Oscar-Claude Monet was a French painter and founder of impressionist painting who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of impressionism's philosophy of expressing one's perceptions before nature, especially as applied to plein air (outdoor) landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, exhibited in 1874 initiated by Monet and his associates as an alternative to the Salon.
Suzanne Valadon was a French painter who was born Marie-Clémentine Valadon at Bessines-sur-Gartempe, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the Société Nationale des Beaux-Arts. She was also the mother of painter Maurice Utrillo.
Jean-Édouard Vuillard was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
Raoul Dufy was a French Fauvist painter. He developed a colorful, decorative style that became fashionable for ceramics and textile designs, as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, furniture designer and a planner of public spaces.
The Isenheim Altarpiece is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece. It was painted for the Monastery of St. Anthony in Issenheim near Colmar, which specialized in hospital work. The Antonine monks of the monastery were noted for their care of plague sufferers as well as for their treatment of skin diseases, such as ergotism. The image of the crucified Christ is pitted with plague-type sores, showing patients that Jesus understood and shared their afflictions. The veracity of the work's depictions of medical conditions was unusual in the history of European art.
The Unterlinden Museum is located in Colmar, in the Alsace region of France. The museum, housed in a 13th-century Dominican religious sisters' convent and a 1906 former public baths building, is home to the Isenheim Altarpiece by the German Renaissance painter Matthias Grünewald and features a large collection of local and international artworks and manufactured artifacts from prehistorical to contemporary times. It is a Musée de France. With roughly 200,000 visitors per year, the museum is the most visited in Alsace.
Joseph-Théodore Deck was a 19th-century French potter, an important figure in late 19th-century art pottery. Born in Guebwiller, Haut-Rhin, he began learning the trade in his early 20s, moving to Paris at age 24. In 1856 he established his own faience (earthenware) workshop, Joseph-Théodore Deck Ceramique Française, and began to experiment with styles from Islamic pottery, and in particular the Iznik style.
Louis Valtat was a French painter and printmaker associated with the Fauves, who first exhibited together in 1905 at the Salon d'Automne. He is noted as a key figure in the stylistic transition in painting from Monet to Matisse.
Albert Lebourg, birth name Albert-Marie Lebourg, also called Albert-Charles Lebourg and Charles Albert Lebourg, was a French Impressionist and Post-Impressionist landscape painter of the Rouen School. Member of the Société des Artistes Français, he actively worked in a luminous Impressionist style, creating more than 2,000 landscapes during his lifetime. The artist was represented by Galerie Mancini in Paris in 1896, in 1899 and 1910 by : Galerie Bernheim-Jeune, 1903 and 1906 at the Galerie Paul Rosenberg, and 1918 and 1923 at Galerie Georges Petit.
CasparIsenmann was a Gothic painter from Alsace. As the municipal painter of his hometown Colmar and the creator of a major altarpiece for the prestigious St Martin's Church, he was an important representative of the Upper Rhenish school of painting of the mid-15th century and a probable master of Martin Schongauer.
Jules Théophile Schuler was a French painter and illustrator in the Romantic style. He gave his name to an art award established in 1938.
Simone Boisecq was an Algerian-born French sculptor who worked in Algiers and Paris. Her work has been described a synthesis between abstraction and figuration.
Portrait of a Woman is a c. 1515 oil painting by the German artist Hans Holbein the Elder. It is now in the Unterlinden Museum in Colmar, France. Its inventory number is 80.1.1. In the 19th-century, the painting used to belong to count Karol Lanckoroński, of Vienna. In 2016, it was the only painting by Holbein the Elder owned by a public collection in France.
Melancholia is a 1532 oil painting by the German artist Lucas Cranach the Elder. It is now in the Unterlinden Museum in Colmar, France. Its inventory number is 83.5.1.
Madonna of the Rose Bower is a monumental 1473 panel painting by the German artist, Martin Schongauer, depicting Mary and Christ Child in a hortus conclusus, surrounded by roses and finches. The painting is kept in the former Dominican Church of Colmar in Alsace, a large Gothic church formerly of the Dominican Order, built in the 13th and 14th century. It is classified as a Monument historique, as an object, by the French Ministry of Culture since 1978.
Still-Life with a Parrot is a 1907 oil painting by the French artist Robert Delaunay, today in the collection of the Unterlinden Museum in Colmar, Alsace. A first version of the same motif, but in a more mosaic-like design, nowadays belongs to the Thyssen-Bornemisza Museum in Madrid, Spain. The Colmar painting is a manifestation of the young artist's interest in Michel-Eugène Chevreul's theories on colours, and one of his first experimental works.
The Valley of the Creuse, Sunset is a 1889 oil painting by the French artist Claude Monet, today in the collection of the Unterlinden Museum in Colmar, Alsace. It depicts the river Creuse at sunset in a landscape near Fresselines, where the poet Maurice Rollinat had a house in which Monet was a guest from March to May 1889. During that time, Monet painted fourteen views of the site where the Petite Creuse flows into the Grande Creuse, including the Colmar painting. They were all shown together in an exhibition in Paris in June 1889.
The Tempelhof Altarpiece is an oil on panel painting from circa 1445, by the German artist Jost Haller, today in the collection of the Unterlinden Museum in Colmar, Alsace. It had originally belonged to the commandery of the Order of Saint John, also called the Tempelhof, of Bergheim near Colmar, where it was used as a church altarpiece. After it was confiscated in 1793, at the height of the French Revolution, it became "state owned", before eventually becoming an item of the museum's collection.
Bust of a Seated Woman (Jacqueline Roque) is an oil painting by the Spanish artist Pablo Picasso, painted between 2 April and 10 May 1960. It depicts Jacqueline Roque, a woman with whom he had started a relationship in 1954, after his divorce from Françoise Gilot, and whom he would marry in 1961. The painting belongs to the Unterlinden Museum in Colmar, Alsace, since 1967, when it was bought by the museum following a successful Picasso exhibition there. Its inventory number is 88.RP.400.
