Diminutive Mysteries (Mostly Hemphill)

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Diminutive Mysteries (Mostly Hemphill)
Diminutive Mysteries.jpg
Studio album by
Tim Berne
Released1993
RecordedSeptember 1992
Venue Power Station, New York City
Genre Jazz
Length65:37
Label JMT
JMT 514 003
Producer Stefan F. Winter
Tim Berne chronology
I Can't Put My Finger on It
(1991)		Diminutive Mysteries (Mostly Hemphill)
(1993)		 Nice View
(1994)

Diminutive Mysteries (Mostly Hemphill) is an album by saxophonist Tim Berne which was recorded in 1992 and released on the JMT label. [1] [2] The album is a tribute to Berne's mentor Julius Hemphill. Alongside Berne's regular band is featured guest David Sanborn, in an outlier among his more mainstream R&B work.

Contents

Reception

Professional ratings
Review scores
SourceRating
AllMusic Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [3]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [4]
The Penguin Guide to Jazz Star full.svgStar full.svgStar full.svgStar full.svg [5]
The Rolling Stone Jazz & Blues Album Guide Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [6]
Tom Hull – on the Web B [7]
The Virgin Encyclopedia of Jazz Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [8]

The AllMusic review by Scott Yanow states: "This is certainly the most unusual David Sanborn recording to date. Avant-gardist Tim Berne (heard here on alto and baritone) and the popular R&B star Sanborn (mostly leaving his trademark alto behind to play sopranino) share a great respect for altoist Julius Hemphill and the St. Louis free jazz movement... they perform seven often-emotional Hemphill pieces plus Berne's "The Maze." Sanborn is to be congratulated for successfully stretching himself although this is very much Berne's date". [3]

The Guardian's John Fordham wrote: "The pieces are raw-boned and clamouring but rigorously structured and spine-tinglingly harmonised. Sometimes they sound like skewed bebop and sometimes like stealthily building improv, and Sanborn's soul sound... loses none of its famous wail." [4]

John Howard of Perfect Sound Forever called the album "A stunning tour de force... one of the finest jazz albums ever made," and commented: "the album ranges in mood from the sublimely beautiful 'Writhing Love Lines' to... 'The Maze,' 21 minutes of tangling and untangling structure." [9]

Track listing

All compositions by Julius Hemphill except as indicated

  1. "Sounds in the Fog" – 8:12
  2. "Serial Abstractions" – 6:27
  3. "Out, The Regular" – 5:54
  4. "The Unknown" – 6:50
  5. "Writhing Love Lines" – 7:20
  6. "Rites" – 3:32
  7. "The Maze (For Julius)" (Tim Berne) – 21:23
  8. "Mystery to Me" – 6:30

Personnel

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References

  1. ↑ Tim Berne discography, accessed October 7, 2014
  2. ↑ Shimada, T., JMT label discography, accessed October 7, 2014
  3. 1 2 Yanow, S., Allmusic Review accessed October 7, 2014
  4. 1 2 Fordham, John (January 27, 2005). "Tim Berne, Diminutive Mysteries (Mostly Hemphill)". The Guardian. Retrieved July 13, 2023.
  5. ↑ Cook, Richard; Morton, Brian (1994). The Penguin Guide to Jazz on CD, LP and Cassette. Penguin Books. p. 119.
  6. ↑ Swenson, John, ed. (1999). The Rolling Stone Jazz & Blues Album Guide. Random House. p. 63.
  7. ↑ Hull, Tom. "Grade List: Tim Berne". Tom Hull – on the Web. Retrieved July 13, 2023.
  8. ↑ Larkin, Colin, ed. (2004). The Virgin Encyclopedia of Jazz. Virgin Books. p. 82.
  9. ↑ Howard, John (September 1998). "Tim Berne: Interview by John Howard". Perfect Sound Forever. Retrieved July 13, 2023.
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