Deliverance | ||||
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Studio album by | ||||
Released | 12 November 2002 | |||
Recorded | 22 July – 4 September 2002 | |||
Studio |
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Genre | Progressive death metal | |||
Length | 61:45 | |||
Label | ||||
Producer | Mikael Åkerfeldt and Steven Wilson | |||
Opeth chronology | ||||
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Singles from Deliverance | ||||
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Review scores | |
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Source | Rating |
AllMusic | [2] |
Brave Words | 8.5/10 [3] |
Chronicles of Chaos | 10/10 [4] |
Rolling Stone | (favorable) [5] |
Pitchfork | 8.7/10 [6] |
Sputnikmusic | [7] |
Deliverance is the sixth studio album by Swedish progressive metal band Opeth. It was released on 12 November 2002. It was recorded between 22 July and 4 September 2002, at the same time as Damnation , which was released five months after this album. The two albums contrast starkly with one another, purposely dividing the band's two most prevalent styles, as Deliverance is considered to be one of the band's heaviest albums, taking on a heavier and more brutal death metal-inspired sound, whereas Damnation experiments with a much mellower progressive rock-influenced sound. [8]
The band originally intended for Deliverance and Damnation to be released as a double album, but the record company eventually decided against this and released them separately, approximately five months apart from one another in order to promote them properly. The recording sessions also became a writing session of two albums worth of material, causing the recordings to be long as there were no songs written prior to that point. Åkerfeldt wrote the songs in the night and recorded them with the band during the days. [9]
The track "Master's Apprentices" was named after the Australian hard/progressive rock group The Masters Apprentices. [10] "For Absent Friends" was named after a song on the album Nursery Cryme by progressive rock group Genesis. [11]
At the end of "By the Pain I See in Others", the final note fades slowly and ends at 10:40. Silence follows until 12:00, followed by two backmasked (hidden tracks) verses from "Master's Apprentices" at 12:00 and 13:15.
The recording for Deliverance and Damnation was fraught with troubles. The band had originally started recording the album in Nacksving Studio, but the recording process was plagued, not just by a variety of technical issues ranging from equipment breaking down to drum mics changing positions or disappearing, but also internal band issues. Eventually, the band would return to Studio Fredman (upon which they would be joined by producer Steven Wilson) to finish off the record. [12] [13]
During the recording process, Mikael Åkerfeldt's grandmother was killed in a car accident. [12] He would later dedicate both Deliverance and Damnation to her. [11]
Deliverance peaked on Top Heatseekers at No. 16 and the Top Independent Albums chart at No. 19, making it the first Opeth release ever to chart. [2] Opeth also won a Grammis Award for Best Hard Rock Performance after releasing the album. [14]
The album appeared on several lists of the best albums of 2002, including that of Kerrang!, [15] Metal Hammer [16] and Terrorizer . [17] In 2012, Loudwire ranked Deliverance as the third best album of 2002. [18] In March 2023, Rolling Stone ranked the title track number fifty-two on their list of "The 100 Greatest Heavy Metal Songs of All Time" [19]
All tracks are written by Mikael Åkerfeldt [20]
No. | Title | Length |
---|---|---|
1. | "Wreath" | 11:11 |
2. | "Deliverance" | 13:36 |
3. | "A Fair Judgement" | 10:21 |
4. | "For Absent Friends" (instrumental) | 2:17 |
5. | "Master's Apprentices" | 10:30 |
6. | "By the Pain I See in Others" | 13:50 |
Total length: | 61:45 |
Chart (2003) | Peak position |
---|---|
Poland (ZPAV Top 100) | 60 [21] |
Opeth is a Swedish progressive metal band from Stockholm, formed in 1990. The band incorporates folk, blues, classical, and jazz elements into its usually lengthy compositions, as well as strong influences from death metal, especially in their early works. Songs may include acoustic guitar passages, Mellotrons, death growls, and strong dynamic shifts.
Progressive metal is a broad fusion music genre melding heavy metal and progressive rock, combining the loud "aggression" and amplified guitar-driven sound of the former with the more experimental, cerebral or quasi-classical compositions of the latter.
Lars Mikael Åkerfeldt is a Swedish musician. He is the lead vocalist, guitarist, and primary songwriter of progressive metal band Opeth. A former vocalist of death metal supergroup Bloodbath, he was also guitarist for the "one-off" band Steel, and part of the collaboration Storm Corrosion with Steven Wilson.
Blackwater Park is the fifth studio album by Swedish progressive metal band Opeth. It was released on March 12, 2001, in Europe and a day later in North America through Music for Nations and Koch Records. The album marks the first collaboration between Porcupine Tree frontman Steven Wilson and the band, as Wilson had been brought in to produce the album. This contributed to a shift in Opeth's musical style. The songs "The Drapery Falls" and "Still Day Beneath the Sun" were released as singles.
Still Life is the fourth studio album by Swedish progressive metal band Opeth. It was produced and engineered by Opeth alongside Fredrik Nordström, and released on 18 October 1999 through Peaceville Records. It was the only Opeth album to be released through Peaceville, following the band's departure from Candlelight and Century Black after the release of My Arms, Your Hearse, and the first album to feature Martin Mendez.
Orchid is the debut studio album by Swedish progressive metal band Opeth, released on 15 May 1995 in Europe by Candlelight Records, and on 24 June, 1997 in the United States by Century Black. It was reissued in 2000 with one bonus track called "Into the Frost of Winter", an early unproduced rehearsal recording by the band. The recording sessions occurred at the old Unisound studio, in Finspång with production by Opeth alongside Dan Swanö. The band did not record a demo to get signed to a record label. Lee Barrett, the founder of Candlelight Records, enjoyed an Opeth rehearsal tape, and decided to sign the band. The album received critical acclaim.
Damnation is the seventh studio album by Swedish progressive metal band Opeth. It was released on 22 April 2003, five months after Deliverance, which was recorded at the same time. Damnation is the last Opeth album to date to be produced by Steven Wilson although he did mix two future albums, Heritage and Pale Communion. Mikael Åkerfeldt dedicated both Damnation and Deliverance to his grandmother, who died in a car accident during the time the albums were being recorded.
Peter Lindgren is a Swedish musician and songwriter. He is best known as the former guitarist of Swedish progressive metal band Opeth.
Martín Méndez is a Uruguayan Swedish musician. He is the bassist of the progressive metal band Opeth and the second-longest-serving member of the band, behind frontman Mikael Åkerfeldt.
Ghost Reveries is the eighth studio album by Swedish progressive metal band Opeth. It was released on 29 August 2005. It was their first album after signing with Roadrunner Records, and first album since Still Life (1999) to not be produced by Steven Wilson.
Lamentations is the first live album and video by Swedish progressive metal band Opeth, released under the Music For Nations label in 2003. It was recorded at the Shepherd's Bush Empire on 25 September 2003.
Collecter's Edition Slipcase is the first box set by Swedish progressive metal band Opeth. It contains the collection of three previous albums and a double live album.
The discography of Opeth, a Stockholm, Sweden-based progressive metal band, consists of fourteen studio albums, four live albums, three box sets, three video albums and seventeen singles.
Watershed is the ninth studio album by Swedish progressive metal band Opeth. Released by Roadrunner Records, Watershed is the first studio album by Opeth to feature guitarist Fredrik Åkesson and drummer Martin Axenrot, who replaced longtime guitarist Peter Lindgren and drummer Martin Lopez. The artwork for the album was made by Travis Smith in collaboration with Mikael Åkerfeldt. It was the band's last studio album to contain death growls or any death metal elements until 2024's The Last Will and Testament.
In Live Concert at the Royal Albert Hall is the third live album and video by Swedish progressive metal band Opeth. The DVD was recorded on 5 April 2010. It was released on 20 September 2010 in Europe and on 21 September 2010 in the rest of the world. The concert was part of the band's Evolution XX: An Opeth Anthology tour, made in celebration of their 20th anniversary, and was the fourth show of the tour, filmed at the prestigious Royal Albert Hall in London, UK.
Storm Corrosion was a musical collaboration between Swedish musician Mikael Åkerfeldt of progressive metal band Opeth and English musician Steven Wilson of the progressive rock band Porcupine Tree. Åkerfeldt and Wilson began a longstanding musical partnership in 2001 when Wilson produced Opeth's fifth studio album Blackwater Park. The two began writing together for a new project in 2010, releasing their self-titled only studio album in 2012 through Roadrunner Records.
Heritage is the tenth studio album by Swedish progressive metal band Opeth. It was released on 13 September 2011 through Roadrunner Records. The album was recorded in early 2011 at Atlantis Studios in Stockholm and produced by Mikael Åkerfeldt, engineered by Janne Hansson, and mixed by Steven Wilson. It takes on more of a progressive rock sound, something the band had wanted to do for some time, resulting in a stark contrast to the progressive death metal sounds of their past albums.
Sorceress is the twelfth studio album by Swedish progressive metal band Opeth. The album was released on 30 September 2016 via record label Nuclear Blast and the band's own imprint Moderbolaget.
In Cauda Venenum is the thirteenth studio album by Swedish progressive metal band Opeth, released on 27 September 2019 through Moderbolaget and Nuclear Blast. It was released in two versions: a Swedish-language version and an English-language version. The band toured in support of the album throughout 2019 and into 2020. At 67 minutes and 57 seconds, it is the band's longest studio album. It is also the band's last album to feature drummer Martin Axenrot before his departure in 2021.