Dining Room in the Country | |
---|---|
Artist | Pierre Bonnard |
Year | 1913 |
Medium | Oil painting on canvas |
Movement | Post-Impressionism Nabis |
Dimensions | 162 cm× 202,5 cm(64 in× 797 in) |
Location | Minneapolis, Minneapolis Institute of Art |
Dining Room in the Country is an oil-on-canvas painting by the French artist Pierre Bonnard, created in 1913. It is held at the Minneapolis Institute of Art, in Minneapolis. [1] [2] [3]
In 1912, Bonnard bought a country house in Verbon, a small town on the Seine, which was called "Ma Roulotte" (My Caravan). The current painting, created in 1913, depicts the dining room of his country house. On the canvas he presents cats sitting on chairs, and Martha, his wife, leaning on a windowsill. A large table, with a white towel, appears in the foreground, while a arms chair appears to the right, and another one is partially seen at the left. The door and the window are wide open and also open the space of the painting to the landscape outside. Bonnard in this work was able to emphasize the expressive qualities of bright colors and large strokes. He combined the interior of the room with the "outside world", the garden seen through an open window and door, and connected different forms through playing with shades. However, unlike most impressionist painters, Bonnard created this canvas entirely from memory. [4] [5]
Harriet Baker states that "On close inspection the painting’s horizontal lines are uncertain. Windows and door frames are painted in wavering brushstrokes, a mark of Bonnard’s indecision as a painter, but also his attention to porousness, to the movement between interior and exterior environments." [6]
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
The Nabis were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was organized by the Association of American Painters and Sculptors. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
Jean-Édouard Vuillard was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Color field painting is a style of abstract painting that emerged in New York City during the 1940s and 1950s. It was inspired by European modernism and closely related to abstract expressionism, while many of its notable early proponents were among the pioneering abstract expressionists. Color field is characterized primarily by large fields of flat, solid color spread across or stained into the canvas creating areas of unbroken surface and a flat picture plane. The movement places less emphasis on gesture, brushstrokes and action in favor of an overall consistency of form and process. In color field painting "color is freed from objective context and becomes the subject in itself."
Grace Cossington Smith was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia.
Walter Gay was an American painter noted both for his genre paintings of French peasants, paintings of opulent interior scenes and was a notable art collector.
Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still lifes are among her best-known works.
The Edna S. Purcell house was designed by the firm of Purcell, Feick and Elmslie for architect William Purcell and his family in 1913. It is located in Minneapolis, Minnesota.
Automat is a 1927 oil painting by the American realist painter Edward Hopper. The painting was first displayed on Valentine's Day 1927 at the opening of Hopper's second solo show, at the Rehn Galleries in New York City. By April it had been sold for $1,200. The painting is today owned by the Des Moines Art Center, in Iowa.
Charles André Mare (1885–1932), or André-Charles Mare, was a French painter and textile designer, and co-founder of the Company of French Art in 1919. He was a designer of colorful textiles, and was one of the founders of the Art Deco movement.
20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art. At the beginning of the 20th century, Henri Matisse and several other young artists including the pre-cubist Georges Braque, André Derain, Raoul Dufy and Maurice de Vlaminck, revolutionized the Paris art world with "wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism. Matisse's second version of The Dance signified a key point in his career and in the development of modern painting. It reflected Matisse's incipient fascination with primitive art: the intense warm color of the figures against the cool blue-green background and the rhythmical succession of the dancing nudes convey the feelings of emotional liberation and hedonism.
Office at Night is a 1940 oil-on-canvas painting by the American realist painter Edward Hopper. It is owned by the Walker Art Center in Minneapolis, Minnesota, which purchased it in 1948.
Woman with Phlox is an oil painting created in 1910 by the French artist Albert Gleizes. The painting was exhibited in Room 41 at the Salon des Indépendants in the Spring of 1911 ; the exhibition that introduced Cubism as a group manifestation to the general public for the first time. The complex collection of geometric masses in restrained colors exhibited in Room 41 created a scandal from which Cubism spread throughout Paris, France, Europe and the rest of the world. It was from the preview of the works by Gleizes, Jean Metzinger, Henri Le Fauconnier, Robert Delaunay, and Fernand Léger at the 1911 Indépendants that the term 'Cubism' can be dated. La Femme aux Phlox was again exhibited the following year at the Salon de la Section d'Or, Galerie La Boétie, 1912. La Femme aux Phlox was reproduced in The Cubist Painters, Aesthetic Meditations by Guillaume Apollinaire, published in 1913. The same year, the painting was again revealed to the general public, this time in the United States, at the International Exhibition of Modern Art, New York, Chicago, and Boston. The work is now in the Museum of Fine Arts, Houston, Gift of the Esther Florence Whinery Goodrich Foundation in 1965.
Homage to Cézanne is a painting in oil on canvas by the French artist Maurice Denis dating from 1900. It depicts a number of key figures from the once secret brotherhood of Les Nabis. The painting is a retrospective; by 1900 the group was breaking up as its members matured.
The Lacemaker is an oil on canvas painting by the Dutch painter Nicolaes Maes, created c. 1656. It is an example of Dutch Golden Age painting and is part of the collection of the Metropolitan Museum of Art, in New York.
The Open Window is an oil-on-canvas painting by the French artist Pierre Bonnard, painted in 1921. Depicting a scene in a room, the painting draws the viewer's focus to the natural landscape outside of the window, away from the figures in the bottom right. The work is housed in The Phillips Collection in Washington, D.C..
The Balcony Room is an oil-on-canvas painting by the German artist Adolph Menzel, executed in 1845. It is one of the main works of his early period and one of his most famous paintings. It has belonged to the collection of the Alte Nationalgalerie in Berlin, since 1903.
Two Dogs is an oil-on-canvas painting by the French artist Pierre Bonnard, created in 1891. It is held at the Southampton City Art Gallery, in Southampton.