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Delta Momma Blues | ||||
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Studio album by | ||||
Released | 1971 | |||
Recorded | 1970 | |||
Studio | Century Sound Studios, New York City | |||
Length | 32:55 | |||
Label | Poppy | |||
Producer | Kevin Eggers, Ronald Frangipane | |||
Townes Van Zandt chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Delta Momma Blues is the fourth studio album by the country singer/songwriter Townes Van Zandt, released in 1971. Unlike his previous albums, which were influenced by Appalachian folk and country music and recorded in Nashville, this album was blues influenced and recorded in New York City.
Delta Momma Blues was recorded at Century Sound of Fifty-Second Street in New York, where Van Zandt lived for three years in the early seventies. It was produced by Van Zandt's manager Kevin Eggers and Ron Frangipane, a pianist and string arranger who had studied under Igor Stravinsky and had previously worked with the Monkees, Dusty Springfield, John Lennon and The Rolling Stones. "Townes was not involved in the recording process in the traditional sense," Frangipane explained to John Kruth in 2007. "Whereas someone like Janis Ian would micromanage every eighth note, Townes was more like, sitting back in an old easy chair with holes in it, playing his guitar on the day before the session, saying, 'Well, what are we gonna do?' He trusted that our reasoning was probably better than his, but he wanted to know where we were going. He was not just an 'I'll show up, play it, and go home' guy...He was very much a solo performer." Frangipane and engineer Brooks Arthur largely abandon the superfluous adornment that accompanied Van Zandt's first three albums, with the producer telling Kruth, "If I saw anything I could have done to get at least one crossover hit with Townes, I would have done it. But I never read him that way. Townes was essentially an American storyteller, like a guy sitting on a porch, talking to you."
Delta Momma Blues includes some of Van Zandt's most heralded compositions, including the menacing "Rake" and the cautionary "Nothin'". Although many listeners assume that "Nothin'" is about drug addiction, Van Zandt explained in a 1995 Dutch television interview that he wrote it immediately after reading The Last Temptation of Christ by Nikos Kazantzakis. In October 1970, Van Zandt told WBAI DJ Ron Fass that he had written "Rake" in Wilmington, Delaware, after reading another novel by Kazantzakis, Saint Francis. "For me, 'Rake' is unforgettable," producer Frangipane marvels in the 2007 book To Live's To Fly: The Ballad of the Late, Great Townes Van Zandt. "When we finally nailed it, we knew it was the special moment on the album." Although these songs are particularly dark, the album does include several tender ballads rich with Van Zandt's poetic imagery, such as "Come Tomorrow" and "Tower Song". Reminiscing about the sorrowful "Tower Song" in the notes to the 1977 songbook For the Sake of the Song, the singer confesses, "I thought when I wrote 'Tower Song' that I was writing to someone else. Now I'm not sure that I wasn't writing it to me."
The album opener "FFV" was a remake of a traditional country song "Engine 143", originally credited to the Carter Family but supposedly written by a roundhouse worker in Hinton, West Virginia, just a short distance from the site of the crash described in the song. The blues "Brand New Companion" clearly shows the influence of Texas bluesman Lightnin' Hopkins, one of Van Zandt's musical heroes. The title track (with an alternate spelling from the album title) was the first collaboration to appear on one of Van Zandt's albums, having been co-written with Cado Parish Studdard and Matthew Moore (Van Zandt, always a loner, had co-written "Mister Can't You See" with Mickey Newbury, which appeared on Newbury's 1968 debut album Harlequin Melodies). As Van Zandt told Richard Wootton in 1977, "I wrote one song with two other guys when we were a trio, about eight years ago. We were called the Delta Mama Boys. I was a house act in this club in Austin. One of them was the manager of the club, the other guy was a good friend of mine. During the intermission, we'd do one (together). Just kid around, play some Woody Guthrie songs. That was our theme song - real light." Townes went on to reveal that the lyric had been inspired by a couple of soldiers he met in Oklahoma, who spent their weekends fortified by a particular brand of cough syrup - an elixir that contained dextromethorphan hydrobromide - which they nicknamed "Delta Mama" after the "DM" that appeared on the bottle.
Delta Momma Blues was released in 1971. It was not a commercial success but reinforced the notion that Van Zandt was one of the premiere singer/songwriters of his generation. AllMusic opines, "On Van Zandt's fourth album his voice hasn't yet attained the weary gravitas that made his later albums so shattering, but his dark, skewed visions of life are already in place." The liner notes to the Charly Records reissue of the album state, "From the outset, the overall sound of Delta Momma Blues appears far cleaner that its predecessors, which may be due to the production work of Ron Frangipane and his engineer, Brooks Arthur," while noting that "Only Him Or Me" is "a Van Zandt specialty, underscored by gentle finger-picked guitar, with an appropriately understated organ appearing in the final verse." Biographer John Kruth singles out "Rake" for particular praise, writing in 2007, "The first note from Van Zandt's guitar fans out like a drop of blood dispersing in the water...The violins, which have betrayed him countless times in the past, are chilling, swelling into icy waves of sound. They suddenly recede, leaving Van Zandt and his guitar alone to tell a story, a tale dredged up from so deep within his sub-consciousness that Townes claimed not to understand its origin."
Many of the songs on Delta Momma Blues have been covered by other artists. "Nothin'" has been recorded by Dave Elias, Rowland S. Howard, Chris & Carla, Jeffery Foucault, Colter Wall, and Katie Jane Garside's band Ruby Throat on the 2009 album Out of a Black Cloud Came a Bird. It also appears on Raising Sand, the Grammy Award winning album by Robert Plant and Alison Krauss. "Rake" has been covered by Ben Demerath, Drunk, Barbara Gosza, and Rhonda Harris. Steve Earle includes four songs from Delta Momma Blues on his 2009 tribute Townes. Chris Buhalis included a version of "Where I Lead Me" on his 1998 album Kenai Dreams. "Brand New Companion" was covered by Johnny Dowd for a 2007 Van Zandt tribute album. Richard Dobson recorded "Turnstyled, Junkpiled" and "Come Tomorrow" for his 1994 album Amigos: Richard Dobson Sings Townes Van Zandt. Jad Fair also recorded "Turnstyled, Junkpiled" in 2009. Songwriter and Van Zandt disciple Nanci Griffith recorded "Tower Song" for the 2001 album Poet: A Tribute to Townes Van Zandt.
The photograph on the cover of Delta Momma Blues was taken in New York's East Village by Ken Beckles. It features Van Zandt leaning in a doorway with a copy of Peter S. Beagle's classic fantasy novel The Last Unicorn sticking out of one of the pockets of his suede jacket and a kissing couple huddling in the corner. On the back of the album a bespectacled Van Zandt stands alone on a dock holding a cigarette in one hand and a bottle in the other resembling, as biographer John Kruth put it in 2007, "a hip English professor on a summer bender."
All songs written by Townes Van Zandt, except where noted.
John Townes Van Zandt was an American singer-songwriter. He wrote numerous songs, such as "Pancho and Lefty", "For the Sake of the Song", "If I Needed You", "Snake Mountain Blues", "Our Mother the Mountain", "Waitin' Round to Die", and "To Live Is to Fly". His musical style has often been described as melancholic and features rich, poetic lyrics. During his early years, Van Zandt was respected for his guitar playing and fingerpicking ability.
"Pancho and Lefty", originally "Poncho and Lefty", is a song written by American country music singer-songwriter Townes Van Zandt. Perhaps his most well-known song, Van Zandt recorded his original version of this song for his 1972 album The Late Great Townes Van Zandt. The song has been recorded by several artists since its composition and performance by Van Zandt, with the Willie Nelson and Merle Haggard version selling the most copies and reaching number one on the Billboard country chart. In 2021, the Townes Van Zandt version was ranked number 498 on Rolling Stone's 500 Greatest Albums of All Time.
Richard James Joseph Dobson II was an American singer-songwriter and author. Dobson was part of the outlaw country movement and spent time in the 1970s with Townes Van Zandt, Mickey White, Rex "Wrecks" Bell, Guy Clark, Steve Earle, Rodney Crowell, and "Skinny" Dennis Sanchez.
Live at the Old Quarter, Houston, Texas is a double live album by Texas singer-songwriter Townes Van Zandt. The recording captures Van Zandt in a series of July 1973 performances in an intimate venue Old Quarter. There is a strong critical consensus that this recording is among the most exemplary of Van Zandt's career.
The Late Great Townes Van Zandt is the sixth studio album by American singer-songwriter Townes Van Zandt. It was the second album that he recorded in 1972, and a follow-up to High, Low and In Between.
For the Sake of the Song is the debut studio album by country singer/songwriter Townes Van Zandt, released in 1968. The majority of the songs, including the title track, "Tecumseh Valley", "(Quicksilver Daydreams of) Maria", "Waitin' Around to Die", and "Sad Cinderella", were re-recorded in more stripped-down versions for subsequent studio albums.
Our Mother the Mountain is the second studio album by country singer/songwriter Townes Van Zandt, released in 1969. It is considered to be one of his greatest recordings and features some of his best known works, including "Be Here To Love Me", "Snake Mountain Blues" and "Our Mother The Mountain".
Townes Van Zandt is the third studio album by the American singer-songwriter Townes Van Zandt, released in September 1969 by Poppy Records. It includes re-recordings of four songs from his 1968 debut album, including the first song he ever wrote, "Waitin' Around to Die".
High, Low and In Between is the fifth studio album by country singer/songwriter Townes Van Zandt, released in 1971. The album was recorded in L.A. and showcases what Van Zandt himself considered to be one of his most well written songs: "To Live Is To Fly".
Flyin' Shoes is a studio album by the American musician Townes Van Zandt, released in 1978. It was his first album of original material in five years and was produced by Chips Moman.
At My Window is the eighth studio album released by folk/country singer-songwriter Townes Van Zandt in 1987. This was Van Zandt's first studio album in the nine years that followed 1978's Flyin' Shoes, and his only studio album recorded in the 1980s.
No Deeper Blue is the tenth studio album by American singer-songwriter Townes Van Zandt. This was Van Zandt's first studio album of original songs newly recorded in the seven years following At My Window, and the last to be widely released before his death on New Year's Day in 1997.
Train a Comin' is the fifth studio album by Steve Earle, released in 1995. In addition to Earle, it features Peter Rowan, Norman Blake, Roy Huskey, and Emmylou Harris. The album was nominated for a Grammy for Best Contemporary Folk Album.
Roadsongs is a live album of cover songs released by folk/country singer–songwriter Townes Van Zandt in 1994.
Live and Obscure is a live album released by folk/country singer-songwriter Townes Van Zandt in 1987. It was recorded at Twelfth and Porter in Nashville, Tennessee in April 1985.
Townes is the 13th studio album by American singer-songwriter Steve Earle, released in 2009. It is an album on which he pays tribute to his friend and mentor, the late singer-songwriter Townes Van Zandt by covering his songs. According to a New West Records press release, "The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career and others he had to learn specifically for recording.
The Nashville Sessions is an album by American singer/songwriter Townes Van Zandt, recorded in 1973 but not released until 1993 as his ninth studio album. The tracks were originally recorded for what would have been Van Zandt's seventh album, but was not released until twenty years later due to a dispute between producer Jack Clement and Poppy Records founder Kevin Eggers.
A Far Cry from Dead is a posthumous album by Townes Van Zandt, released two years after the singer's 1997 death. It contains overdubbed instrumentation added to vocal and guitar recordings made by the late singer. It was Van Zandt's first album on a major label.
Sunshine Boy: The Unheard Studio Sessions & Demos 1971–1972 is an album by Townes Van Zandt. It was released posthumously in 2013.
Sky Blue is a posthumous album by Texas singer and songwriter Townes Van Zandt, recorded in 1973 but not released until 2019. All tracks were recorded in early 1973 at the Atlanta, Georgia, home studio of Bill Hedgepeth, a journalist, musician, and longtime friend of Van Zandt. Its 2019 release was conceived by Townes' surviving family—his wife and literary executor Jeanene, along with his children, J.T., Will, and Katie Bell.