| Diminutive Mysteries (Mostly Hemphill) | ||||
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| Studio album by | ||||
| Released | 1993 | |||
| Recorded | September 1992 | |||
| Venue | Power Station, New York City | |||
| Genre | Jazz | |||
| Length | 65:37 | |||
| Label | JMT JMT 514 003 | |||
| Producer | Stefan F. Winter | |||
| Tim Berne chronology | ||||
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Diminutive Mysteries (Mostly Hemphill) is an album by saxophonist Tim Berne which was recorded in 1992 and released on the JMT label. [1] [2] The album is a tribute to Berne's mentor, Julius Hemphill. Alongside Berne's regular band is featured guest David Sanborn, in an outlier among his more mainstream R&B work.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| The Guardian | |
| The Penguin Guide to Jazz | |
| The Rolling Stone Jazz & Blues Album Guide | |
| Tom Hull – on the Web | B [7] |
| The Virgin Encyclopedia of Jazz | |
The AllMusic review by Scott Yanow states: "This is certainly the most unusual David Sanborn recording to date. Avant-gardist Tim Berne (heard here on alto and baritone) and the popular R&B star Sanborn (mostly leaving his trademark alto behind to play sopranino) share a great respect for altoist Julius Hemphill and the St. Louis free jazz movement... they perform seven often-emotional Hemphill pieces plus Berne's "The Maze." Sanborn is to be congratulated for successfully stretching himself although this is very much Berne's date". [3]
The Guardian's John Fordham wrote: "The pieces are raw-boned and clamouring but rigorously structured and spine-tinglingly harmonised. Sometimes they sound like skewed bebop and sometimes like stealthily building improv, and Sanborn's soul sound... loses none of its famous wail." [4]
John Howard of Perfect Sound Forever called the album "A stunning tour de force... one of the finest jazz albums ever made," and commented: "the album ranges in mood from the sublimely beautiful 'Writhing Love Lines' to... 'The Maze,' 21 minutes of tangling and untangling structure." [9]
All compositions by Julius Hemphill except as indicated