Dirty Work is a farce by Ben Travers. It was one of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the maladroit but ultimately successful efforts of a shop-walker to outwit a gang of jewel thieves.
The piece opened on 7 March 1932 and ran for 193 performances until 26 August. [1] A film adaptation of the play was made in 1934.
The actor-manager Tom Walls had produced, directed and co-starred in nine farces at the Aldwych since 1923. By the early 1930s his interest was moving from theatre to cinema, and though he produced the new work he did not appear in it. Ben Travers, who had written all but two of the previous farces, made no attempt to write a Walls-type role for another actor to play. [2] Ralph Lynn, who had co-starred with Walls in the previous farces, became the sole star. [3] Many members of the familiar company remained: Lynn, in his customary "silly ass" role, Robertson Hare, as a figure of put-upon respectability; Mary Brough as a good-hearted battle-axe; Ethel Coleridge as the voice of middle-class primness; and the saturnine Gordon James. [4] Walls was missed by the critics and the public; [2] the play was the first of the series to run for fewer than 250 performances. [5]
James Milligan, a senior employee in a Bond Street jewellers, comes under suspicion when an item goes missing. The house detective is an accomplice of a gang of jewel thieves, and plants a stolen jewel on Milligan. A junior employee, Evie Wynne, who admires Milligan, knows him to be innocent. With the aid of the formidable housekeeper, Mrs Bugle, the grim night-watchman, Toome, and the solemn head assistant, Clement Peck, they stage a fake burglary of the shop, adopting disguises. Peck's disguise requires him to shave off his cherished moustache, to his indignation. By dropping a discreet word to a suave customer who is correctly suspected of being part of the gang, the conspirators lure the real thieves into intruding into the premises during the supposed burglary. The thieves are rounded up, and Evie and Milligan pair off.
The Daily Mirror commented, "There have been Aldwych farces with a better plot and more cumulative farcical interest, but in this one Ben Travers, the perennial author, shows that he still has the ability to get a laugh in almost every line." [6] The Times found "the smooth impulse of Mr Tom Walls is sadly lacking", but considered the play "in general, and with intervals, a pleasant absurdity". [3] The Manchester Guardian thought the play not quite on a par with earlier Aldwych farces, specifically Rookery Nook or Thark , but granted it "a worthy place in the sequence". The paper praised Travers for lifting English farce "well out of the rut of French night clubs and hotel corridors". [7] The Observer thought the play "a quieter instalment of the Aldwych serial than usual [but] nevertheless one of the best. It has more purposeful restraint than some, and lays its preposterous mines more cunningly in the fairway." [8]
The play was made into a film in 1934, under the same title. Tom Walls directed; Lynn, Hare, James and Margaretta Scott reprised their stage roles. The role of Mrs Bugle was written out; Mary Brough had been taken fatally ill at Easter 1934. [9]
Ben Travers was an English writer. His output includes more than 20 plays, 30 screenplays, 5 novels, and 3 volumes of memoirs. He is best remembered for his long-running series of farces first staged in the 1920s and 1930s at the Aldwych Theatre. Many of these were made into films and later television productions.
Thomas Kirby Walls was an English stage and film actor, producer and director, best known for presenting and co-starring in the Aldwych farces in the 1920s and for starring in and directing the film adaptations of those plays in the 1930s.
John Robertson Hare, OBE was an English actor, who came to fame in the Aldwych farces. He is remembered by more recent audiences for his performances as the Archdeacon in the popular BBC sitcom, All Gas and Gaiters.
Mary Bessie Brough was an English actress in theatre, silent films and early talkies, including eleven of the twelve Aldwych farces of the 1920s and early 1930s.
Ralph Clifford Lynn was an English actor who had a 60-year career, and is best remembered for playing comedy parts in the Aldwych farces first on stage and then in film.
Dirty Work is a 1934 British comedy crime film directed by Tom Walls and starring Ralph Lynn, Gordon Harker, Robertson Hare and Basil Sydney. It was based on Dirty Work, one of the Aldwych Farces, by Ben Travers, which had some of the same cast members. The film was made at the Lime Grove Studios with sets designed by the art director Alfred Junge.
Plunder is a 1931 British comedy film directed by and starring Tom Walls. It also features Ralph Lynn, Winifred Shotter and Robertson Hare. It was based on the original stage farce of the same title, and was the second in a series of film adaptations of Aldwych farces by Ben Travers, adapted in this case by W. P. Lipscomb, and was a major critical and commercial success helping to cement Walls's position as one of the leading stars of British cinema.
Rookery Nook is a farce by the English playwright Ben Travers based on his own 1923 novel. It was first given at the Aldwych Theatre, London, the third in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the complications that ensue when a young woman, dressed in pyjamas, seeks refuge from her bullying stepfather at a country house in the middle of the night.
Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.
The Aldwych farces were a series of twelve stage farces presented at the Aldwych Theatre, London, nearly continuously from 1923 to 1933. All but three of them were written by Ben Travers. They incorporate and develop British low comedy styles, combined with clever word-play. The plays were presented by the actor-manager Tom Walls and starred Walls and Ralph Lynn, supported by a regular company that included Robertson Hare, Mary Brough, Winifred Shotter, Ethel Coleridge, and Gordon James.
Thark is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fourth in the series of twelve Aldwych farces presented at the theatre by the actor-manager Tom Walls between 1923 and 1933. It starred the same cast members as many of the other Aldwych farces. The story concerns a reputedly haunted English country house. Investigators and frightened occupants of the house spend a tense night searching for the ghost.
A Cuckoo in the Nest is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the second in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the cast formed the regular core cast for the later Aldwych farces. The plot concerns two friends, a man and a woman, who are each married to other people. While travelling together, they are obliged by circumstances to share a hotel bedroom. Everyone else assumes the worst, but the two travellers are able to prove their innocence.
Plunder is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fifth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play shows two friends committing a jewel robbery, for arguably honourable reasons, with fatal results.
A Cup of Kindness is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the sixth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the feud between two suburban families.
A Night Like This is a farce by Ben Travers, written as one of the series of Aldwych farces staged nearly continuously at the Aldwych Theatre, London, from 1923 to 1933. The farces were directed by Tom Walls, who co-starred in most of them with Ralph Lynn, and a supporting cast of regular Aldwych performers. The play is a spoof of detective plays and thrillers, with the two stars successfully taking on a criminal gang. Eventually, the gang is rounded up, and the jewels taken from the heroine are restored to their proper owner.
Thark is a 1932 British film farce, directed by Tom Walls, with a script by Ben Travers. In addition to Walls, the film stars Ralph Lynn and Robertson Hare. The film is a screen adaptation of the original 1927 Aldwych farce play Thark. It was made at British and Dominion's Elstree Studios.
A Night Like This is a 1932 comedy film directed by Tom Walls and starring Walls, Ralph Lynn and Winifred Shotter. Ben Travers wrote the screenplay, adapting his own play, the original 1930 Aldwych farce of the same title.
Fifty-Fifty is a farce by H. F. Maltby, adapted from a French original, Azaïs, by Louis Verneuil and Georges Berr. It was the penultimate work of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The play centres on the sudden rise of an impoverished music teacher to become manager of a grand casino.
Marry the Girl is a farce by George Arthurs and Arthur Miller. It was one of the series of Aldwych farces that ran at the Aldwych Theatre in London nearly continuously from 1923 to 1933. The play centres on a breach of promise case brought before a British court of justice.
A Bit of a Test is a farce by Ben Travers. It was the last, and least successful, of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the efforts of the England cricket captain to keep his star batsman out of trouble during an Ashes series in Australia.