Destroyer of the Void | ||||
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Studio album by | ||||
Released | June 8, 2010 | |||
Genre | Alternative country | |||
Length | 45:56 [1] | |||
Label | Sub Pop | |||
Blitzen Trapper chronology | ||||
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Destroyer of the Void is the fifth studio album by Blitzen Trapper released on June 8, 2010 on Sub Pop Records. [2] [3] Following their commercial breakthrough, Furr, Destroyer was a hit in its own right. Destroyer of the Void put Blitzen Trapper in the top 100 of Billboard's Top 200 chart for the first time - peaking at #88 [4] - while the album had even more success on the Top Independent Album charts, hitting #11 there. [5]
Unusually, lead songwriter and singer Eric Earley didn't title the album, which was named by multi-instrumentalist Marty Marquis. Earley admitted, "I couldn’t think of a name for it." [6]
Aggregate scores | |
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Source | Rating |
Metacritic | 76/100 [7] |
Review scores | |
Source | Rating |
Allmusic | [8] |
Consequence of Sound | [9] |
Pitchfork Media | [10] |
PopMatters | [11] |
Spectrum Culture | [12] |
Spin | [13] |
War on Pop | [14] |
Coming off the extended tour for Blitzen Trapper's commercial breakthrough, Furr, lead singer and songwriter Eric Earley had already begun work on the new album explaining, "I had already cobbled together a new record during the previous year of touring, Destroyer of the Void, a patchwork of songs from my past and present which hung together like a house of cards. But there were certain glimmers of where Blitzen Trapper was heading, a certain feeling of open road and of heartfelt loss. Having turned this in, we spent half of 2010 doing nothing, hanging around Portland, revisiting our earlier, less ambitious days of drinking and getting into trouble." [15]
Of the multi-part title song, Earley stated, "['Destroyer of the Void'] was originally three different songs and the way the track ended up was really just a result of me experimenting in the studio and trying to create something conceptual in a way I haven't before." [16] Critique site AllMusic elaborated on the experimental nature of the eponymous track, saying that it was, "the Portland, Oregon-based sextet's most challenging song to date, a sprawling, six-minute, prog rock epic that will draw forth from the lips of critics names like Queen, Bowie, ELO, Tull, and the Beatles."; [17] the remainder of the review praised the album as a whole: "there's enough meat on these bones to suggest that the band hasn't lost its knack for crafting spiritually charged, enigmatic woodcuts of 21st century Americana."
Most reviews were positive, with Pitchfork applauding the album's sound: "Blitzen Trapper's version of Americana is one of the most melodic and playful (and least affectedly twangy) since Being There-era Wilco, and Eric Earley uses his craggy Dylanesque voice to add grit to his more featherweight melodies." [18] PopMatters was even more effusive: "...the band manages to find a sense of collective unity between tracks, something Furr failed to do. Destroyer of the Void is more consistent and inventive, from its beefed-up production to its refreshing instrumentation (most striking: the spine chilling graveyard harmonicas and psychedelic, effects-drenched guitar solos). This time, Blitzen Trapper have made an album you can listen to front to back in one sitting, not just a collection of great but unrelated moments." [19]
Several of the songs, including "The Ballad of the Burning Tongue" and "The Eagle With the Head of a Ram" were cut from the album; Eric Earley later hinted that they might become commercially available as bonus tracks on a future record, saying, "Those two tracks I really should have put on DOV." [20]
All songs written by Eric Earley.
The Woods is the seventh studio album by American rock band Sleater-Kinney. It was released in 2005 on Sub Pop. The album was produced by Dave Fridmann and recorded in late 2004. The album received widespread critical acclaim.
The Crane Wife is the fourth album by the Decemberists, released in 2006. It was produced by Tucker Martine and Chris Walla, and is the band's first album on the Capitol Records label. The album was inspired by a Japanese folk tale, and centers on two song cycles, The Crane Wife and The Island, the latter inspired by William Shakespeare's The Tempest. National Public Radio listeners voted The Crane Wife the best album of 2006.
Blitzen Trapper is a Portland, Oregon-based experimental country/folk/rock band associated with Sub Pop Records, Vagrant Records, Lojinx, and Yep Roc. Formed in 2000, the band currently operates as a quartet, with Eric Earley (guitar/harmonica/vocals/keyboard), Brian Adrian Koch (drums/vocals/harmonica), Michael Elson (bass/keyboard), and Nathan Vanderpool (guitar/vocals); at some shows, Michael Blake fills in for Vanderpool. Blitzen Trapper self-released its first three albums. "Wild Mountain Nation" was No. 98 on Rolling Stone's list of the 100 Best Songs of 2007.
Furr, released in 2008, is the fourth album by Blitzen Trapper. The album was listed at #13 on Rolling Stone's 50 Best Albums of 2008, and the title track made #4 on Rolling Stone's 100 Best Singles of 2008. Music videos were made for the album's two singles, "Furr" and "Black River Killer".
Life on Earth is the second full-length album released by Tiny Vipers on Sub Pop Records on July 7, 2009. In a June 2009 track review, Pitchfork Media awarded "Dreamer" their Best New Music accolade.
Neon Indian is an American electronic music band from Denton, Texas. The music is composed by Mexican-born Alan Palomo, who is also part of the band Ghosthustler and releases solo music under his birth name and the stage name VEGA. The project has been characterized as defining the 2010s music genre chillwave.
Wild Mountain Nation is the third studio album by Blitzen Trapper. The album was honored as "Best New Music" by Pitchfork, receiving a rating of 8.5 out of 10.
Black River Killer is an EP by American band Blitzen Trapper, released on August 25, 2009. It features previously released track "Black River Killer" from their 2008 album, Furr, as well as 6 songs previously unreleased.
Field Rexx is the second studio album by Blitzen Trapper. It was "made in the sweltering summer of 2004 with no budget amidst the hiss of flies and tape."
Kaputt is the ninth album by Canadian indie rock band Destroyer. It was released on January 25, 2011 by Merge Records and Dead Oceans Records. The album was leaked towards the end of 2010. The vinyl edition of the album features bonus material on side three written largely by frequent Destroyer collaborator Ted Bois. This material is also included in the European CD version of the album credited as 'The Laziest River'.
American Goldwing is the sixth studio album by Portland, Oregon-based band Blitzen Trapper, released on September 13, 2011 on Sub Pop Records. Described by Rolling Stone magazine as "full of Dylan mysticism, spidery acoustic Dead jamming, tasty 1970s rock moves and evocations of high-plains drifters with itchy trigger fingers drinking from jam jars," the album went on to placing at #104 on the Billboard 200, #32 on Top Rock Albums, #20 on the Alternative Albums chart, #19 on the Tastemaker chart, and as high as #4 on the Folk Albums chart. It was the band's last album with label SubPop, which they had been with since their breakthrough studio album, 2008's Furr.
Bloom is the fourth studio album by American dream pop duo Beach House. It was co-produced by the band and Chris Coady, and was released on May 15, 2012, by Sub Pop, in Europe by Bella Union, in Australia by Mistletone Records, and in Mexico by Arts & Crafts. The album was written over two years of touring and was recorded at Sonic Ranch in Tornillo, Texas, over seven weeks. Building on their previous album, Teen Dream (2010), the duo continued to add live drums to their song arrangements for Bloom, supplementing their drum machine rhythms.
VII is the seventh studio album by American alternative country band Blitzen Trapper. Described on the band's official site as "somewhat experimental ... a futuristic hip-hop/country-rock hybrid", and by lead singer and songwriter Eric Earley as "hillbilly gangster", VII was the first record Blitzen Trapper released with their new labels, Vagrant (US) and Lojinx (UK). The song "Thirsty Man" was released as the album's only single, hitting #29 on the Adult Alternative Songs Billboard chart.
Boom is one of the albums the band Garmonbozia recorded and distributed at concerts before changing their name to Blitzen Trapper and releasing albums commercially. Boom contains a very early version of the song, "Sadie"; a more polished version of the song would later close Blitzen Trapper's Destroyer of the Void album in 2010.
All Across This Land is the eighth studio album by Blitzen Trapper, released on October 2, 2015.
Live In Portland is the first live album from the Portland, Oregon-based rock band Blitzen Trapper. It was released as a "name your price" download as through the website Bandcamp through Blitzen Trapper's own label, LidKerCow. The album was available to download in multiple formats, including MP3, FLAC, ALAC, AAC, or Ogg Vorbis, and available for unlimited streaming for paid customers via the Bandcamp app. All tracks were recorded during the band's two-night stand at the Doug Fir Lounge on November 29–30, 2013.
On April 18, 2015, Blitzen Trapper released Live Harvest for Record Store Day. Recorded on October 17 at the Doug Fir Lounge in Portland, Oregon at the end of the band's VII tour, Live Harvest is a song-for-song interpretation of Neil Young's 1972 album Harvest. The album was released as a 180 gram vinyl LP with a download card. The band launched a short tour in support of the record, including stops at several City Winery locations in New York, Nashville, and Chicago, in which they played Harvest in its entirety, as well as Blitzen Trapper songs.
This is the discography of Blitzen Trapper, an American rock band, centered in Portland, Oregon. Blitzen Trapper has released records steadily since 2003, and is known for their brand of folk/countrypolitan rock infused with pop sensibilities, and a variety of styles and influences including country funk, Americana, and psychedelia. Prior to forming Blitzen Trapper, the band toured under the name Garmonbozia and self-released nine non-commercial albums under that name. The lineup of Blitzen Trapper remained almost unchanged over the majority of their studio and live albums. Former member Drew Laughery departed the band prior to 2011's American Goldwing, while three more founding members stayed until late 2019. Two others, Eric Earley and Brian Adrian Koch, have played for the band consistently since its founding.
Live at Third Man Records is the third live album from the Portland, Oregon-based rock band Blitzen Trapper, and the second featuring exclusively band-written work. Blitzen Trapper performed the tracks live on the Blue Room Stage on March 16, 2016; the recording was cut direct-to-acetate on Third Man's 1955 Scully lathe and released on 12" vinyl record September 2, 2016.
151a is the first studio album by indie pop artist Kishi Bashi. The album, whose title resembles the Japanese expression ichi-go ichi-e, meaning one time, one place, was released on April 10, 2012. 151a, similar to Kishi Bashi's second studio album, Lighght, was produced by Kishi Bashi and was recorded in various locations, though most recording took place at Home Studios in Norfolk, Virginia.