Painterliness is a concept based on ‹See Tfd›German: malerisch ('painterly'), a word popularized by Swiss art historian Heinrich Wölfflin (1864–1945) to help focus, enrich and standardize the terms being used by art historians of his time to characterize works of art.
The Nabis were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from Impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.
Las Meninas is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist of the Spanish Baroque. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.
Jean-Édouard Vuillard was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
The Phillips Collection is an art museum founded by Duncan Phillips and Marjorie Acker Phillips in 1921 as the Phillips Memorial Gallery located in the Dupont Circle neighborhood of Washington, D.C. Phillips was the grandson of James H. Laughlin, a banker and co-founder of the Jones and Laughlin Steel Company.
Grace Cossington Smith was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Examples of her work are held by every major gallery in Australia.
Anne Redpath (1895–1965) was a Scottish artist whose vivid domestic still lifes are among her best-known works.
Dora Maar au Chat is an oil-on-canvas painting by Pablo Picasso. It was painted in 1941 and depicts Dora Maar, the artist's lover, seated on a chair with a small cat perched on her shoulders. The painting is listed as one of the most expensive paintings, after achieving a price of $95 million at Sotheby's on 3 May 2006. It is currently the sixth-highest-selling painting by Picasso.
Mr and Mrs Clark and Percy is a 1971 painting by the British artist David Hockney. Painted between 1970 and 1971, it depicts the fashion designer Ossie Clark and the textile designer Celia Birtwell in their flat in Notting Hill Gate shortly after their wedding, with one of the couple's cats on Clark's knee. The white cat depicted in the painting was Blanche; Percy was another of their cats, but Hockney thought "Percy" made a better title.
The Painter's Studio is an 1855 oil-on-canvas painting by Gustave Courbet. It is located in the Musée d'Orsay in Paris, France.
Chop Suey (1929) is an oil painting on canvas by the American artist Edward Hopper. The foreground of the work portrays two women in conversation at a restaurant. In November 2018, it was sold at $92 million, a record price for the artist's work.
Odalisque With Raised Arms is a painting by Henri Matisse, completed in 1923. The oil on canvas measuring 23 by 26 inches is held in the National Gallery of Art, in Washington D.C.. Matisse's style changed and evolved drastically throughout his career, including his wide and varying collection of paintings depicting female nudes. His odalisque paintings were inspired by his trip to Morocco. Many of the female subjects in the Odalisque paintings were modeled after Matisse's main model at the time, Henriette Darricarrère.
Caspar David Friedrich in his Studio refers to two paintings by the German romantic artist Georg Friedrich Kersting dated 1811 and 1819. Of these the 1819 version, now in the Alte Nationalgalerie in Berlin, is the best known. In both Kersting depicted fellow German painter Caspar David Friedrich in his studio.
Hotel Lobby is a 1943 oil painting on canvas by American realist painter Edward Hopper; it is held in the collection of the Indianapolis Museum of Art (IMA), in Indianapolis, Indiana, United States.
The Blue Room is a 1901 oil on canvas painting by Pablo Picasso, which he painted during his Blue Period. It depicts a scene of a nude woman bending over in a bath tub. A hidden painting was revealed beneath the surface by x-ray images and infra-red scans, showing a portrait of a bearded man. The painting has been housed in The Phillips Collection, in Washington D.C. since 1927.
Three Figures in a Room is a 1964 oil-on-canvas triptych painting by British artist Francis Bacon. Each panel measures 198 × 147 centimetres (78 × 58 in) and shows a separate view of his lover George Dyer, whom Bacon first met in 1963. It is the first of Bacon's works to feature Dyer, a model to whom he returned repeatedly in his paintings. The work has been described as Bacon's first secular triptych.
Cardplayers in a Sunlit Room (1658) is an oil-on-canvas painting by the Dutch painter Pieter de Hooch; it is an example of Dutch Golden Age painting and is now in the Royal Collection, and on display at the King's Gallery in London.
Woman at a Window is an 1822 oil painting by the German Romantic artist Caspar David Friedrich. This painting is currently located in Alte Nationalgalerie, Berlin. The painting depicts an interior with a woman, seen from behind, peering out an opened window. Beyond the window, the masts of ships are visible. The woman in the piece is Friedrich's wife Caroline and the view from the window is from his studio overlooking the Elbe river in Dresden. Friedrich submitted his work to be exhibited at the Dresden Academy, however he did not complete the piece in time to be in the main exhibition.
Dining Room in the Country is an oil-on-canvas painting by the French artist Pierre Bonnard, created in 1913. It is held at the Minneapolis Institute of Art, in Minneapolis.
