extent in other languages. The two terms are also widely used to refer to distinct but partially overlapping groups of people: deaf people (those with significant hearing loss) vs. Deaf people (those who identify with Deaf culture and use a sign language as a primary means of communication). Not everyone makes this distinction, however; some point out that there are many ways to be "deaf" and a simple two-way distinction is too confining. [8]

"People-first" language rejected[ clarification needed ]

"People-first" language rejected

In Deaf culture, person-first language (i.e., person who is deaf, person who is hard of hearing) has long been rejected since being culturally Deaf is seen as a source of positive identity and pride. [9] Instead, Deaf culture uses Deaf-first language: Deaf person or hard-of-hearing person. [10] Capital D-Deaf is as stated prior, is referred to as a student who first identifies as that. Lower case d-deaf is where a person has hearing loss: typically, those that consider themselves deaf, first and foremost prior to any other identity.

Hearing-impaired and hard-of-hearing

Healthy hearing and hard of hearing

Hearing people may use the term hearing-impaired , perhaps thinking it is more polite than deaf, but Deaf people tend to reject it, for a variety of reasons. It is more likely to be used for people with a mild or moderate hearing loss or for people who have acquired deafness in adulthood rather than by those who have grown up Deaf. By contrast, those who identify with the Deaf culture movement typically reject the label hearing-impaired and other labels that imply that deafness is a pathological condition, [11] viewing it instead as a focus of pride. [4] Further, the term focuses entirely on the physical condition of deafness, while ignoring the linguistic and cultural distinction between those who sign and identify with Deaf culture, and those who do not.

The term hard-of-hearing is preferred over hearing-impaired within the American Deaf community and accepted as a neutral term without negative or pathological connotations, with no implication about age of onset. It generally refers to people who depend primarily on a spoken language for communication or who have mild or moderate hearing loss. An ASL term hard-of-hearing exists and is roughly equivalent to the English term.

Deprecated terms: deaf-mute and deaf and dumb

Various terms once used to refer to the deaf are no longer used and may be viewed either as out-of-date, or an insult, such as deaf-mute , or deaf and dumb . [11] Formerly these terms were neutral, or at least accepted, as can be seen by nicknames such as baseball player Dummy Hoy, or the former names of educational institutions, since renamed, such as Pennsylvania School for the Deaf (formerly Pennsylvania Institute for the Deaf and Dumb), Gallaudet University (formerly National Deaf-Mute College).

Deaf-mute is a literal translation of the French sourd-muet which was already in use in France in the 19th century, in the works of the founder of the deaf school in Paris, as well as in the name of the school, the Institution Nationale des Sourds-Muets à Paris . Since some Deaf people can also speak, the term deaf-mute is not accurate. The word dumb had meant 'speechless' for centuries in English before it gained the sense of 'stupid' as a secondary meaning in the 19th century, but since 'stupid' has now become the primary meaning, even though the term is still widely understood in the secondary meaning in the particular expression, it is now unsuitable to refer to Deaf people. [12]

Language

The history of Deaf Americans, for the most part, parallels that of American Sign Language (ASL).

Although Deaf American identity is now strongly tied to the use of American Sign Language, its roots can be found in early deaf communities on the American East Coast, including those that communicated using Martha's Vineyard Sign Language. Martha's Vineyard Sign Language bloomed from necessity due to a high number of hereditary deaf Americans in the area. The language became so popular, even the hearing Vineyard workers adopted it. The Vineyard language contributed hundreds of signs to the modern ASL utilized today. [13]

An important event in the history of Deaf Americans was the introduction of the methodical sign system of the Abbé de l'Epée to deaf children at the American School for the Deaf in 1817 by Laurent Clerc, a French signer who accompanied Thomas Gallaudet to become the first teacher at the school.

This tradition continued until 1880 when oralism (promoting speaking) began to replace manualism (promoting signing) as the dominant approach to deaf education, almost obliterating ASL and deaf culture in America. Oralism was the main philosophy in deaf education until 1965 when the linguist William Stokoe argued that ASL should be regarded as a full language with all of the expressive power of any oral language. This gradually led to an increase in the respectability and use of signing.

Deaf art

The accomplishments of Deaf artists have been noted with many factors contributing to a natural attraction to visual arts. Three factors have been noted: biological factor, isolation factor, and the Deaf essence factor. [14]

As "people of the eye," Deaf people are naturally attracted to the visual arts. [14]

A desire to express themselves to the world through visually accessible medium may be a reason for such a strong Deaf artist community. Due to frustration with limited communication in home and school life (leading to feelings of isolation), many Deaf artists report that art creates a way for them to freely express their thoughts and feelings. Similar to the art of other marginalized and oppressed groups, Deaf art tends to be a vessel through which one's Deaf identity (Deaf essence) can manifest. [14]

The American Deaf artist Christine Sun Kim expresses her frustration with the hearing world using visual art, interactive installations, and performance art. [15]

De'VIA (Deaf View/Image Art)

Proposed by Deaf artists in 1989 at the Deaf Way festival, the concept of De'VIA represents the elements found in the Deaf art movement. [14] Betty Miller and Chuck Baird are the most notable founders of the De'VIA art movement.

Difference between Deaf artists and De'VIA

Deaf artists create and use art in any form and are held to the same standards as any other artist. De'VIA is created when the Deaf artists wants to express their Deaf identity and/or Deaf experience through their art. It is possible for Deaf artists not to work within De'VIA. [14]

Themes of resistance and affirmation

Many De'Via works can be defined as resistance art, which is a recent phenomenon in Deaf culture. Betty Miller's piece Ameslan Prohibited (1972) depicts two shackled hands and chopped fingertips; this powerful image encouraged more Deaf people to reveal their childhood experiences of audism and oralism through art. [14]

In many of Chuck Baird's artwork, he cleverly incorporates ASL handshapes into the shapes of objects to which they refer. For example, his piece titled America has the stripes of the U.S.A. flag incorporated into the sign for AMERICA. De'VIA provides scenes of meaningful aspects of being Deaf that affirm the rich lives that Deaf people enjoy. [14]

Themes associated with De'VIA [16]
Resistance vs. Affirmation De'VIA
Resistance De'VIAAffirmation De'VIA
AudismEmpowerment
OralismASL
MainstreamingAffiliation
Cochlear implantsAcculturation
Identity confusionAcceptance
EugenicsDeafhood

Norms of Deaf American culture

Attitudes toward cochlear implants

Within Deaf communities, there is strong opposition to the use of cochlear implants and sometimes also hearing aids and similar technologies. This is often justified in terms of a rejection of the view that deafness, as a condition, is something that needs to be 'fixed'.

Others argue that this technology also threatens the continued existence of Deaf culture, but Kathryn Woodcock argues that it is a greater threat to Deaf culture "to reject prospective members just because they used to hear, because their parents chose an implant for them, because they find environmental sound useful, etc." [17] Cochlear implants may improve the perception of sound for suitable implantees, but they do not reverse deafness, or create a normal perception of sounds.

Attitudes toward oralism as a teaching method

There is strong opposition within Deaf communities to the oralist method of teaching deaf children to speak and lip read with limited or no use of sign language in the classroom. The method is intended to make it easier for deaf children to integrate into hearing communities, but the benefits of learning in such an environment are disputed. The use of sign language is also central to Deaf identity and attempts to limit its use are viewed as an attack.

See also

Related Research Articles

<span class="mw-page-title-main">Deaf culture</span> Culture of deaf persons

Deaf culture is the set of social beliefs, behaviors, art, literary traditions, history, values, and shared institutions of communities that are influenced by deafness and which use sign languages as the main means of communication. When used as a cultural label especially within the culture, the word deaf is often written with a capital D and referred to as "big D Deaf" in speech and sign. When used as a label for the audiological condition, it is written with a lower case d. Carl G. Croneberg coined the term "Deaf Culture" and he was the first to discuss analogies between Deaf and hearing cultures in his appendices C/D of the 1965 Dictionary of American Sign Language.

Cued speech is a visual system of communication used with and among deaf or hard-of-hearing people. It is a phonemic-based system which makes traditionally spoken languages accessible by using a small number of handshapes, known as cues, in different locations near the mouth to convey spoken language in a visual format. The National Cued Speech Association defines cued speech as "a visual mode of communication that uses hand shapes and placements in combination with the mouth movements and speech to make the phonemes of spoken language look different from each other." It adds information about the phonology of the word that is not visible on the lips. This allows people with hearing or language difficulties to visually access the fundamental properties of language. It is now used with people with a variety of language, speech, communication, and learning needs. It is not a sign language such as American Sign Language (ASL), which is a separate language from English. Cued speech is considered a communication modality but can be used as a strategy to support auditory rehabilitation, speech articulation, and literacy development.

The history of deaf people and deaf culture make up deaf history. The Deaf culture is a culture that is centered on sign language and relationships among one another. Unlike other cultures the Deaf culture is not associated with any native land as it is a global culture. By some, deafness may be viewed as a disability, but the Deaf world sees itself as a language minority. Throughout the years many accomplishments have been achieved by deaf people. To name the most famous, Ludwig van Beethoven and Thomas Alva Edison were both deaf and contributed great works to culture.

Audism as described by deaf activists is a form of discrimination directed against deaf people, which may include those diagnosed as deaf from birth, or otherwise. Tom L. Humphries coined the term in his doctoral dissertation in 1975, but it did not start to catch on until Harlan Lane used it in his writing. Humphries originally applied audism to individual attitudes and practices; whereas Lane broadened the term to include oppression of deaf people.

A child of D/deaf adult, often known by the acronym CODA, is a person who was raised by one or more deaf parent or legal guardian. Ninety percent of children born to deaf adults can hear normally, resulting in a significant and widespread community of CODAs around the world, although whether the child is hearing, D/deaf, or HH has no effect on the definition. The acronym KODA is sometimes used to refer to CODAs under the age of 18.

<span class="mw-page-title-main">Beverly School for the Deaf</span> School in Beverly, Massachusetts, United States

Beverly School for the Deaf is a school, established in 1876, for students from birth to age twenty-two who are Deaf, Hard-of-Hearing and/or have cochlear implants by providing language that is visually accessible via American Sign Language, written English, speech, and AAC/Assistive Technology. The school also serves students who have language issues caused by conditions such as autism spectrum disorder, pervasive developmental disorders, and cerebral palsy.

<span class="mw-page-title-main">Jane Fernandes</span> American educator

Jane Fernandes is a Deaf American educator and social justice advocate. As of August 2021, Fernandes is the President of Antioch College in Yellow Springs, Ohio. She previously served as president of Guilford College from 2014 to 2021.

<span class="mw-page-title-main">Deaf education</span> Education of the deaf and hard of hearing

Deaf education is the education of students with any degree of hearing loss or deafness. This may involve, but does not always, individually-planned, systematically-monitored teaching methods, adaptive materials, accessible settings, and other interventions designed to help students achieve a higher level of self-sufficiency and success in the school and community than they would achieve with a typical classroom education. There are different language modalities used in educational setting where students get varied communication methods. A number of countries focus on training teachers to teach deaf students with a variety of approaches and have organizations to aid deaf students.

American Sign Language literature is one of the most important shared cultural experiences in the American deaf community. Literary genres initially developed in residential Deaf institutes, such as American School for the Deaf in Hartford, Connecticut, which is where American Sign Language developed as a language in the early 19th century. There are many genres of ASL literature, such as narratives of personal experience, poetry, cinematographic stories, folktales, translated works, original fiction and stories with handshape constraints. Authors of ASL literature use their body as the text of their work, which is visually read and comprehended by their audience viewers. In the early development of ASL literary genres, the works were generally not analyzed as written texts are, but the increased dissemination of ASL literature on video has led to greater analysis of these genres.

Tom L. Humphries is an American academic, author, and lecturer on Deaf culture and deaf communication. Humphries is a professor at the University of California, San Diego (UCSD).

The Deaf community over time has worked to improve the educational system for those who are Deaf and hard of hearing. The history of Deaf education dates back to Ancient Egypt where the deaf were respected and revered. In contrast, those who were deaf in Ancient Greece were considered a burden to society and put to death. The educational aspects of the deaf community has evolved tremendously and still continues to grow as the science of linguistics, educational research, new technologies, and laws, on local, national, and international levels are steadily being introduced. Strategies, however, remain controversial.

Benjamin James Bahan is a professor of ASL and Deaf Studies at Gallaudet University and a member of the deaf community. He is an influential figure in American Sign Language literature as a storyteller and writer of deaf culture. He is known for the stories "The Ball Story" and "Birds of a Different Feather". He is known for writing the book A Journey into the Deaf-World (1996) with Robert J. Hoffmeister and Harlan Lane. Bahan also co-wrote and co-directed the film Audism Unveiled (2008) with his colleague Dirksen Bauman.

Claire L Ramsey is an American linguist. Ramsey is an Associate Professor Emerita at the University of California, San Diego. She is an alumna of Gallaudet University and is former instructor at the University of Nebraska in Lincoln, Nebraska. Ramsey's research has focused on the sociolinguistics of deaf and signing communities in the US and Mexico.

The history of deaf education in the United States began in the early 1800s when the Cobbs School of Virginia, an oral school, was established by William Bolling and John Braidwood, and the Connecticut Asylum for the Deaf and Dumb, a manual school, was established by Thomas Hopkins Gallaudet and Laurent Clerc. When the Cobbs School closed in 1816, the manual method, which used American Sign Language, became commonplace in deaf schools for most of the remainder of the century. In the late 1800s, schools began to use the oral method, which only allowed the use of speech, as opposed to the manual method previously in place. Students caught using sign language in oral programs were often punished. The oral method was used for many years until sign language instruction gradually began to come back into deaf education.

Language acquisition is a natural process in which infants and children develop proficiency in the first language or languages that they are exposed to. The process of language acquisition is varied among deaf children. Deaf children born to deaf parents are typically exposed to a sign language at birth and their language acquisition follows a typical developmental timeline. However, at least 90% of deaf children are born to hearing parents who use a spoken language at home. Hearing loss prevents many deaf children from hearing spoken language to the degree necessary for language acquisition. For many deaf children, language acquisition is delayed until the time that they are exposed to a sign language or until they begin using amplification devices such as hearing aids or cochlear implants. Deaf children who experience delayed language acquisition, sometimes called language deprivation, are at risk for lower language and cognitive outcomes. However, profoundly deaf children who receive cochlear implants and auditory habilitation early in life often achieve expressive and receptive language skills within the norms of their hearing peers; age at implantation is strongly and positively correlated with speech recognition ability. Early access to language through signed language or technology have both been shown to prepare children who are deaf to achieve fluency in literacy skills.

Deafness has varying definitions in cultural and medical contexts. In medical contexts, the meaning of deafness is hearing loss that precludes a person from understanding spoken language, an audiological condition. In this context it is written with a lower case d. It later came to be used in a cultural context to refer to those who primarily communicate through sign language regardless of hearing ability, often capitalized as Deaf and referred to as "big D Deaf" in speech and sign. The two definitions overlap but are not identical, as hearing loss includes cases that are not severe enough to impact spoken language comprehension, while cultural Deafness includes hearing people who use sign language, such as children of deaf adults.

Betty Gloria Miller, also known as Bettigee was an American artist who became known as the "Mother of De'VIA".

<span class="mw-page-title-main">Deaf rights movement</span>

The Deaf rights movement encompasses a series of social movements within the disability rights and cultural diversity movements that encourages deaf and hard of hearing to push society to adopt a position of equal respect for them. Acknowledging that those who were Deaf or hard of hearing had rights to obtain the same things as those hearing lead this movement. Establishing an educational system to teach those with Deafness was one of the first accomplishments of this movement. Sign language, as well as cochlear implants, has also had an extensive impact on the Deaf community. These have all been aspects that have paved the way for those with Deafness, which began with the Deaf Rights movement.

Deaf View/Image Art, abbreviated as De'VIA, is a genre of visual art that intentionally represents the Deaf experience and Deaf culture. Although De'VIA works have been created throughout history, the term was first defined and recognized as an art genre in 1989. In 1989, a group of nine Deaf artists gathered at Gallaudet University shortly before the Deaf Way arts festival was being held there. Led by Betty G. Miller, known as the Mother of De'VIA, and Paul Johnston, these artists created a manifesto detailing what De'VIA is and what it includes. Since its official designation as a genre, De'VIA has helped to introduce the Deaf experience to the artistic world and give a new platform to the Deaf community.

Treatment depends on the specific cause if known as well as the extent, type, and configuration of the hearing loss. Most hearing loss results from age and noise, is progressive, and irreversible. There are currently no approved or recommended treatments to restore hearing; it is commonly managed through using hearing aids. A few specific types of hearing loss are amenable to surgical treatment. In other cases, treatment involves addressing underlying pathologies, but any hearing loss incurred may be permanent.

References

  1. Holcomb, Thomas K. (17 January 2013). Introduction to American Deaf Culture. Professional perspectives on deafness. New York: OUP USA. p. 3. ISBN   978-0-19-977754-9. OCLC   795460149 . Retrieved 17 July 2019.
  2. "James Woodward biography". Deaf Dialogue. 24 August 2010. Archived from the original on 3 December 2013. Retrieved 22 November 2013.
  3. Padden, Carol A.; Humphries, Tom (Tom L.) (2005). Inside Deaf Culture. Cambridge, MA: Harvard University Press. p. 1. ISBN   978-0-674-01506-7.
  4. 1 2 Ladd, Paddy (2003). Understanding Deaf Culture: In Search of Deafhood. Multilingual Matters. p. 502. ISBN   978-1-85359-545-5.
  5. Padden, Carol; Humphries, Tom (1988). Deaf in America: Voices from a Culture. Harvard University Press. p. 134. ISBN   978-0-674-19423-6.
  6. "RULE MANUAL 27 COLORADO COMMISSION FOR THE DEAF AND HARD OF HEARING". Colorado Secretary of State. May 1, 2010. p. 15. Retrieved September 26, 2015.
  7. Jamie Berke (9 February 2010). "Deaf Culture - Big D Small D". About.com. Archived from the original on 4 March 2016. Retrieved 22 November 2013.
  8. "'Big D' and 'Small d' in the Deaf Community". Verywell Health. Retrieved 2018-03-08.
  9. Lum, Doman (2010). Culturally Competent Practice: A Framework for Understanding. Cengage Learning. p. 441. ISBN   9780840034434.
  10. "Terminology Describing Deaf Individuals". Gallaudet University. Archived from the original on June 5, 2013. Retrieved June 29, 2013.
  11. 1 2 "Community and Culture – Frequently Asked Questions – Question – What is wrong with the use of these terms 'deaf-mute,' 'deaf and dumb,' or 'hearing-impaired'?". National Association of the Deaf. Archived from the original on 2015-12-27. Retrieved 2015-12-29.
  12. O'Conner, Patricia; Kellerman, Stewart (July 3, 2014). "The Grammarphobia Blog – Speaking of dumb". Archived from the original on 2015-09-05. Retrieved 2015-12-29.
  13. 'For Hearing People Only' (3rd Addition) By Matthew S. Moore and Linda Levitan
  14. 1 2 3 4 5 6 7 Holcomb, Thomas K. (2013). "Deaf Art". Introduction to American Deaf Culture. New York, NY: Oxford University Press. pp. 119–136. ISBN   9780199777549.
  15. Furman, Anna (21 May 2019). "An Artist Who Channels Her Anger Into Pie Charts". The New York Times. Retrieved 28 April 2020.
  16. Durr, Patricia (2006). "De'VIA: Investigating Deaf Visual Art". Deaf Studies Today. 2: 167–187.
  17. Woodcock, Kathryn (1992). Cochlear Implants vs. Deaf Culture? In Mervin Garretson (ed.), Viewpoints on Deafness: A Deaf American Monograph. Silver Spring, MD: National Association for the Deaf.

Further reading