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| Two Dogs | |
|---|---|
| French: Deux Chiens | |
 | |
| Artist | Pierre Bonnard |
| Year | 1891 |
| Medium | Oil painting on canvas |
| Movement | Post-Impressionism Nabis |
| Dimensions | 36,3 cm× 39.7 cm(143 in× 15.6 in) |
| Location | Southampton City Art Gallery, Southampton |
Two Dogs (French: Deux Chiens) is an oil-on-canvas painting by the French artist Pierre Bonnard, created in 1891. It is held at the Southampton City Art Gallery in Southampton.
In 1891, Bonnard entered a competition to design dining room furniture. Although his project never materialized, Bonnard used an already existing cabinet door design for his painting Two Dogs. The painting depicts two brown poodles playing, one up and other down, both barking, in a green floor, while two flowers can be seen at the right. The poodles may have been modeled on Bonnard's own dog, Ravageau. The simple but expressive composition, as well as the use of several "color blocks" shows the artist's interest in Japanese prints. In this work, along with the painting Study for a Cat (1890), Bonnard tries to use the influence of the Japanese masters and revive pure decorativeness with life impressions. At the same time, dark dogs are often a repetitive and important theme for the artist. [1] [2]
In 1963, the painting was given to the Southampton City Art Gallery by the will of the gallery owner and collector Arthur Tilden Jeffress.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
Post-Impressionism was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism. Post-Impressionism emerged as a reaction against Impressionists' concern for the naturalistic depiction of light and colour. Its broad emphasis on abstract qualities or symbolic content means Post-Impressionism encompasses Les Nabis, Neo-Impressionism, Symbolism, Cloisonnism, the Pont-Aven School, and Synthetism, along with some later Impressionists' work. The movement's principal artists were Paul Cézanne, Paul Gauguin, Vincent van Gogh and Georges Seurat.
Les Nabis were a group of young French artists active in Paris from 1888 until 1900, who played a large part in the transition from impressionism and academic art to abstract art, symbolism and the other early movements of modernism. The members included Pierre Bonnard, Maurice Denis, Paul Ranson, Édouard Vuillard, Ker-Xavier Roussel, Félix Vallotton, Paul Sérusier and Auguste Cazalis. Most were students at the Académie Julian in Paris in the late 1880s. The artists shared a common admiration for Paul Gauguin and Paul Cézanne and a determination to renew the art of painting, but varied greatly in their individual styles. They believed that a work of art was not a depiction of nature, but a synthesis of metaphors and symbols created by the artist. In 1900, the artists held their final exhibition and went their separate ways.
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Jean-Édouard Vuillard was a French painter, decorative artist, and printmaker. From 1891 through 1900, Vuillard was a prominent member of the avant garde artistic group Les Nabis, creating paintings that assembled areas of pure color. His interior scenes, influenced by Japanese prints, explored the spatial effects of flattened planes of color, pattern, and form. As a decorative artist, Vuillard painted theater sets, panels for interior decoration, and designed plates and stained glass. After 1900, when the Nabis broke up, Vuillard adopted a more realistic style, approaching landscapes and interiors with greater detail and vivid colors. In the 1920s and 1930s, he painted portraits of prominent figures in French industry and the arts in their familiar settings.
Pierre Bonnard was a French painter, illustrator and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. A founding member of the Post-Impressionist group of avant-garde painters Les Nabis, his early work was strongly influenced by the work of Paul Gauguin, as well as the prints of Hokusai and other Japanese artists. Bonnard was a leading figure in the transition from Impressionism to Modernism. He painted landscapes, urban scenes, portraits and intimate domestic scenes, where the backgrounds, colors and painting style usually took precedence over the subject.
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Trial by Jury, or Laying Down the Law as it is commonly known, is an oil-on-canvas painting from 1840 by the English painter Sir Edwin Landseer, which satirises the legal profession. It depicts dogs in the roles of members of the court with a French poodle centre stage as the judge. The painting was inspired by a chance comment by a judge, while at dinner with Landseer, that the French poodle belonging to amateur artist and renowned socialite, the Count d'Orsay, "would make a capital Lord Chancellor".
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