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The Richmond Heiress is a 1693 comedy play by the English writer Thomas D'Urfey.
Cambyses, King of Persia is 1671 tragedy by the English writer Elkanah Settle. It was staged by the Duke's Company at the Lincoln's Inn Fields Theatre in London. The original cast included Thomas Betterton as Cambyses, Henry Harris as Prexaspes, John Crosby as Otanes, William Smith as Darius, Henry Norris as Artaban, Matthew Medbourne as Smerdis, Samuel Sandford as Parasithes, John Young as Theramnes, Mary Betterton as Mandana, Elinor Dixon as Orinda and Jane Long as Osiris.
Love And Revenge is a 1674 tragedy by the English writer Elkanah Settle. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The cast featured William Smith as Clotair, John Crosby as Lewis, Henry Norris as Brisack, Matthew Medbourne as Clarmount, Thomas Gillow as Lamot, Thomas Percival as Burbon, Mary Lee as Nigrello, Margaret Osborne as Fredigond and Mary Betterton as Aphelia. When published in 1675 it was dedicated to the Duke of Newcastle, a wealthy aristocrat and patron of the arts.
John Richards was an English stage actor of the seventeenth century. An early member of the Duke's Company in London, he was lured away to the new Smock Alley Theatre in Dublin by John Ogilby. He was back with the Duke's at the Dorset Garden Theatre from the mid-1670s, but while in Ireland he was able to play major roles his English performances were generally supporting parts.
Sir Anthony Love; Or, The Rambling Lady is a 1690 comedy play by the Irish writer Thomas Southerne. It was originally staged by the United Company at the Theatre Royal, Drury Lane with a cast that included Susanna Mountfort in a breeches role as Sir Anthony Love, William Mountfort as Valentine, Joseph Williams as Ilford, William Bowen as Sir Gentle Golding, Anthony Leigh as An Abbe, John Hodgson as Count Canaile, Samuel Sandford as Count Verole, George Bright as Waitwell, Colley Cibber as Servant to Sir Gentle, Charlotte Butler as Floriante, Anne Bracegirdle as Charlote and Frances Maria Knight as Volante. The play's incidental music was composed by Henry Purcell.
The Fatal Marriage; Or, The Innocent Adultery is a 1694 tragicomedy by the Anglo-Irish writer Thomas Southerne. It was part of the tradition of She-tragedy which flourished at the time. Incidental music for the work was composed by Henry Purcell.
Henry Harris was an English stage actor and theatre manager. Initially a painter he was a founder member of the new Duke's Company in 1660 following the Restoration which established itself at the old Salisbury Court Theatre before moving to the new Lincoln's Inn Fields Theatre shortly afterwards. Due to his background Harris may have been a set designer and painter during his early years with the company. However, by 1661 he was acting, and his first recorded role was in William Davenant's The Siege of Rhodes that summer. He quickly established himself as the second actor in the troupe after Thomas Betterton.
The Maid's Last Prayer: Or, Any Rather Than Fail is a 1693 comedy play by the Irish writer Thomas Southerne. It was first staged at the Theatre Royal, Drury Lane by the United Company.
The Ambitious Slave; Or, A Generous Revenge is a 1694 tragedy by the English writer Elkanah Settle. It was first staged at the Theatre Royal, Drury Lane by the United Company.
The Conquest of China by the Tartars is a 1675 tragedy by the English writer Elkanah Settle. It was originally performed by the Duke's Company at the Dorset Garden Theatre in London.
The Empress of Morocco is a 1673 tragedy by the English writer Elkanah Settle. It was originally staged by the Duke's Company at the Dorset Garden Theatre in London. The cast included Henry Harris as Muly Labas, William Smith as Muly Hamet, Thomas Betterton as Grimalhaz, Matthew Medbourne as Hametalhaz, John Crosby as Abdelcador, Mary Betterton as Laula and Mary Lee as Mariamne. The published version was dedicated to Henry Howard, Earl of Norwich.
Theodosius; Or, The Force Of Love is a 1680 tragedy by the English writer Nathaniel Lee. It was first staged by the Duke's Company at the Dorset Garden Theatre. It takes place during the reign of the Roman Emperor Theodosius II. Incidental music for the play was composed by Henry Purcell.
Love Triumphant; Or, Nature Will Prevail is a 1694 tragicomedy by the English writer John Dryden. It was Dryden's final stage play.
A Fool's Preferment; Or, The Three Dukes Of Dunstable is a 1688 comedy play by the English writer Thomas D'Urfey. It is a reworking of John Fletcher's Jacobean work The Noble Gentleman. It was first performed by the United Company at the Dorset Garden Theatre in London. Henry Purcell composed the play's incidental music. It was his first major work composing for the theatre in seven years since Sir Barnaby Whigg.
Elizabeth "Betty" Cox was an English stage actress of the seventeenth century.
Pastor Fido; Or, The Faithful Shepherd is a 1676 tragicomedy by the English writer Elkanah Settle. It was first performed by the Duke's Company at the Dorset Garden Theatre in London. It is inspired by Giovanni Battista Guarini's pastoral work Il pastor fido.
Ibrahim The Illustrious Bassa is a 1676 tragedy by the English writer Elkanah Settle, based on a 1641 novel by the French writer Madeleine de Scudéry. It was first performed by the Duke's Company at the Dorset Garden Theatre in London.
John Coysh was an English stage actor of the seventeenth century. He was a member of the King's Company, based at the Theatre Royal, Drury Lane.
The Female Prelate; Being The History Of The Life And Death Of Pope Joan is a 1680 tragedy by the English writer Elkanah Settle. It was first performed by the King's Company at the Theatre Royal, Drury Lane in London. The original cast members are unknown. It is also known by the shorter title Pope Joan.
Fatal Love; Or, The Forc'd Inconstancy is a 1680 tragedy by the English writer Elkanah Settle. It was first staged by the King's Company at the Theatre Royal, Drury Lane in London. The original cast members are unknown. Producer at the time of the Popish Plot scare and the Exclusion Crisis, it was notably anti-Catholic similar to Settle's other tragedy of the same year The Female Prelate.
References
- ↑ Van Lennep p.390
