Diminutive Mysteries (Mostly Hemphill) | ||||
---|---|---|---|---|
![]() | ||||
Studio album by | ||||
Released | 1993 | |||
Recorded | September 1992 | |||
Venue | Power Station, New York City | |||
Genre | Jazz | |||
Length | 65:37 | |||
Label | JMT JMT 514 003 | |||
Producer | Stefan F. Winter | |||
Tim Berne chronology | ||||
|
Diminutive Mysteries (Mostly Hemphill) is an album by saxophonist Tim Berne which was recorded in 1992 and released on the JMT label. [1] [2] The album is a tribute to Berne's mentor, Julius Hemphill. Alongside Berne's regular band is featured guest David Sanborn, in an outlier among his more mainstream R&B work.
Review scores | |
---|---|
Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
The Guardian | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz | ![]() ![]() ![]() ![]() |
The Rolling Stone Jazz & Blues Album Guide | ![]() ![]() ![]() ![]() ![]() |
Tom Hull – on the Web | B [7] |
The Virgin Encyclopedia of Jazz | ![]() ![]() ![]() ![]() ![]() |
The AllMusic review by Scott Yanow states: "This is certainly the most unusual David Sanborn recording to date. Avant-gardist Tim Berne (heard here on alto and baritone) and the popular R&B star Sanborn (mostly leaving his trademark alto behind to play sopranino) share a great respect for altoist Julius Hemphill and the St. Louis free jazz movement... they perform seven often-emotional Hemphill pieces plus Berne's "The Maze." Sanborn is to be congratulated for successfully stretching himself although this is very much Berne's date". [3]
The Guardian's John Fordham wrote: "The pieces are raw-boned and clamouring but rigorously structured and spine-tinglingly harmonised. Sometimes they sound like skewed bebop and sometimes like stealthily building improv, and Sanborn's soul sound... loses none of its famous wail." [4]
John Howard of Perfect Sound Forever called the album "A stunning tour de force... one of the finest jazz albums ever made," and commented: "the album ranges in mood from the sublimely beautiful 'Writhing Love Lines' to... 'The Maze,' 21 minutes of tangling and untangling structure." [9]
All compositions by Julius Hemphill except as indicated