Turkey Time is a farce by Ben Travers. It was one of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The story concerns two guests, staying at the Stoatt household for Christmas, who offer shelter to a pretty concert performer left stranded when her employer absconds, leaving his cast unpaid.
The piece opened on 26 May 1931 and ran for 263 performances until 16 January 1932. [1] A film adaptation of the play was made in 1933.
Turkey Time was the ninth in the series of twelve Aldwych farces, and the seventh written by Travers. The first four in the series, It Pays to Advertise , A Cuckoo in the Nest , Rookery Nook and Thark had long runs, averaging more than 400 performances each. The next three were less outstandingly successful, the runs getting shorter with each production: Plunder (1928, 344 performances); A Cup of Kindness (1929, 291 performances); A Night Like This (1930, 267 performances). Turkey Time improved upon the eighth in the series, Marry the Girl (1930), which had managed only 195 performances.
Like its predecessors, the play was directed by Tom Walls, who co-starred with Ralph Lynn, a specialist in playing "silly ass" characters. The regular company of supporting actors included Robertson Hare, who played a figure of put-upon respectability; Mary Brough in eccentric old lady roles; Ethel Coleridge as the severe voice of authority; Winifred Shotter as the sprightly young female lead; and the saturnine Gordon James. [2] [3] This was the last of the Aldwych farces in which Walls appeared on stage. He produced, but did not play in, the last three. [4]
The action takes place at Duddwater, a small seaside town, on the night of Christmas Eve.
The Stoatt household comprises the meek Edwin and his bossy wife Ernestine, her sister Louise and her fiancé David Winterton, and Max Wheeler, a cousin of Ernestine and Louise, on a holiday from his home in Canada. Ernestine insists that they should all go out carol singing, but Max cannot be found. Mrs Gather, who runs a guest house nearby, comes to complain that one of the men of the household has been misbehaving with one of her guests. Ernestine is so indignant at this slur that she sends Mrs Gather away without learning which of the three men she is accusing.
Everyone except David leaves to go carol singing. Mrs Gather reappears, with Rose in tow. Mrs Gather has decided that as Rose cannot pay her bill, the man whom she saw kissing her can take care of her. The man was Max, but David does not correct Mrs Gather's error. She leaves Rose with David. Rose has been appearing in a show, and was left stranded when the manager absconded without paying his cast. They are interrupted by Warwick Westbourne, an actor who has a romantic interest in Rose and wishes to take her away. Edwin and Louise return, and in the ensuing confusion Westbourne leaves with Rose. Max returns. He and David vow to rescue Rose from Westbourne's clutches. They discover from Mrs Gather that Westbourne has taken Rose to the Bella Vista hotel and go in pursuit.
To raise money, Westbourne proposes to sell the theatre company's costumes to Luke Meate, the simple-minded uncle of the landlady of the Bella Vista. Meate gives him the contents of the petty cash box. Mrs Gather's increasingly strident demands for the money owed to her are soon augmented by the demand of Mrs Pike, the owner of the Bella Vista, for the return of her petty cash. The carol singers are heard outside, and Max realises that he can prise enough money from Edwin's collection box to pay both women. Edwin naturally refuses, but Max and David bamboozle him into parting with it.
Mrs Gather, learning that the money is, as she puts it, "ill-got", refuses to accept it. Edwin takes it back. David and Max smuggle Rose out through her bedroom window, and only Edwin is still there when Ernestine and the carol singers burst in.
David is wondering how to break it to Louise that he has fallen in love with Rose. Louise gets in first, telling him that she has fallen for Max, who reciprocates her love. Florence, the maid, offers Rose the use of the spare bed in her room, and lends her a pair of pyjamas. There is a confused scene in the dark in the small hours when Ernestine brings in Christmas parcels for the household while Edwin discovers and attempts to conceal the clothes that Rose has left there. Finally, Westbourne appears and is knocked out by Max, while David and Rose drive away together in Edwin's motor-car.
Ivor Brown wrote in The Observer :
Mr. Lynn and Mr. Walls have a great evening as the fairly good Samaritans. As the uncommonly good Mr. Stoatt, Mr. Hare is in his usual and irresistible form. I wonder what would happen if they gave him a part in which he was permitted to laugh. Has he forgotten how? That is possible; what is certain is that Turkey Time will generously assist the operation of mirth, as all the Aldwych farces have before it. [5]
The Illustrated London News said of Hare, "that plaintive air and furrowed brow of his rank with the Tower and the Monument as one of the sights of London", and thought the play "very good entertainment, though … some of the Rabelaisian jests will not appeal to all." [6] The Daily Mirror thought the piece "will not rank with the best of the Aldwych farces but … has a lot of odds and ends of fun, plus a dash of charm." [7]
The play was revived at the Bristol Old Vic in December 1986, directed by Roger Rees with Robert East, Anthony Pedley and John Rogan in the Lynn, Walls and Hare roles. [8]
In 1933 the play was turned into a film of the same title directed by and starring Walls. It was part of a series of successful 1930s screen versions of the Aldwych farces. Walls, Lynn, Hare, Brough, Varden and Corbett reprised their original stage roles. [9] Ben Travers himself adapted the play for a 1970 BBC television production, starring Richard Briers and Arthur Lowe. [10] The play was broadcast on BBC Radio 4 in an adaptation by Martyn Read in December 1993 with Desmond Barrit and Michael Cochrane in the leading roles. [11]
Thomas Kirby Walls, known as Tom Walls, was an English stage and film actor, producer and director, best known for presenting and co-starring in the Aldwych farces in the 1920s and for starring in and directing the film adaptations of those plays in the 1930s.
John Robertson Hare, OBE was an English actor, who came to fame in the Aldwych farces. He is remembered by modern audiences for his performances as the Archdeacon in the popular BBC sitcom, All Gas and Gaiters.
Mary Bessie Brough was an English actress in theatre, silent films and early talkies, including eleven of the twelve Aldwych farces of the 1920s and early 1930s.
Ralph Clifford Lynn was an English actor who had a 60-year career, and is best remembered for playing comedy parts in the Aldwych farces first on stage and then in film.
Rookery Nook is a farce by the English playwright Ben Travers based on his own 1923 novel. It was first given at the Aldwych Theatre, London, the third in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the complications that ensue when a young woman, dressed in pyjamas, seeks refuge from her bullying stepfather at a country house in the middle of the night.
Turkey Time is a 1933 British comedy film directed by Tom Walls and starring Walls, Ralph Lynn, Robertson Hare and Dorothy Hyson. The screenplay concerns a group of guests come to stay with the Stoatt family in the seaside town of Eden Bay for Christmas. They soon become involved with an impoverished concert performer whose innocent presence in the house leads to a series of misunderstandings. It was adapted from the 1931 play Turkey Time by Ben Travers, one of the Aldwych Farces.
The Aldwych farces were a series of twelve stage farces presented at the Aldwych Theatre, London, nearly continuously from 1923 to 1933. All but three of them were written by Ben Travers. They incorporate and develop British low comedy styles, combined with clever word-play. The plays were presented by the actor-manager Tom Walls and starred Walls and Ralph Lynn, supported by a regular company that included Robertson Hare, Mary Brough, Winifred Shotter, Ethel Coleridge, and Gordon James.
Thark is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fourth in the series of twelve Aldwych farces presented at the theatre by the actor-manager Tom Walls between 1923 and 1933. It starred the same cast members as many of the other Aldwych farces. The story concerns a reputedly haunted English country house. Investigators and frightened occupants of the house spend a tense night searching for the ghost.
A Cuckoo in the Nest is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the second in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the cast formed the regular core cast for the later Aldwych farces. The plot concerns two friends, a man and a woman, who are each married to other people. While travelling together, they are obliged by circumstances to share a hotel bedroom. Everyone else assumes the worst, but the two travellers are able to prove their innocence.
Plunder is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the fifth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play shows two friends committing a jewel robbery, for arguably honourable reasons, with fatal results.
A Cup of Kindness is a farce by the English playwright Ben Travers. It was first given at the Aldwych Theatre, London, the sixth in the series of twelve Aldwych farces presented by the actor-manager Tom Walls at the theatre between 1923 and 1933. Several of the actors formed a regular core cast for the Aldwych farces. The play depicts the feud between two suburban families.
A Cuckoo in the Nest is a 1933 British film, directed by Tom Walls, with a script by Ben Travers. It is a screen adaption of the original 1925 Aldwych farce of the same title. The film was remade in 1954 as Fast and Loose.
A Night Like This is a farce by Ben Travers, written as one of the series of Aldwych farces staged nearly continuously at the Aldwych Theatre, London, from 1923 to 1933. The farces were directed by Tom Walls, who co-starred in most of them with Ralph Lynn, and a supporting cast of regular Aldwych performers. The play is a spoof of detective plays and thrillers, with the two stars successfully taking on a criminal gang. Eventually, the gang is rounded up, and the jewels taken from the heroine are restored to their proper owner.
Thark is a 1932 British film farce, directed by Tom Walls, with a script by Ben Travers. In addition to Walls, the film stars Ralph Lynn and Robertson Hare. The film is a screen adaptation of the original 1927 Aldwych farce of the play of the same name. It was made at Elstree Studios.
A Night Like This is a 1932 comedy film directed by Tom Walls and starring Walls, Ralph Lynn and Winifred Shotter. Ben Travers wrote the screenplay, adapting his own play, the original 1930 Aldwych farce of the same title.
Fifty-Fifty is a farce by H. F. Maltby, adapted from a French original, Azaïs, by Louis Verneuil and Georges Berr. It was the penultimate work of the series of Aldwych farces that ran nearly continuously at the Aldwych Theatre in London from 1923 to 1933. The play centres on the sudden rise of an impoverished music teacher to become manager of a grand casino.
Marry the Girl is a farce by George Arthurs and Arthur Miller. It was one of the series of Aldwych farces that ran at the Aldwych Theatre in London nearly continuously from 1923 to 1933. The play centres on a breach of promise case brought before a British court of justice.
Dirty Work is a farce by Ben Travers. It was one of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the maladroit but ultimately successful efforts of a shop-walker to outwit a gang of jewel thieves.
A Bit of a Test is a farce by Ben Travers. It was the last, and least successful, of the series of twelve Aldwych farces that ran in uninterrupted succession at the Aldwych Theatre in London from 1923 to 1933. The play depicts the efforts of the England cricket captain to keep his star batsman out of trouble during an Ashes series in Australia.
Turkey Time is a 1970 British television production by the BBC.