High, Low and In Between | ||||
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Studio album by | ||||
Released | December 1971 | |||
Recorded | April 1971 | |||
Studio | Larrabee Sound Studios, Los Angeles, California | |||
Genre | Country, folk, gospel | |||
Length | 31:44 | |||
Label | Poppy | |||
Producer | Kevin Eggers | |||
Townes Van Zandt chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Pitchfork Media | 8.8/10 [2] |
High, Low and In Between is the fifth studio album by country singer/songwriter Townes Van Zandt, released in 1971. The album was recorded in L.A. and showcases what Van Zandt himself considered to be one of his most well written songs: "To Live Is To Fly".
High, Low and In Between was cut at Larrabee Sound Studios in Los Angeles with Kevin Eggers returning in the role of producer. The session players included guitarist Larry Carlton, guitarist David Cohen, and bassist Harvey Newmark, while organist Don Randi arranged the music for Van Zandt's eleven new creations. Unlike Van Zandt's previous album Delta Momma Blues, which features very sparse arrangements, High Low and in Between incorporates a folk-rock edge.
Many of the themes on High, Low and In Between deal with moral dilemmas, with songs that celebrate both the pleasure of sin and the joy of salvation. In the comical "No Deal" the drunken narrator falls in love with a girl who has "barely turned fifteen" and declares if Heaven has no whiskey and women, "I'm gonna take my chances down below and of that you can be sure", while "Highway Kind" is a dark minor key ballad that explores the resigned loneliness of a drifting troubadour, something Van Zandt knew about all too well. These tunes contrast markedly with "Two Hands" and "When He Offers His Hand", a couple of Gospel-infused numbers that celebrate Jesus and the guiding light of God. However, Van Zandt appears to contradict these sentiments again in "You Are Not Needed Now" when he sings, "Heaven ain't bad but you don't get nothin' done." The life-affirming "To Live Is To Fly" is one of Van Zandt's most celebrated works, one that the songwriter himself singled out for praise; in the book To Live's To Fly: The Ballad of the Late, Great Townes Van Zandt, biographer John Kruth quotes the singer who confessed, "It's impossible to have a favorite song, but if I were forced at knifepoint to choose one, it would be 'To Live Is To Fly.'" Some have speculated that several of the songs on High, Low and In Between were informed by the murder of Van Zandt's girlfriend Leslie Jo Richards, who was stabbed after being picked up hitchhiking back to Houston from Van Zandt's recording sessions. Although the relationship had nearly run its course, Van Zandt's guitarist Mickey White told biographer John Kruth that the sudden shock of her death left the singer "devastated. It was a life-changing experience for him." Van Zandt was also in the grips of a heroin habit, an addiction that would continue to plague him throughout his life. In his 2018 memoir My Years with Townes Van Zandt: Music, Genius, and Rage, road manager Harold Eggers states of Richards death, "I always felt this was a key turn in Townes's life, leading to a profound embitterment and a deepening of his already pessimistic outlook. A couple weeks later, while in Houston, Townes overdosed on heroin. He was rushed to Ben Taub Hospital, revived, and narrowly saved from death."
One of the more complex songs that Van Zandt ever wrote was "Mr. Mudd and Mr. Gold", an allegory involving a game of five-card stud. On the Be Here To Love Me DVD, Steve Earle reveals that the song figured prominently in his first meeting with his idol. Earle recalls playing to an empty No Quarter club in Houston when Van Zandt showed up drunk, sat in the front row and, in between songs, began heckling the young singer and demanding that he play "Wabash Cannonball". A flustered Earle finally admitted that he didn't know the song, to which Van Zandt replied aghast, "You call yourself a folk singer and you don't know the 'Wabash Cannonball?'" Earle responded by playing "Mr. Mudd and Mr. Gold", effectively stunning Van Zandt into silence. Earle remembers that he wore out his copy of High, Low and In Between learning the song, which has "a jillion words", and claims that even Van Zandt didn't know it anymore in the last ten years of his life. When the New York based Tomato imprint reissued six of Van Zandt's Poppy label albums during the late Seventies, the singer offered the following insight into the creation of the song to Lola Sweeny, who penned the liner notes: "I wrote 'Mr. Mudd and Mr. Gold' in a sort of frenzy. It just came pouring out of me. I couldn't stop, and I wrote so fast my hands were aching. Even I don't know what that song means." AllMusic states, "Van Zandt crams an amazing amount of brilliant imagery into the song's brief two-minute duration, a performance that's both impressive and impenetrable."
Jim Beviglia writing at AmericanSongwriter.com calls "Mr. Mudd and Mr. Gold" "a stunning display of lyrical cleverness, as Townes imagines a card game where the cards themselves have a stake in who wins". [3]
Although High, Low and In Between features some of Van Zandt's most popular songwriting efforts, it was not a commercial success. AllMusic praises the album and its production, stating that "Tomato Records's owner Kevin Eggers, who was responsible for many of Van Zandt's best records, produced this album with minimal backing that keeps the spotlight on Van Zandt's vocals and his songwriting." Van Zandt biographer John Kruth disagrees, writing in To Live's To Fly that, "It is ultimately a difficult and unsatisfying album. The record plods along, hampered by hackneyed arrangements and production values." Kruth is especially critical of the "saccharine backup vocals" on "Two Hands" and the arrangement of "When He Offers His Hand", which "sounds as if it would be right at home on a K-Mart Christmas compilation". The liner notes to the Charly Record reissue of the album claim that the title track, with its line "Us ramblers will get the travellin' done" may "simply appear to be a gentle reflective ballad – but without doubt, it is one of the finest autobiographical songs he ever wrote".
Several of the compositions on High, Low and In Between have been recorded by other artists. Van Zandt's friend and fellow songwriter Guy Clark recorded "To Live Is To Fly" several times, including as a duet with Emmylou Harris that was featured on his 1988 album Old Friends. Clark also covered "No Deal" on his 1983 album Better Days and again on his 1995 LP Craftsman. The Cowboy Junkies recorded a rendition of "Highway Kind" for the 2001 tribute album Poet: A Tribute to Townes Van Zandt. Steve Earle included "Mr. Mudd and Mr. Gold" on his tribute album Townes in 2009. Vince Bell has also recorded the song. Mike Scheidt, the lead vocalist and guitarist of American doom metal band YOB also covered "To Live is To Fly", released in 2014.
An article from 1996 credited only to Knight-Ridder Newspapers about the re-issue from EMI Records of High, Low and In Between and The Late, Great Townes Van Zandt on a single CD calls Van Zandt "the antithesis of slick" and says that these two albums highlight his "relaxed approach to his profession and the occasional off-kilter insights gleaned from a life lived doggedly outside the mainstream". [4]
John Lomax III, writing in Houston's underground newspaper, Space City! in 1971, said "This [album] is a fine sampler of Townes with a talking blues, a traditional, several up-tempo songs and his patented bittersweet ballads." [5]
The cover of High, Low and In Between features Van Zandt in a white shirt standing in front of a dimly lit recording studio with his hands behind his back. The photograph is uncredited.
John Townes Van Zandt was an American singer-songwriter. He wrote numerous songs, such as "Pancho and Lefty", "For the Sake of the Song", "If I Needed You", "Snake Mountain Blues", "Our Mother the Mountain", "Waitin' Round to Die", and "To Live Is to Fly". His musical style has often been described as melancholic and features rich, poetic lyrics. During his early years, Van Zandt was respected for his guitar playing and fingerpicking ability.
Guy Charles Clark was an American folk and country singer-songwriter and luthier. He released more than 20 albums, and his songs have been recorded by other artists, including Jerry Jeff Walker, Jimmy Buffett, Kathy Mattea, Lyle Lovett, Ricky Skaggs, Steve Wariner, Emmylou Harris, Rodney Crowell, Steve Earle, Johnny Cash, Willie Nelson, Nanci Griffith and Chris Stapleton. He won the 2014 Grammy Award for Best Folk Album: My Favorite Picture of You.
"Pancho and Lefty", originally "Poncho and Lefty", is a song written by American country music singer-songwriter Townes Van Zandt. Perhaps his most well-known song, Van Zandt recorded his original version of this song for his 1972 album The Late Great Townes Van Zandt. The song has been recorded by several artists since its composition and performance by Van Zandt, with the Willie Nelson and Merle Haggard version selling the most copies and reaching number one on the Billboard country chart. In 2021, the Townes Van Zandt version was ranked number 498 on Rolling Stone's 500 Greatest Albums of All Time.
Richard James Joseph Dobson II was an American singer-songwriter and author. Dobson was part of the outlaw country movement and spent time in the 1970s with Townes Van Zandt, Mickey White, Rex "Wrecks" Bell, Guy Clark, Steve Earle, Rodney Crowell, and "Skinny" Dennis Sanchez.
Live at the Old Quarter, Houston, Texas is a double live album by Texas singer-songwriter Townes Van Zandt. The recording captures Van Zandt in a series of July 1973 performances in an intimate venue Old Quarter. There is a strong critical consensus that this recording is among the most exemplary of Van Zandt's career.
The Late Great Townes Van Zandt is the sixth studio album by American singer-songwriter Townes Van Zandt. It was the second album that he recorded in 1972, and a follow-up to High, Low and In Between.
For the Sake of the Song is the debut studio album by country singer/songwriter Townes Van Zandt, released in 1968. The majority of the songs, including the title track, "Tecumseh Valley", "(Quicksilver Daydreams of) Maria", "Waitin' Around to Die", and "Sad Cinderella", were re-recorded in more stripped-down versions for subsequent studio albums.
Our Mother the Mountain is the second studio album by country singer/songwriter Townes Van Zandt, released in 1969. It is considered to be one of his greatest recordings and features some of his best known works, including "Be Here To Love Me", "Snake Mountain Blues" and "Our Mother The Mountain".
Townes Van Zandt is the third studio album by the American singer-songwriter Townes Van Zandt, released in September 1969 by Poppy Records. It includes re-recordings of four songs from his 1968 debut album, including the first song he ever wrote, "Waitin' Around to Die".
Delta Momma Blues is the fourth studio album by the country singer/songwriter Townes Van Zandt, released in 1971. Unlike his previous albums, which were influenced by Appalachian folk and country music and recorded in Nashville, this album was blues influenced and recorded in New York City.
Together at the Bluebird Café is a live recording of an "in-the-round" concert by three critically acclaimed Texan singer-songwriters, Steve Earle, Townes Van Zandt and Guy Clark. Each alternates between solo performances.
Flyin' Shoes is a studio album by the American musician Townes Van Zandt, released in 1978. It was his first album of original material in five years and was produced by Chips Moman.
At My Window is the eighth studio album released by folk/country singer-songwriter Townes Van Zandt in 1987. This was Van Zandt's first studio album in the nine years that followed 1978's Flyin' Shoes, and his only studio album recorded in the 1980s.
No Deeper Blue is the tenth studio album by American singer-songwriter Townes Van Zandt. This was Van Zandt's first studio album of original songs newly recorded in the seven years following At My Window, and the last to be widely released before his death on New Year's Day in 1997.
Live and Obscure is a live album released by folk/country singer-songwriter Townes Van Zandt in 1987. It was recorded at Twelfth and Porter in Nashville, Tennessee in April 1985.
Townes is the 13th studio album by American singer-songwriter Steve Earle, released in 2009. It is an album on which he pays tribute to his friend and mentor, the late singer-songwriter Townes Van Zandt by covering his songs. According to a New West Records press release, "The songs selected for Townes were the ones that meant the most to Earle and the ones he personally connected to. Some of the selections chosen were songs that Earle has played his entire career and others he had to learn specifically for recording.
"To Live Is to Fly" is a song written by Townes Van Zandt. The name is also that of a biography about the songwriter, by the name To Live's to Fly: The Ballad of the Late, Great Townes Van Zandt. It was covered by Wade Bowen on his album The Given. It was also covered by Cowboy Junkies on their album Black Eyed Man and by Scottish band Primal Scream.
The Nashville Sessions is an album by American singer/songwriter Townes Van Zandt, recorded in 1973 but not released until 1993 as his ninth studio album. The tracks were originally recorded for what would have been Van Zandt's seventh album, but was not released until twenty years later due to a dispute between producer Jack Clement and Poppy Records founder Kevin Eggers.
A Far Cry from Dead is a posthumous album by Townes Van Zandt, released two years after the singer's 1997 death. It contains overdubbed instrumentation added to vocal and guitar recordings made by the late singer. It was Van Zandt's first album on a major label.
Sunshine Boy: The Unheard Studio Sessions & Demos 1971–1972 is an album by Townes Van Zandt. It was released posthumously in 2013.