Critical reception
Mark Wilson of Exclaim stated that with the Mogwai cover, "Deafheaven continued to push boundaries and blur the lines between black metal, post-rock, shoegaze and drone." He also further wrote: "The song's slow build is relentless without ever getting stale or sacrificing the emotional release so crucial to this style of music, not to mention the dynamics are flawless, with blasting drums, huge, dense walls of sound and screeching, guttural screams that make your blood boil." Wilson also described the Bosse-de-Nage track as "a near-perfect use of dynamics and instrumentation," noting that "the band isn't afraid to branch out and make use of a variety of instruments," despite staying closer to their black metal core than Deafheaven. [4] Brandon Stosuy of Pitchfork described the Mogwai cover as "a great fit for Deafheaven, who have a way with extended post-rock hauntings." [2]
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