Dee Dee's Feathers | ||||
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Studio album by | ||||
Released | 14 August 2015 | |||
Recorded | 23–25 March 2014 | |||
Studio | Esplanade Studios, New Orleans, LA | |||
Genre | Jazz | |||
Length | 1:07:18 | |||
Label | OKeh / Masterworks (Sony) | |||
Producer | Irvin Mayfield | |||
Dee Dee Bridgewater chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | [1] |
All About Jazz | [2] |
Jazzwise | [3] |
laut.de | [4] |
The Music | [5] |
PopMatters | [6] |
The National | [7] |
Tom Hull | B+ [8] |
Dee Dee's Feathers is a 2015 studio album by American jazz singer Dee Dee Bridgewater recorded together with trumpeter Irvin Mayfield and the eighteen-piece New Orleans Jazz Orchestra. [9] The album was released on 14 August 2015 via OKeh and Masterworks labels.
Dee Dee's Feathers was recorded at Esplanade Studios, a historic church of the 1920s turned music studio, located in the heart of the Tremé neighborhood in New Orleans. Says Bridgewater "It was at the groundbreaking ceremony of the future site of the Jazz Market where I had the idea of a collaborative recording... I thought that Irvin Mayfield, NOJO, and I needed a musical 'calling card' so to speak, a product that epitomized the joys of our accumulative collaborations. When I shared the idea with Irvin, the seed was planted. After several emails, Irvin's song suggestions, song keys picked out over the phone, we found ourselves at Esplanade Studio exactly one month later. Under Irvin Mayfield's skillful leadership, band members had done the arrangements, and over the course of three days we recorded, filmed, bonded, and laughed our way through the most extraordinary recording experience I've had." Mayfield adds that "This album is a testament to the continued relevance of New Orleans not only as a thriving city but also as a muse for communicating truth, love and beauty. Dee Dee Bridgewater leads us through a new artistic moment while answering a mandate created over a century ago by Jazz geniuses like Buddy Bolden, Jelly Roll Morton, Sidney Bechet and Louis Armstrong. She proves through her art that New Orleans is not just a city but more importantly an idea that can make your heart and soul feel better." [10]
Matt Collar of Allmusic wrote "A collaboration between Bridgewater, New Orleans trumpeter Irvin Mayfield, and the New Orleans Jazz Orchestra (NOJO), the album finds Bridgewater combining her love of New Orleans' musical past with the Crescent City's vibrant present... These are warm, largely acoustic arrangements that breathe with the energy of a live performance... Bridgewater has built a career out of combining her love of the tradition with her desire to push the boundaries of jazz style, and Dee Dee's Feathers is no exception." Dan Bilawski of All About Jazz commented "Dee Dee's Feather's is simply delightful, capable of tickling a listener's fancy as only music from The Big Easy can do." [2]
In his review John Paul of PopMatters stated "Dee Dee Feathers is designed to mark the 10th anniversary of Hurricane Katrina and functions as a love letter of sorts to the city of New Orleans and its rich musical history. Partnering with trumpeter Irvin Mayfield and the New Orleans Jazz Orchestra, Bridgewater tackles a handful of standards and originals associated with the city itself, showing off a range of styles and sentiments afforded by the city’s rich musical and cultural heritage... An undeniably talented force Bridgewater manages to elevate even the most staid material here with her vibrant performances and clear love of and appreciation for the work. Through the sheer power of her personality, Dee Dee’s Feathers succeeds even where it shouldn’t..."
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "One Fine Thing" | Harry Connick, Jr. | 6:31 |
2. | "What a Wonderful World" | Bob Thiele, George David Weiss | 7:20 |
3. | "Big Chief" | Earl King Johnson | 6:19 |
4. | "Saint James Infirmary" | Unknown | 5:15 |
5. | "Dee Dee's Feathers" | Bridgewater | 2:47 |
6. | "New Orleans" | Hoagy Carmichael | 6:38 |
7. | "Treme Song / Do Whatcha Wanna" | John Boutté | 5:49 |
8. | "Come Sunday" | Duke Ellington | 4:45 |
9. | "Congo Square" | Bill Summers, Bridgewater, Irvin Mayfield | 4:34 |
10. | "C'est ici que je t'aime" | Mayfield | 6:33 |
11. | "Do You Know What It Means" | Eddie DeLange, Louis Alter | 6:18 |
12. | "Whoopin' Blues" | Benny Jones, Bruce Christian Brackman, Craig Klein, Julius McKee, Lionel Batiste, Roger Hayward Lewis | 4:20 |
Total length: | 1:07:18 |
Chart (2015) | Peak position |
---|---|
French Albums (SNEP) [11] | 158 [12] |
Dutch Albums (Album Top 100) [13] | 69 [12] |
US Jazz Albums ( Billboard 200 ) [14] | 11 |
Tremé is a neighborhood in New Orleans, Louisiana. "Tremé" is often rendered as Treme, and the neighborhood is sometimes called by its more formal French name, Faubourg Tremé; it is listed in the New Orleans City Planning Districts as Tremé / Lafitte, from when including the Lafitte Projects.
Dee Dee Bridgewater is an American jazz singer. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio's syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.
Dear Ella is a 1997 studio album by Dee Dee Bridgewater, recorded in tribute to Ella Fitzgerald, who had died the previous year.
Congo Square is an open space, now within Louis Armstrong Park, which is located in the Tremé neighborhood of New Orleans, Louisiana, just across Rampart Street north of the French Quarter. The square is famous for its influence on the history of African American music, especially jazz.
Love and Peace: A Tribute to Horace Silver is a 1995 studio album by Dee Dee Bridgewater, recorded in tribute to Horace Silver.
Irvin Mayfield Jr. is an American trumpeter, composer, bandleader and educator.
Bill Summers is a New Orleans based Afro-Cuban jazz/Latin jazz percussionist, a multi-instrumentalist who plays primarily on conga drums.
Cecil Bridgewater is an American jazz trumpeter.
Red Earth is a 2007 studio album by Dee Dee Bridgewater. It carries the subtitle "A Malian Journey" to celebrate and explore her African and Malian ancestry. The album brought her the seventh nomination for Best Jazz Vocal Album at the 2008 Grammy Awards. On Billboard's Top Jazz Album chart it reached Number 16.
Calvin A. Johnson Jr. is an American saxophonist, bandleader, composer, producer, and actor from New Orleans, Louisiana, United States. A multi-instrumentalist, he is best known as a tenor and soprano saxophone player but also performs and records on alto and baritone saxophones, clarinet, and flute. Johnson has worked with many of the biggest names in New Orleans music, including Aaron Neville, Harry Connick Jr., the Dirty Dozen Brass Band, Mystikal, Irvin Mayfield, Mannie Fresh, and others. Johnson is the nephew of New Orleans clarinetist Ralph Johnson, a longtime member of the Preservation Hall Jazz Band. Johnson began playing saxophone at the age of seven, and since 2008 has been playing with his own band, Calvin Johnson & Native Son. In 2015, he started a new band with Dirty Dozen Brass Band founding member and sousaphone player, Kirk Joseph, called Chapter:SOUL.
Memphis... Yes, I'm Ready is a 2017 studio album by American jazz singer Dee Dee Bridgewater released via OKeh label.
Afro Blue is the debut studio album by American jazz singer Dee Dee Bridgewater. The record was released in Japan in 1974, when she was 23, via Trio Records label. The album was recorded in Tokyo with a quintet of musicians including brothers Ron and Cecil Bridgwater.
Dee Dee Bridgewater is the eponymous second studio album by American jazz singer Dee Dee Bridgewater. The record was released in 1976 via Atlantic Records label. She also released a self-titled album in 1980 via the Elektra label.
Just Family is the third studio album by American jazz singer Dee Dee Bridgewater. The album reached No. 13 on the Billboard Top Jazz Albums chart.
Keeping Tradition is a studio album by American jazz singer Dee Dee Bridgewater. The album was recorded in Paris and released in 1993 via Verve Records label. The album was nominated for Best Jazz Vocal Performance in the 37th Annual Grammy Awards. Keeping Tradition opens a series of her critically acclaimed titles, of which all but one, including her wildly successful double Grammy Award-winning tribute to Ella Fitzgerald, Dear Ella, have received Grammy nominations.
Victim of Love is a 1989 studio album by American jazz singer Dee Dee Bridgewater. The album was re-released in 1998, 2001, 2010 on CD via various labels.
Live in Paris is a 1987 live album by American jazz singer Dee Dee Bridgewater. The concert was recorded on 24–25 November, 1986 at the jazz club New Morning in Paris. She is accompanied by her piano trio of the time. The repertoire reaches from jazz standards including Miles Davis' "All Blues" and the up-tempo "Cherokee" mostly associated with Charlie Parker, and sung by Sarah Vaughan, a "Blues Medley" to Aretha Franklin's Dr. Feelgood. She seemed leave her disco-funk efforts in America behind. Her following album Victim of Love would be another, before she left pop productions for good.
Dee Dee Bridgewater is a studio album by American jazz singer Dee Dee Bridgewater. Originally released in 1980 by Elektra label, this is her second self-titled album. Two singles were released off the album: "One in a Million (Guy)" and "When Love Comes Knockin'. The album was re-released on CD in 2006.
Midnight Sun is a 2011 compilation album by American jazz singer Dee Dee Bridgewater.
Prelude to a Kiss: The Duke Ellington Album is a studio album by American jazz singer Dee Dee Bridgewater, recorded in tribute to Duke Ellington. The album was released on October 8, 1996 by Philips Records label. The album title was borrowed from the Ellington's tune. The release contais 12 tracks, which include the pop sounds of the Hollywood Bowl Orchestra.