Devil-May-Care | |
---|---|
Directed by | Sidney Franklin |
Written by | Hanns Kräly Zelda Sears |
Screenplay by | Richard Schayer |
Based on | La Bataille de dames, ou un duel en amour by Ernest Legouvé and Eugène Scribe |
Starring | Ramon Novarro Dorothy Jordan Marion Harris John Miljan William Humphrey |
Cinematography | Merritt B. Gerstad |
Edited by | Conrad A. Nervig |
Music by | Herbert Stothart William Axt |
Production company | Metro-Goldwyn-Mayer (MGM) |
Distributed by | Metro-Goldwyn-Mayer (MGM) |
Release date |
|
Running time | 97 minutes |
Country | United States |
Language | English |
Budget | $487,000 [1] |
Box office | $1,416,000 (worldwide rentals) [1] |
Devil-May-Care is a 1929 American Pre-Code musical film directed by Sidney Franklin with a Technicolor sequence of the Albertina Rasch Dancers. The film was released by Metro-Goldwyn-Mayer on December 27, 1929 and was Ramon Novarro's talkie debut. [2] [3]
The film is based upon the 1851 play La Bataille de dames, ou un duel en amour by Ernest Legouvé and Eugène Scribe. It is known by a variety of other names, including Battle of the Ladies (the film's working title), Der Leutnant des Kaisers (Austria), Der jüngste Leutnant (Germany), Il tenente di Napoleone (Italy), and O lohagos tis aftokratorikis frouras (Greece).
This romantic adventure chronicles the escapades of one of Napoleon's followers. After his leader's exile, the follower is arrested and slated for execution. He is before the firing squad, but manages to escape. To hide, he dashes into the bedroom of a bedazzling Royalist. He falls in love, but she patriotically turns him in. Again he makes a daring escape. Once again he meets the beautiful woman, who undergoes a change of heart and this time, stays loyal to the daring adventurer. Songs include: "Bon Jour", "Louie", "March of the Old Guard", "Why Waste Your Charms", "The Gang Song", "Madame Pompadour", "Charming", "If He Cared".
The Hollywood Revue of 1929, or simply The Hollywood Revue, is a 1929 American pre-Code musical comedy film released by Metro-Goldwyn-Mayer. It was the studio's second feature-length musical, and one of their earliest sound films. Produced by Harry Rapf and Irving Thalberg and directed by Charles Reisner, it features nearly all of MGM's stars in a two-hour revue that includes three segments in Technicolor. The masters of ceremonies are Conrad Nagel and Jack Benny.
Ramón Gil Samaniego, known professionally as Ramon Novarro, was a Mexican actor. He began his career in American silent films in 1917 and eventually became a leading man and one of the top box-office attractions of the 1920s and early 1930s. Novarro was promoted by MGM as a "Latin lover" and became known as a sex symbol after the death of Rudolph Valentino. He is recognized as the first Latin American actor to succeed in Hollywood.
Vincent Millie Youmans was an American Broadway composer and producer.
The Student Prince in Old Heidelberg, also known as The Student Prince and Old Heidelberg, is a 1927 Metro-Goldwyn-Mayer silent drama film based on the 1901 play Old Heidelberg by Wilhelm Meyer-Förster. It was directed by Ernst Lubitsch, and stars Ramon Novarro and Norma Shearer.
Maytime is a 1937 American musical and romantic-drama film produced by MGM. It was directed by Robert Z. Leonard, and stars Jeanette MacDonald and Nelson Eddy. The screenplay was rewritten from the book for Sigmund Romberg's 1917 operetta Maytime by Rida Johnson Young, Romberg's librettist; however, only one musical number by Romberg was retained.
Big Jack is a 1949 American Western film starring Wallace Beery, Richard Conte and Marjorie Main. The movie was directed by Richard Thorpe, and the screenplay was written by Gene Fowler and Otto Eis from the novel by Robert Thoeren. The picture is a comedy-drama, set on the American frontier in the early 1800s, about outlaws who befriend a young doctor in legal trouble for acquiring corpses for anatomical research.
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Song of the Flame is a 1930 American pre-Code musical film photographed entirely in Technicolor. Based on the 1925 operetta of the same name, the film features a screenplay by Gordon Rigby adapted from the musical book written by Oscar Hammerstein II and Otto A. Harbach for the operetta. The movie also features many of the songs from the operetta which used lyrics by Hammerstein and Orbach and music by George Gershwin and Herbert Stothart. The film was produced and distributed by First National Pictures. It was the first color film to feature a widescreen sequence, using a process called Vitascope, the trademark name for Warner Bros.' widescreen process. The film, based on the 1925 Broadway musical of the same name, was nominated for an Academy Award for Sound Recording. It is part of the tradition of operetta films, popular at the time.
Across to Singapore is a 1928 American silent romantic drama film directed by William Nigh, and starring Ramon Novarro, Joan Crawford and Ernest Torrence. The plot involves a love triangle between a woman and two brothers, set on board ship and in Singapore.
Herbert Pope Stothart was an American songwriter, arranger, conductor, and composer. He was nominated for twelve Academy Awards and won Best Original Score for The Wizard of Oz. Stothart was widely acknowledged as a prominent member of the top tier of Hollywood composers during the 1930s and 1940s.
Devil May Care may refer to:
Call of the Flesh is a 1930 American Pre-Code musical film directed by Charles Brabin. The film stars Ramon Novarro, Dorothy Jordan, and Renée Adorée. It featured several songs performed by Novarro and originally included a sequence photographed in Technicolor.
The Cat and the Fiddle is a musical with music by Jerome Kern and book and lyrics by Otto Harbach. The story is about love and conflict between an American popular music composer and a European classical composer. Hit numbers from the show included "Try to Forget", "She Didn't Say Yes", "The Breeze Kissed Your Hair" and "The Night Was Made for Love."
Hit the Deck is a 1930 American pre-Code musical film directed by Luther Reed and starring Jack Oakie and Polly Walker, with Technicolor sequences. It was based on the 1927 musical Hit the Deck, which was itself based on the 1922 play Shore Leave by Hubert Osborne. It was one of the most expensive productions of RKO Radio Pictures up to that time, and one of the most expensive productions of 1930. This version faithfully reproduced the stage version of the musical.
The Firefly is a 1937 American historical musical film directed by Robert Z. Leonard and starring Jeanette MacDonald, Allan Jones and Warren William. The film is an adaptation of the operetta of the same name by composer Rudolf Friml and librettist Otto A. Harbach that premiered on Broadway in 1912. The film used nearly all of the music from the operetta but jettisoned the plot in favor of a new storyline set in Spain during the time of the Emperor Napoleon I. It added a new song, "The Donkey Serenade", which became extremely popular, as was one of the Friml songs, "Giannina Mia". The original release prints of the film were elaborately tinted with Sepia-Blue, Sepia-Orange and Sepia-Blue-Pink.
The March of Time is the title of an unreleased 1930 American pre-Code musical film directed by Charles Reisner. The film was originally scheduled to be released in September 1930 by Metro-Goldwyn-Mayer (MGM) but was shelved. The March of Time would have been one of the many musicals partially filmed in two-color Technicolor.
New Moon is a 1930 black-and-white American, pre-Code romantic/drama/melodrama musical film version of the operetta The New Moon, with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928. The 1930 film is also known as Komissa Strogoff in Greece, Nymånen in Denmark and Passione cosacca in Italy. A second adaptation, also titled New Moon, was released in 1940.
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