Denis Wood is an artist, author, cartographer and a former professor of Design at North Carolina State University. Born in 1945, Wood grew up in Cleveland, Ohio, receiving a BA in English (in 1967) from then Western Reserve University (now Case Western Reserve University). He received an MA (in 1971) and a PhD (in 1973) in geography from Clark University, in Worcester, Massachusetts. Wood taught environmental psychology, landscape history, and design in then School of Design (now College of Design) at North Carolina State University from 1974 through 1996, living and raising his family in Boylan Heights. Beginning in 1996, Wood spent over two years in prison on a conviction for molesting a teenage boy. [1]
This article is written like a personal reflection, personal essay, or argumentative essay that states a Wikipedia editor's personal feelings or presents an original argument about a topic.(February 2014) |
His book The Power of Maps (1992) [2] was considered radical when it was published.[ citation needed ]The Power of Maps has been a linchpin of the “new cartographies” in which maps are redefined as socially constructed arguments based upon consistent semiotic codes.[ citation needed ]
Wood's consistent critique “of the ideals of modern academic cartographers and of modern cartographic ideology” has been wide-ranging, informed, and decisive. In 2004, John Pickles, Early N. Phillips Distinguished professor at the University of North Carolina summed up Wood's contributions this way: “For over twenty-five years, Denis Wood has been provoking us to think differently and critically about maps and map use.” [3] The book was first issued in 1992 as a catalogue accompanying a major exhibition called The Power of Maps at the Cooper-Hewitt National Museum of Design in New York. That show was later remounted at the Smithsonian Institution in Washington in 1994. These exhibitions were the graphic genesis of the 1992 book which has been the subject of both scholarly commentary [4] and popular interest. [5]
As opposed to those who insist maps “represent” reality the critical cartographers, led by Wood, have insisted maps represent nothing. Instead, they present an argument about the world through the careful choice of content arranged graphically at a specific scale. [6] This thesis, and the mechanisms of its activation, is at the heart of Wood and John Fels 2008 University of Chicago Press publication, The Natures of Maps. [7] As one reviewer put it: “In 1986 Wood and Fels took apart the map; describing ten codes through which its signs create meaning. Their argument was subsequently enfolded into Wood’s The Power of Maps …Twenty-one years later, Wood and Fels have put the map back together again ‘by replacing the whole idea of the map as a representation with that of the map as a system of propositions.’” “The map is not a picture,” Wood and Fels insist in this new book, “It is an argument … everything about a map, from top to bottom, is an argument.”
This idea of the map as an argument presented rather than a reality represented extends a more general thesis on the manner in which we “construct” the world through a range of socially-conditioned perspectives, and do so at various scales. A relevant but quite distinct title in this area of work is Wood's 2004 volume, Five Billion Years of Global Change: A History of the Land.
More recently, Wood has joined his expertise in cartography with his interest in art and art history. A collage artist and painter, he has created in recent years a bibliography and history of cartographic art; work that from the Dadaist to the present have used maps as a medium for the exposition of cultural and political ideas and ideals. Again, the general thesis is the same as in Wood's other work: images—whether map, art, or artful maps—present a thesis through selection of subject matter self-consciously arranged through a medium's tools of exposition.
In April 1996, Wood pleaded guilty to "crimes against nature" (viz. fellatio) and "taking indecent liberties with a minor", on more than one-hundred and thirty occasions. [1] [8] From 1996 to 1998, he spent 26 months in the North Carolina penal system as a result of his conviction. He is not on any national or regional register of sex offenders and has spoken publicly about his incarceration and the charges that led to it. [9]
The urbanist writer and activist Jane Jacobs has wondered in press whether Wood's arrest and incarceration may be one reason why some of his work receives less attention than it deserves. Despite the conviction, his writing and work continued and since his release he has continued to live in Raleigh, NC, while lecturing and working internationally in his field. For example, in 2008 he presented a plenary at the Royal Geographical Society in London.
In a 1998 interview with the News and Observer , Wood announced plans for a book based on his prison experience. It was described as planned for publication by the Johns Hopkins University Press. [9] The book is currently scheduled for publication by The Center for American Places, distributed by University of Chicago Press. Wood offered a presentation with the same title at the 2003 annual meeting of the American Public Health Association. [10]
Wood has published several scholarly articles and books. His books include:
Cartography is the study and practice of making and using maps. Combining science, aesthetics and technique, cartography builds on the premise that reality can be modeled in ways that communicate spatial information effectively.
The Gall–Peters projection is a rectangular, equal-area map projection. Like all equal-area projections, it distorts most shapes. It is a cylindrical equal-area projection with latitudes 45° north and south as the regions on the map that have no distortion.
The Great Bear is a 1992 lithograph by Simon Patterson. At first glance the work looks like the London Underground Tube map, but Patterson uses each line to represent groups of people, including scientists, saints, philosophers, comedians, explorers and footballers.
Arthur H. Robinson was an American geographer and cartographer, who was professor in the Geography Department at the University of Wisconsin–Madison from 1947 until he retired in 1980. He was a prolific writer and influential philosopher on cartography, and one of his most notable accomplishments is the Robinson projection of 1961.
The history of cartography refers to the development and consequences of cartography, or mapmaking technology, throughout human history. Maps have been one of the most important human inventions for millennia, allowing humans to explain and navigate their way through the world.
North Carolina Highway 97 (NC 97) is a primary state highway in the U.S. state of North Carolina, connecting the cities of Zebulon and Rocky Mount with the vast rural coastal plains.
David Woodward was an English-born American historian of cartography and cartographer.
North Carolina Highway 157 (NC 157) is a 29.3-mile-long (47.2 km) primary state highway in the U.S. state of North Carolina. The highway runs in a north–south direction from Interstate 85 (I-85), U.S. Route 15 (US 15), US 70, and US 501 in Durham, to US 158, US 501, and NC 57 in Roxboro. The highway serves the cities of Durham and Roxboro, along with the communities of Caldwell and Hurdle Mills. NC 157 is named Guess Road between its southern terminus and Hurdle Mills, and Hurdle Mills Road between Hurdle Mills and the Roxboro city limits. NC 157 does not directly parallel US 501, however, the two highways generally follow a similar alignment between Durham and Roxboro. NC 157 serves the counties of Durham, Orange, and Person.
Critical cartography is a set of mapping practices and methods of analysis grounded in critical theory, specifically the thesis that maps reflect and perpetuate relations of power, typically in favor of a society's dominant group. Critical cartographers aim to reveal the “‘hidden agendas of cartography’ as tools of socio-spatial power”. While the term "critical cartography" often refers to a body of theoretical literature, critical cartographers also call for practical applications of critical cartographic theory, such as counter-mapping, participatory mapping, and neogeography.
Cartographic censorship is the deliberate modification of publicly available maps in order to disguise, remove, or obfuscate potentially strategic locations or buildings, such as military bases, power plants or transmitters. Sensitive objects and places have been removed from maps since historic times, sometimes as a disinformation tactic in times of war, and also to serve competitive political and economic interests, such as during the Age of Discovery when strategic geographic information was highly sought after. In modern times requests for censorship are sent to Google Earth for certain sites that are deemed to pose security risks for national governments.
Boylan Heights is a historic neighborhood in Raleigh, North Carolina. It was added to the National Register of Historic Places as a historic district on July 29, 1985. It is also one of six local Historic Overlay Districts in Raleigh.
Borden D. Dent (1938–2000) was an American geographer and cartographer who served as professor emeritus and chairman of the Department of Geography and Anthropology at Georgia State University. His textbook, Cartography: Thematic Map Design, is one of the seminal texts in the field, and its sixth edition was reissued in 2009.
Fantasy cartography,fictional map-making, or geofiction is a type of map design that visually presents an imaginary world or concept, or represents a real-world geography in a fantastic style. Fantasy cartography usually manifests from worldbuilding and often corresponds to narratives within the fantasy and science fiction genres. Stefan Ekman says that, "a [regular] map re-presents what is already there; a fictional map is often primary – to create the map means, largely, to create the world of the map."
Cartographic propaganda is a map created with the goal of achieving a result similar to traditional propaganda. The map can be outright falsified, or created using subjectivity with the goal of persuasion. The idea that maps are subjective is not new; cartographers refer to maps as a human-subjective product and some view cartography as an "industry, which packages and markets spatial knowledge" or as a communicative device distorted by human subjectivity. However, cartographic propaganda is widely successful because maps are often presented as a miniature model of reality, and it is a rare occurrence that a map is referred to as a distorted model, which sometimes can "lie" and contain items that are completely different from reality. Because the word propaganda has become a pejorative, it has been suggested that mapmaking of this kind should be described as "persuasive cartography", defined as maps intended primarily to influence opinions or beliefs – to send a message – rather than to communicate geographic information.
North Carolina Highway 210 is a 192-mile-long (309 km) primary state highway in the U.S. state of North Carolina that connects settlements in the Atlantic Coastal Plain region. Due to its meandering route NC 210 changes directional orientation twice, changing from east-west to north-south at Old Stage Road east of Angier, then changing from north-south to west-east at the Bladen–Pender county line. The route traverses through central Fayetteville and the Fort Liberty Army installation and crosses both Topsail Island access bridges over the Atlantic Intracoastal Waterway. Owing primarily to its meandering route, NC 210 is the sixth longest state highway in North Carolina.
A map symbol or cartographic symbol is a graphical device used to visually represent a real-world feature on a map, working in the same fashion as other forms of symbols. Map symbols may include point markers, lines, regions, continuous fields, or text; these can be designed visually in their shape, size, color, pattern, and other graphic variables to represent a variety of information about each phenomenon being represented.
Cynthia A. Brewer is an American cartographer, author, and professor of geography at Pennsylvania State University. Brewer's specialism relates to visibility and color theory in cartography and, in 2023, she was awarded the International Cartographic Society's highest honor, the Carl Mannerfelt Gold Medal, for her distinguished contribution to the field.
Map layout, also called map composition or (cartographic) page layout, is the part of cartographic design that involves assembling various map elements on a page. This may include the map image itself, along with titles, legends, scale indicators, inset maps, and other elements. It follows principles similar to page layout in graphic design, such as balance, gestalt, and visual hierarchy. The term map composition is also used for the assembling of features and symbols within the map image itself, which can cause some confusion; these two processes share a few common design principles but are distinct procedures in practice. Similar principles of layout design apply to maps produced in a variety of media, from large format wall maps to illustrations in books to interactive web maps, although each medium has unique constraints and opportunities.
The cartography of the region of Palestine, also known as cartography of the Holy Land and cartography of the Land of Israel, is the creation, editing, processing and printing of maps of the region of Palestine from ancient times until the rise of modern surveying techniques. For several centuries during the Middle Ages it was the most prominent subject in all of cartography, and it has been described as an "obsessive subject of map art".
Alexander James Kent is a British cartographer, geographer and academic, currently serving as Vice President of the International Cartographic Association. He leads the Coastal Connections Project for World Monuments Fund and English Heritage and is honorary Reader in Cartography and Geographical Information Science at Canterbury Christ Church University (CCCU) and also a senior research associate of the Oxford Centre for Islamic Studies at the University of Oxford.